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Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III
Comment
E.S.P. show - Other artist(s): NRPS
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(111) View Source
View Archive
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive
likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(111) View Source
View Archive 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Kima (1/0) | flac / 2 | View | 85912 | |||
| Django (1/5) | SHN / 2 | View | 111 | WBOTB7 | ||
| JerryG4Ever (1/0) | / 0 | View | 111 | |||
| Notes: | 111 | |||||
| Doug Moog (1/4.3) | shn / 3 | View | 111 | sbd > reel > pcm > pcm > dat > dat >cdr | ||
| *.* (1/3) | FLAC / 2 | View | 85912 | |||
| Notes: | flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. | |||||
| *.* (1/3) | SHN / 2 | View | 111 | |||
| Erik (1/0) | / 0 | View | 111 | |||
| Erik (1/0) | / 0 | View | 85912 | |||
| huntr (1/0) | Shn / 2 | View | ||||
| jgglass (1/0) | / 2 | A | View | 111 | ||
| Ruby Tuesday (1/5) | / 1 | View | ||||
| DJ Salamon (1/5) | CDR / 2 | View | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >... | |||
| wally-brewing (1/0) | / 3 | View | 111 | |||
| Notes: | d1 | |||||
| wally-brewing (1/0) | dvd / 2 | View | 85912 | |||
| Notes: | new seed 71 | |||||
| samson (1/0) | SHN / 3 | View | 111 | WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Lynn S (1/0) | CD / 3 | View | 111 | |||
| denance (1/4.9) | shn / 0 | View | 111 | |||
| Chad Neidigh (1/5) | shn (2) / 3 | View | 111 | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz | ||
| Dennis Lausier (1/4.8) | CD / 3 | View | 7 | |||
| Mark Murgittroyd (1/0) | CDR / 3 | View | 111 | Soundboard | ||
| Patrick M. (1/4.9) | SHN / 2 | View | 111 | S:7 | ||
| Jon (1/0) | CDR / 3 | View | ||||
| Notes: | Lost in hard drive crash. | |||||
| Rich (1/0) | CDR / 3 | A | View | |||
| Jim Vogt (1/5) | CD-R / 3 | View | ||||
| Alfred E. Neuman (1/5) | DAT / 1 | View | SBD | |||
| dunhamrc (1/0) | SHN / 2 | View | 111 | |||
| Andrea Bertolini (1/0) | FLAC/CDR / 2 | B+ | B+ | View | ||
| lovingstwin (1/0) | flac / 0 | View | 85912 | |||
| Notes: | 85912 | |||||
| karlfox (1/0) | CDR / 2 | A | View | |||
| Greg LaFord (1/0) | CDR / 1 | A | View | See Notes | ||
| Notes: | WBOTB: 7" 2-track BBD reel w/ dolby A @ 7.5 ips > PCM501ES@ 44.055 kHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48 kHz, Fostex D5 > Fostex D5 > CDR | |||||