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Grateful Dead 10/16/74
Winterland Arena, San Francisco, CA
Set I
Bertha, Jack Straw, Deal, Mexicali Blues, It Must Have Been The Roses, Beat It On Down The Line, Scarlet Begonias, Me And Bobby McGee, Tennessee Jed, Cumberland Blues, Row Jimmy, Playing In The Band
Set II
Phil & Ned -> Space -> Wharf Rat -> Space -> Eyes Of The World, Big River, Ship Of Fools, Truckin' -> Goin' Down The Road Feelin' Bad -> Uncle John's Band, Johnny B. Goode, E: U.S. Blues
Set III
 
Comment
 
Last Changed By Chris Schaefer
Sources
(222) View Source    View Archive
SBD: MR> R> C> D> CD> EAC> SHN, with Aud patches: Aud master> Rx2> C> D> CD; via A. Kowalski to BUDD and GDH-Trading; 10/22/67 filler; PITB split into 2 tracks at d/o removal (md5 version d2b); d2a.md5 likely reflects pre-split PITB and may not circulate
(12577) View Source    View Archive
Source: Reel Master>Cassette>DAT>EAC 0.93b>MKWACT via JR Fishman
(88180) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
(88251) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
(90145) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
(107036) View Source    View Archive
flac16; Sony ECM 250 >> Sony 110 (mono) >> MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga
(131539) View Source    View Archive
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:90145) Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC and Audience (shnid:107036) Analog Audience Source: FOB Master Cassettes (MAC); Medium Stock Brands: MAC = 2 x Maxell UD C120; Analog Lineage: Sony ECM 250 >> Sony 110 (mono) >> MAC; Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]; Taped By: Louis Falenga
(137663) View Source    View Archive
flac16; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > iZotope RX5 Advanced > wav 16/44.1 > CD Wave > TLH > flac16; edited and mastered SIRMick
(137664) View Source    View Archive
flac24; Set 2 Source: Master Audience Reel > Reel; Transfer: Reel > Technics RS 1506 > Apogee Mini Me > Mini Dac > Wavelab 5 > wav 24/96; Lineage: wav 24/96 > iZotope RX5 Advanced > iZotope Ozone 5 > CD Wave > TLH > flac24; edited and mastered SIRMick
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Stuart Ferguson (1/4.3) CDR / 3 View 90145 Soundboard
Notes: DVD 1126; lineage: SBD -> Master Reel -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> FLAC All Transfers and Mastering By Charlie Miller
KB Larsen (1/5) shn / 3 View 222
Notes: Thanks Tom! *d2t2 & d2t3 (the two tracks of Playin') do not match this entry, all other tracks match. This version does not contain filler. Excellent audio quality. 4 audio.
KB Larsen (1/5) shn / 2 View 12577
Notes: Thanks Torbjorn! 4 audio
KB Larsen (1/5) cdr / 4 View 88251
Notes: Thanks etree!
Kaz (1/5) CD-R / 4 View  
openpath (1/5) FLAC / 0 View 90145 flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k)
x poordevil (1/5) cdr SBD / 4 A View 12577 SBD
J Parzych (1/5) FLAC / 0 View 90145 SBD > Master Reel > Dat (44.1k)
J Parzych (1/5) FLAC / 0 View 107036
J Parzych (1/5) FLAC / 0 View 131539
J Parzych (1/5) FLAC / 0 View 137664
Joe (1/5) FLAC / 0 View 90145
Imetdork (1/0) FLAC / 0 View 90145
Alex Bushe (1/5) CD-R / 4 View 90145 SBD
aikox2 (1/4.9) / 0 View  
John Peters (1/0) SHN / 1 View 12577 SBD: MR > C > DAT > EAC 0.93b > MKWACT
John Peters (1/0) FLAC / 1 View 88251 SBD: MR > DAT; DAT (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional >...
John Peters (1/0) FLAC / 1 View 90145 SBD: MR > DAT (44.1k); DAT (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02...
Richard Markley (1/5) SHN / 2 View   Reel Master>Cassette>DAT>EAC 0.93b>MKWACT
Notes: DVD20
Richard Markley (1/5) SHN / 2 View 12577
Notes: DVD142
Richard Markley (1/5) flac / 3 View 90145
Notes: HD1
Richard Markley (1/5) flac / 3 View 88180
Notes: DVD603
Richard Markley (1/5) flac / 2 View 88251
Notes: DVD605
Richard Markley (1/5) flac / 2 View 131539
Notes: HD3
James (1/0) / 0 View  
upstateDB (1/5) cd / 4 A View  
Richard (1/5) CD-R / 4 A+ View  
Matt Vernon (1/4.8) SHN / 4 B B+ View 12577
Notes: sbd [2006-08-01] Sometimes the GD missed the target trying - this is one of those nights. Set 1 very profesisonally played but no sparks. Set 2 has ~ 50 minutes of Phil Ned > Space and it is hard to sustain this listeners interest over that time period. Wharf Rat and Eyes were welcome relief. Not a must hear show except ofr the historical value that this could have been the last run. Note that a listener commented that this hsow is the same as shnid=222 except that is patched with an aud and is supposedly ore complete.
Matt Vernon (1/4.8) SHN / 2 x x View 222
Notes: sbd pathced (supposedly more complete than the sbd released later by fishman though recent versions from 12/2007 may have made this obsolete)
Matt Vernon (1/4.8) FLAC / 4 A- A- View 88251
Notes: SBD -> Master Reel -> Dat (44.1k) w/ some aud patches etc via Miller [2007-12-08]Current preferred version - aud has a nice sound to it, would like to see the rest of it circulated. Set 2 has two sections, the Phil&Ned > Jam > Wharf Rat > EOTW is interesting in placement in set and overall delivery. These Oct 74 winterland shows aren't highlights for 74, yet given the GDM etc its hard to mark them down too much. Mix also improves as the show moves along.