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Grateful Dead 02/18/71
Capitol Theater, Port Chester, NY
Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III

Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(107) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source    View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source    View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source    View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source    View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Tad (4/0) cdr / 3 View   SBD -> Dolby A Reel -> Dolby A decode -> ...
Tad (4/0) cdr / 3 View   SBD -> Dolby A Reel -> Dolby A decode -> ...
pmags (4/2.5) shn / 2 View 107
michael hogan (4/0) cdr / 3 View 107
David Baum (4/5) CDR / 3 View  
Laika (4/0) CD / 2 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Pholkhero (4/0) cdr / 3 View  
Carl Rinehart (4/0) cdr / 3 View  
Harland (4/5) SHN / 2 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Tom Ruwitch (4/5) 2SHN 3CDR / 3 View 107
Bill Gunter (4/0) CDR / 3 A View   SBD -> Dolby A reel -> Dolby A decode -> DAT-> Sound forge NR -> CD-R
keith little (4/0) / 0 View  
Troy (4/1.3) Tape / 1 A A View  
Notes: First time live for: Bertha, Loser, Greatest Story, Johnny B Goode, Wharf Rat
Sara (4/0) CDR / 2 A+ A View   SBD> Dolby A Reel > Dolby A decode > DAT > Sound Forge NR > CD-R
Chris B. (4/0) shn / 2 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Anthony Brown (4/0) SHN / 2 View  
Garrett Key (4/0) SHN / 2 View  
carl (4/5) / 2 View   sbd
peter Cratin (4/0) CDR / 3 View  
Rich Panzer (4/0) CD-R / 3 A View  
Matt Bernstein (4/0) CD / 3 A A View  
Butch Ammons (4/0) CD / 3 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Stephen Ingersoll (4/0) CD-R / 3 A View   SBD>MR>RR>PCM>DAT>CDR (Betty Board
Ulrich Braasch (4/0) CD-R / 2 View   unknown
Jack Renken (4/0) CDR / 3 View  
Tim (4/0) MP3 / 3 A+ A View   Unknown
Notes: An incredible show, 3 sets of the grateful dead in 1971.
Todd Perruccio (4/0) cd-r / 3 View   sbd>dolby reel>dat>cd-r
Notes: Lots of new stuff
Aaron (4/0) CDR / 3 A View   SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge > CD-R
Aaron (4/0) CDR / 3 A View   SBD > Dolby A Reel > Dolby A decode > DAT > Sound Forge > CD-R
Geoff Webb (4/0) CD-R / 3 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: SHN/Audio