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Set I
Cold Rain & Snow, Me And Bobby McGee, Loser, Easy Wind, Playin' In The Band, Bertha, Me & My Uncle, Ripple, Next Time You See Me, Sugar Magnolia, Greatest Story Ever Told-> Johnny B. Goode
Set II
China Cat Sunflower-> I Know You Rider, Bird Song, Cumberland Blues, I'm A King Bee, Beat It On Down The Line, Wharf Rat, Truckin', Casey Jones, Good Lovin'-> Drums-> Good Lovin'-> Uncle John's Band
Set III
Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By
System
Sources
(1980) View Source
View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source
View Archive
flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source
View Archive
flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source
View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
(1980) View Source
View Archive SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source
View Archive flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source
View Archive flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source
View Archive flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Greg LaFord (1/0) | CDR / 3 | NR | View | SBD>Dolby A Reel>Dolby A Decode>DAT>Sound Forge NR>CDR | ||
| Notes: | Second Chance Tree | |||||
| Brad (1/0) | / 0 | View | 1980 | |||
| zerbini mike (1/0) | cd-r / 1 | A | View | |||
| Notes: | partial | |||||
| Charlie Earthman (1/0) | SHN / 2 | View | 1980 | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Scott Murphy (1/4.2) | CDR / 3 | A+ | View | 1980 | ||
| Notes: | FINE SBD | |||||
| Jim Mimna (1/4.8) | CD-R / 3 | A+ | View | SBD>Dolby A Reel> Dolby A Decode>Dat>Soundforge>CDR | ||
| crazylegs69 (1/0) | / 3 | View | ||||
| Notes: | Port Chester, NY | |||||
| MGA (1/5) | CDR / 3 | View | Dolby A reel>DOlby A decode>D>Sound FOrge>CD | |||
| Dave (1/5) | CDR / 3 | View | ||||
| Notes: | SBD>MR>D>CD | |||||
| Gregg Rutter (1/5) | CDR / 3 | A+ | View | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| PC (1/5) | audio / 3 | View | SBD | |||
| John Gulas (1/4) | / 2 | View | 1980 | |||
| larry mcsweeney (1/5) | cdr / 3 | View | ||||
| HAVANOS (1/0) | Cd / 3 | B | A- | View | Betty board | |
| HAVANOS (1/0) | Cd / 3 | B | A- | View | Betty board | |
| ezwind (1/5) | CDR / 3 | View | ||||
| Notes: | Audience Recording. Noticeable Hiss. | |||||
| Keith Hanson (1/5) | shn / 2 | View | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |||
| Hamilton, Greg & Diana (1/1) | SHN / 0 | View | 1980 | |||
| Kevin Hickey (1/0) | SHN / 2 | View | 1980 | |||
| Andrea (1/0) | shn / 2 | View | ||||
| Bill Warner (1/5) | CDR / 1 | View | SDB | |||
| Notes: | Set 1 only, missing Bertha | |||||
| Greg Weister (1/3.7) | CD-R / 3 | View | ||||
| Chris Perkins (1/5) | CDR / 1 | View | ||||
| Notes: | unknown source | |||||
| R J (1/5) | cdr / 3 | A+ | A | View | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |
| Robert Meme (1/1) | shn/wav / 3 | View | 1980 | SBD> Master Dolby A Reel> Dolby A decode>DAT>SoundForge>CD | ||
| Notes: | Betty Board | |||||
| Ansley Johnson (1/5) | CDR / 3 | A | A+ | View | ? | |
| Alan Burnce (1/0) | SHN / 2 | View | 1980 | SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | ||
| Thomas Key (1/0) | shn / 2 | View | 1980 | |||
| duprees.diamond (1/4.4) | shn / 2 | ?? | View | 1980 | SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | |
| Matt Bohlander (1/5) | CDR / 3 | A | View | SBD | ||
| Notes: | MR>Dolby A decode>DAT>SoundForge>CD | |||||