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Grateful Dead 02/18/71
Capitol Theater, Port Chester, NY
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Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III

Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(107) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source    View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source    View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source    View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source    View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
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User (active/rating) Media / # Show Sound Details DB Source User Source
Tyson (4/0) SHN / 3 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: (19) First ever Wharf Rat, Bertha, Loser, and Johnny B. Goode... ESP show
Allison Steel (4/0) CD-R / 3 A View  
Drew Douglass (4/0) shn / 3 View 107
Todd Lackey (4/5) / 3 View  
Todd Lackey (4/5) fuji / 2 shn View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Todd Lackey (4/5) fuji / 2 shn View 107 7" 2-track BBD reel w/dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz
Will H. (4/5) SHN / 2 View 107
Lee Clemens (4/0) CDR / 2 View   SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CDR > SHN
Notes: First performances of Bertha, Loser, Greatest Story Ever Told, Johnny B. Goode, and Wharf Rat,
TWANGFAN (4/5) cdr / 3 View   SBD
Lord Henry (4/0) CDR / 3 A A View  
Notes: TAO
Michael Papaleo (4/5) Analog / 1 A- View   sbd
Notes: Set I
Jim Shockley (4/5) Audio / 3 View  
jeff (4/0) / 0 View  
Todd and Rachel (4/0) CDR / 3 A View  
Justin Greenberg (4/5) / 3 A A View  
Slim (4/4.2) shn / 2 View 107
jim alverson (4/5) cdr / 3 A A View  
Notes: sbd
adam rudginsky (4/4) cdr / 3 A View  
rhettandpam (4/0) / 3 View 107
Brooke (4/5) CDR / 3 A A View   SBD>MR>R>DAT>CDR
mike slaton (4/0) / 2 View  
mlouis (4/5) DAT / 0 View   SBD
Matt Cechovic (4/0) CDR / 3 A View 107
Chuck Gannon (4/5) CDR / 3 A View   MSR>PCM>PCM>D>CD
Notes: MSR>PCM>PCM>D>CD
Diane Sklenar (4/5) CDR / 3 B+ View   SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CDR
Z-Jazzfreak (4/0) CD / 3 View 107 SBD>Dolby A Reel>Dolby A Decode>DAT>NR>CD-R
Joe (4/5) CDR / 3 A View   SBD>Dobly A Reel>Dolby A Decode>DAT>Sound Forge NR>CDR
Notes: SBD
veryhappytrader (4/5) CDR / 3 A+ View   Betty Board
Elephante (4/0) / 3 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
helen (4/5) cd / 3 A View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R