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Set I
Eyes Of The World
Walkin' Blues
Brown Eyed Women
When I Paint My Masterpiece
Loose Lucy
Cassidy
Might As Well
Walkin' Blues
Brown Eyed Women
When I Paint My Masterpiece
Loose Lucy
Cassidy
Might As Well
Set II
Saint Of Circumstance >
Ship Of Fools >
Truckin' >
New Speedway Boogie >
Uncle John's Band >
Drums >
Space >
Jam >
China Doll >
Playing In The Band >
Sugar Magnolia
Encore:
The Weight
Ship Of Fools >
Truckin' >
New Speedway Boogie >
Uncle John's Band >
Drums >
Space >
Jam >
China Doll >
Playing In The Band >
Sugar Magnolia
Encore:
The Weight
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(484) View Source
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DSBD> DAT> CDR> SHN; new version d1, 5/18/99; first 1-2 sec of Eyes is missing; note md5s were lacking- ones shown here generated by G.S. Hamilton, for OK shns with the newer d1
(3591) View Source
View Archive
sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman
(25608) View Source
View Archive
SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.]
(31606) View Source
View Archive
flac16; SBD + AUD Matrix Mix
(33670) View Source
View Archive
DTS-Audio-CD 5.1 Mix
(86659) View Source
View Archive
flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F.
(86660) View Source
View Archive
flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred (7/2007) by Andrew F.
(95644) View Source
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flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
(122790) View Source
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flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(122791) View Source
View Archive
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(128692) View Source
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flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
(134054) View Source
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flac16; Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(135941) View Source
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flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin
(135942) View Source
View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin
(135943) View Source
View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin
(137545) View Source
View Archive
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(137547) View Source
View Archive
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain
(484) View Source
View Archive DSBD> DAT> CDR> SHN; new version d1, 5/18/99; first 1-2 sec of Eyes is missing; note md5s were lacking- ones shown here generated by G.S. Hamilton, for OK shns with the newer d1
(3591) View Source
View Archive sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman
(25608) View Source
View Archive SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.]
(31606) View Source
View Archive flac16; SBD + AUD Matrix Mix
(33670) View Source
View Archive DTS-Audio-CD 5.1 Mix
(86659) View Source
View Archive flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F.
(86660) View Source
View Archive flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred (7/2007) by Andrew F.
(95644) View Source
View Archive flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
(122790) View Source
View Archive flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(122791) View Source
View Archive flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(128692) View Source
View Archive flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
(134054) View Source
View Archive flac16; Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(135941) View Source
View Archive flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin
(135942) View Source
View Archive flac16; Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin
(135943) View Source
View Archive DTS-Audio-CD 5.1 Mix; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin
(137545) View Source
View Archive flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(137547) View Source
View Archive flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Darrell Grant (3/5) | shn / 2 | View | ||||
| Big O (3/5) | / 3 | A | View | 484 | SBD>DAT>CDR | |
| fortywater26 (3/0) | CDR / 3 | View | ||||
| Jason (3/3) | CD-R / 3 | A | A | View | ||
| Jason (3/3) | CD-R / 3 | A | A | View | ||
| Jason (3/1) | CD-R / 3 | A | A | View | ||
| Jason (3/1) | CD-R / 3 | A | A | View | ||
| Buzzy (3/0) | CDR / 3 | A+ | View | SBD | ||
| Notes: | Noodling before "eyes" cut off | |||||
| gideon mosler (3/0) | / 3 | View | ||||
| Michael Garcia (3/0) | DAT / 0 | View | ||||
| Jason Harder (3/0) | SHN / 2 | View | 3591 | |||
| Lee Rosenbaum (3/5) | SHN / 2 | A+ | View | SBD DAT > circulation? | ||
| Jeff Newman (3/5) | / 0 | View | ||||
| David Jancy (3/5) | cdr / 3 | A/A | View | SBD | ||
| Notes: | Disc 1: (set 1) 01) Eyes Of The World > 02) Walkin' Blues 03) Brown Eyed Women 04) Dark Star jam > When I Paint My Masterpiece 05) Loose Lucy 06) Cassidy 07) Might As Well Disc 2: (set 2) 01) jam > 02) Saint Of Circumstance > 03) Ship Of Fools > 04) Dark Star jam > 05) Truckin' > 06) New Speedway Boogie > jam 07) Uncle John's Band > 08) jam > 09) Drums > Disc 3: 01) Space > 02) China Doll > 03) Playing In The Band > 04) Sugar Magnolia (encore) 05) The Weight comments: First few notes of show missing. | |||||
| TLEO (3/0) | shnf / 0 | View | dsbd | |||
| Jim Van Houten (2/5) | CD / 3 | View | HD & Audio CD Copy:... | |||
| Brian Koistinen (2/5) | CDR / 3 | A | View | DSBD | ||
| Scott Miller (2/0) | / 0 | View | ||||
| Dave (2/3) | / 3 | A | View | |||
| Dave Wenzel (2/5) | / 3 | A | View | SBD:DM>D>SEK'D Prodif Plus>Samplitude>shn>CD | ||
| Notes: | Eyes opener nice China Doll | |||||
| gruven42 (2/4.7) | Video CDRW / 1 | A | View | ABC Broadcast | ||
| Notes: | Eyes of the World, Saint Of Circumstance, I Need A Miracle (from 6/16/91); Excellent quality video | |||||
| Eric H. (2/5) | CDR / 3 | A | View | |||
| Ray LaChance (2/5) | CDR / 3 | A | View | 484 | DSBD | |
| Notes: | DSBD > DAT > CDR Complete show (includes encore!) First few seconds of Eyes is clipped | |||||
| Ray LaChance (2/5) | CDR / 3 | A | View | 25608 | DTS 5.1 | |
| Notes: | Source Info SBD SBD: Master Dat (44.1k) > Dat Clone Transfer Info: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional -> SHN Via: The immortal, unstoppable Charlie Miller AUD FOB: B&K 4011's > Neumann BS48i power supplies > Aiwa/HHB1Pro DAT Taper: Curtis Claymont Location: "Sweet Spot" FOB, DFC --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 8.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both sources. CEP2.0 used to adjust the volume for the center and LFE channels. Surcode CD Pro DTS was used to encode to DTS. - Mixed by [email protected] - FLAC conversion done 17-JUN-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD Right Channel SBD Center Mixed to Mono -6db SBD Surround Left Channel B&K 4011's Right Channel B&K 4011's Sub/LFE Mixed to Mono -5db SBD --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The straight DSBD and FOB: B&K 4011's 2. SBD + AUD Matrix Mix at 16/44 CD-Audio 3. SBD + AUD Matrix Mix at 24/96 DVD-Audio 4. SBD + AUD DTS-Audio-CD 5.1 Surround Sound 5. SBD + AUD DVD-Audio 5.1 Surround Sound | |||||
| EddieTandy (2/0) | CDR / 3 | View | 31606 | |||
| EddieTandy (2/0) | CDR / 3 | View | 25608 | |||
| Lost Sailor (2/0) | Flac 16 Mtx / 0 | View | 31606 | flac16; SBD + AUD Matrix Mix | ||
| Lost Sailor (2/0) | Flac 16/48 / 0 | View | 135941 | flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k)... | ||
| Lost Sailor (2/0) | Flac 16/48 / 0 | View | ||||
| Lost Sailor (2/0) | Flac 16 / 0 | View | 134054 | flac16; Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT;... | ||