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Set I
Eyes Of The World
Walkin' Blues
Brown Eyed Women
When I Paint My Masterpiece
Loose Lucy
Cassidy
Might As Well
Walkin' Blues
Brown Eyed Women
When I Paint My Masterpiece
Loose Lucy
Cassidy
Might As Well
Set II
Saint Of Circumstance >
Ship Of Fools >
Truckin' >
New Speedway Boogie >
Uncle John's Band >
Drums >
Space >
Jam >
China Doll >
Playing In The Band >
Sugar Magnolia
Encore:
The Weight
Ship Of Fools >
Truckin' >
New Speedway Boogie >
Uncle John's Band >
Drums >
Space >
Jam >
China Doll >
Playing In The Band >
Sugar Magnolia
Encore:
The Weight
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(484) View Source
View Archive
DSBD> DAT> CDR> SHN; new version d1, 5/18/99; first 1-2 sec of Eyes is missing; note md5s were lacking- ones shown here generated by G.S. Hamilton, for OK shns with the newer d1
(3591) View Source
View Archive
sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman
(25608) View Source
View Archive
SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.]
(31606) View Source
View Archive
flac16; SBD + AUD Matrix Mix
(33670) View Source
View Archive
DTS-Audio-CD 5.1 Mix
(86659) View Source
View Archive
flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F.
(86660) View Source
View Archive
flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred (7/2007) by Andrew F.
(95644) View Source
View Archive
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
(122790) View Source
View Archive
flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(122791) View Source
View Archive
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(128692) View Source
View Archive
flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
(134054) View Source
View Archive
flac16; Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(135941) View Source
View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin
(135942) View Source
View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin
(135943) View Source
View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin
(137545) View Source
View Archive
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(137547) View Source
View Archive
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain
(484) View Source
View Archive DSBD> DAT> CDR> SHN; new version d1, 5/18/99; first 1-2 sec of Eyes is missing; note md5s were lacking- ones shown here generated by G.S. Hamilton, for OK shns with the newer d1
(3591) View Source
View Archive sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman
(25608) View Source
View Archive SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.]
(31606) View Source
View Archive flac16; SBD + AUD Matrix Mix
(33670) View Source
View Archive DTS-Audio-CD 5.1 Mix
(86659) View Source
View Archive flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F.
(86660) View Source
View Archive flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred (7/2007) by Andrew F.
(95644) View Source
View Archive flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
(122790) View Source
View Archive flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(122791) View Source
View Archive flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(128692) View Source
View Archive flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
(134054) View Source
View Archive flac16; Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(135941) View Source
View Archive flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin
(135942) View Source
View Archive flac16; Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin
(135943) View Source
View Archive DTS-Audio-CD 5.1 Mix; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin
(137545) View Source
View Archive flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(137547) View Source
View Archive flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain
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Collectors With This Show
1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 781 - 810 | 1081 - 1110 | 1381 - 1410 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Everett (5/4) | flac16 / 1 | View | Saint Of circumstance official release | |||
| Everett (5/4) | flac16 / 1 | View | Saint Of circumstance official release | |||
| Everett (5/4) | flac16 / 1 | View | Saint Of circumstance official release | |||
| Everett (5/4) | dvd / 1 | View | pro shot(dedicated abc in concert91) | |||
| Notes: | located on jgb 11-24-91 dvd1 | |||||
| BudChief (5/5) | cdr / 3 | View | 484 | |||
| Rob Garretson (5/5) | shn / 2 | A | View | 25608 | SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus... | |
| Notes: | dvd 123 | |||||
| Mergz (5/5) | CD / 3 | A | View | SBD | ||
| michael kass (5/5) | cdr / 3 | View | ||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 31606 | SBD + AUD Matrix Mix (60%-SBD/40%-AUD). Master Dat (44.1k) > Dat Clone. B&K 4011's >... | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 86660 | Nakamichi CM-300's w/CP-4 shotgun capsules | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 86659 | Nakamichi CM-300's w/CP-4 shotgun capsules > | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | SHN / 2 | View | 25608 | SBD -> Master Dat (44.1k) -> Dat Clone | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 95644 | B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro | ||
| Notes: | See my other show notes for info on trading for this show. | |||||
| Charles Bandrofcheck (5/5) | FLAC / 2 | View | 128692 | Sorce 1: Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone Transfer Info: Dat (Sony R500)... | ||
| Gold Soundz (5/5) | CDR / 3 | View | SBD> DAT> CDR | |||
| David Perry (5/4.9) | CDR / 3 | A | View | 25608 | SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus... | |
| Roy Martin\'s Music Collection (5/5) | DVD / 0 | View | Pro-shot video (I219) | |||
| Notes: | NBC b'cast - "In Concert" Master: Cable > Sony SLV-R5UC > S-VHS Master Transfer: S-VHS Master > Panasonic AG-7150 > Canopus ADVC-100 > iMac Core 2 Duo > Final Cut Pro 6 > Compressor 3 > DVD Studio Pro 4 > DVD5 [NTSC, 8.2 Mbs, 4L:3, 720x480, 29.97 fps] Audio: SBD [LPCM, 1.5 Mbs, 16 Bit, 48 kHz] | |||||
| Roy Martin\'s Music Collection (5/5) | 2DVD / 0 | View | Single Camera Audience on Tripod source (I221 & I222) | |||
| Notes: | Video Source: 2nd gen audience VHS > DTBC IVT-7 > JVC SR-V10U VCR > Conexant 2388 capture card > Ulead DVD Workshop 2 Audio Source: Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN Transferred and Edited By Charlie Miller 9/1/04 -- Thanks to David Gans for lending me his Dats. -- There is an Other One tease before and after the Dark Star Jam before drums. -- Hornsby is teasing Dark Star in almost every song...listen closely. -- There are other Dark Star Teases that I didn't track due to being too short. -- Seamless transition between discs 2 and 3. shn ID = 25608 Notes: -Vhs tape courtesy of Tony C. from South Bend, Indiana (2nd set) and Robert Sands (1st Set) -Soundboard audio downloaded from tol with many thanks -Capture by Kevin Tobin. -Audio synchronization by Kevin Tobin using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Multiplexing and DVD authoring via Ulead DVD Workshop 2 by Kevin Tobin. AudioVideo Faults: 1) 1 minute 12 seconds missing from sbd audio source before Eyes of the World - during this space, I used input from video audio track for better lead in. Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 (525/60) Frame Rate : 30.00 Source picture letterboxed : Not letterboxed Bitrate : 8.00 Mbps (1st set) 4.00 Mbps (2nd set) Menu : Yes (song list on separate menu) Audio Attribute : Audio Coding mode : Linear PCM audio Sampling Rate : 48kHz 1536Kbps Audio application mode : Not specified Number of Audio channels : 2 Number of Audio streams : 1 Brokedown House Productions | |||||
| Roy Martin\'s Music Collection (5/5) | FLAC / 0 | View | 31606 | (Z157) | ||
| Brian Donohue (5/5) | cdr / 2 | View | 3591 | sbd> ?> cdr> eac> shn | ||
| Brian Donohue (5/5) | / 2 | View | 128692 | 3 Source Matrix by dusborne | ||
| Brian Donohue (5/5) | / 0 | View | 31606 | Matrix by dan | ||
| sean hite (5/0) | SHN / 0 | View | 25608 | |||
| Notes: | 25608 SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.] | |||||
| sean hite (5/0) | FLAC / 0 | View | 95644 | |||
| Notes: | 95644 flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging. | |||||
| sean hite (5/0) | / 0 | View | 31606 | |||
| Notes: | 31606 flac16; SBD + AUD Matrix Mix | |||||
| sean hite (5/0) | / 0 | View | 86660 | |||
| Notes: | 86660 flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred (7/2007) by Andrew F. | |||||
| john (5/5) | cdr / 3 | View | ||||
| Rick Martin (5/5) | CDR / 3 | A | View | SBD>DAT>CDR | ||
| Notes: | Complete | |||||
| Chris Manley (5/5) | FLAC / 0 | View | ||||
| SpacedDeadhead (5/4.8) | CDR / 3 | View | Matrix | |||
| Notes: | "Dark Star" tease before "Masterpiece" - "Dark Star" theme during "Jam" - last first set "Eyes": 8/13/75 - last "Dark Star Jam": 6/23/74 | |||||