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Grateful Dead 06/10/76
Music Hall, Boston, MA
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Set I
Promised Land, Sugaree, Cassidy, They Love Each Other, The Music Never Stopped, Brown Eyed Women, Lazy Lightning-> Supplication, Row Jimmy, Big River, Mission In The Rain, Looks Like Rain, Might As Well
Set II
Samson & Delilah, Help On The Way-> Slipknot!-> Franklin's Tower-> Let It Grow-> Drums-> Friend Of The Devil, Playin' In The Band-> Dancin' In The Streets-> U.S. Blues
Set III

Comment

Last Changed By System
Sources
(237) View Source    View Archive
??? > CD > EAC > SHN; via S. Dunahee, W. Stube; known flaws: clicks removed with SF: d1 2:41.707, d2 43:50.421; cut 10 seconds of silence/weird static in d1t01 starting 7:36; d/o's d1t03 2:13-2:24, d1t07 9:38-9:46, d/o into staticky fade in d2t04 5:06-5:10; upgrade in circulation
(5918) View Source    View Archive
FOB Sony 152 cassette deck with Sony ecm 99a stereo mic, taper Steve Hopkins; Audience Master Cassettes > DAT > DAT clone by Dave Minor; DAT clone > CDR by Dave Handrich; CDR > SHN conversion by Matt Vernon: CDR > WAV's (EAC secure with offsets enabled) > add fades with Cool Edit 2K > track boundaries CDWave > SHN's (mkwact seekable); see info file for flaw notes; d1 tracked for 80 min.
(14264) View Source    View Archive
SBD -> Rm -> PCM -> Dat -> Prodif Plus -> Samplitude v6.0 -> SHN via Charlie Miller
(18425) View Source    View Archive
Recorded by Jerry Moore; AKG 200Es> Sony TC-153, close to stage in orchestra mics hand held. AUDMC > DAT by Mark Cohen. DAT > SHN by David Minches.
(18426) View Source    View Archive
Recorded by Jimmy Warburton AKG 1000Es> Sony TC-152. Reel -> DAT conversion by Mark Cohen. DAT -> SHN conversion by David Minches.
(23370) View Source    View Archive
Bertha Remaster of the Master Reel source. SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN
(82921) View Source    View Archive
flac16; Source Info: SBD Master Reel -> PCM -> Dat (44.1k) Transfer: DAT > TASCAM DA-20 (S/PDIF out) -> Apogee Wide Eye S/PDIF interconnect -> LynxTWO-A Audio Reference Interface (S/PDIF in) -> Wavelab 6.0 Editing and Mastering in Wavelab 6.0 and Ozone. Dithered L2 Type-1 Ultra by Jamie Waddell
(84985) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid 82891) + AUD (shnid 18425) by Kevin Tobin
(85004) View Source    View Archive
DTS Audio 5.1; SBD (shnid 82891) SBD Master Reel -> PCM -> Dat (44.1k) + AUD shnid 18425 Recorded by Jerry Moore; AKG 200Es> Sony TC-153 - dts mixing by Kevin Tobin
(141690) View Source    View Archive
flac16; Lineage: SBD > Master Reel (7in 7.5ips 1/2trk) > PCM; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16; All Transfers and Mastering by Charlie Miller
(143003) View Source    View Archive
flac24; Source: AKG 1000Es > Sony TC-152 (Dolby b) > MAC - Recorded by Jimmy Warburton from right-hand side of log; Transfer: MAC (played back on Sony TC-152) > TEAC A-2300SD > Reel > Technics 1506 > Tascam DA-3000 (DSF 1-bit/5.6MHz) > dBpoweramp > FLAC 2496; Lineage: wav 24/96 > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > Flac 24; edited and mastered SIRMick August 2018
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Richard Markley (1/5) flac / 2 View 23370
Notes: HD3
Richard Markley (1/5) flac / 2 View 141690
Notes: HD3
SIRMick (1/5) SHN / 2 View 23370
SIRMick (1/5) SHN / 2 View 14264
John Clexton (1/0) Tape / 2 View  
Matt Vernon (1/4.8) SHN / 3 A A- View 5918
Notes: Hopkins aud & 4th show after hiatus. The "new" Dead - going after perfection. Great sound. Mission in the Rain. Very good show, well worth a few listens. Lots of spunk in their playin, good segues and singing. Good aud tape. [Note: I created a shn set w/ de-emphasis. This seemed to match the spectral sound other auds sourced around 6/2003 direct from the master cassettes, suggesting that Dolby might have been used on the originals but not decoded in the transfer to DAT.]
Matt Vernon (1/4.8) SHN / 3 B/A A- View 14264
Notes: sbd - brief gap/cut in Lightnin' and Might As Well. See other listener comments for flaws. Sound and mix are very good. Set 1 very professionally played, if somewhat boring. Didn't leave me wanting to leave it in the player for a repeat. I'd say the main flaw with this recording are the gaps/cuts noted by other listeners. Just enough of these to be a speed bump in my listening enjoyment. I'm also not a big "Let It Grow" fan. Set 2 is chopped up into 3 segments and doesn't have the cohesion of the gd at their best.
Matt Vernon (1/4.8) SHN / 3 A- B+ View 18425
Notes: Jerry Moore recording with the best room ambiance of the 3 auds I have heard for this date (most likely the mics) but it also has some volume flucuations on some songs on the right channel that produces a noticeable 3 second periodic panning. This is a solid show from June 76.
Matt Vernon (1/4.8) SHN / 3 A- A- View 18426
Notes: Jimmy Warburton recording - maybe the best aud overall. Nice sound without the volume fluctuations that Moore's recording has on a few songs.
Matt Vernon (1/4.8) FLAC / 3 X X View 85004
Notes: DTS 5.1
Matt Vernon (1/4.8) FLAC / 3 A- A- View 84985
Notes: Matrix by Kevin Tobin [2007-07-06]sbd fans will probably want this version that has the authentic reverb from the aud. The show has a long 1st set. Franklin's and Dancin provide a rhythmic flavor to set 2 with a "space jam" in PITB. A nice show to listen to when you aren't looking for something too exciting and energetic.
Matt Vernon (1/4.8) SHN / 3 View 23370
Notes: Bertha Remaster of the Master Reel source. SBD>>MR>>PCM>>DAT>>WAV>>SHN>>DAW(Bertha)>>WAV/SHN
Matt Vernon (1/4.8) FLAC / 3 B+ A- View 82921
Notes: sbd GEMS [2007-05-12] This differs from the prior sources per info file as follows: "This source merits circulation because the sonic structure of these waves is markedly better than what circulates. each previously circulating soundboard source was "clipped", ...there are 3 patches on this source not applied on any other circulating source...there also exists a little bit more tuning between Row Jimmy and Big River, this source seems to run just a little bit closer to "correct" speed than any of the others. " This performance suffers from the show being a collection of independent tunes and hence lacks the extra special synergy that comes from interesting segues or song linkages. Set 2 has a H>S>F, a LIG and a PITB all with tuning breaks. The PITB has a spacey jam. The playing itself is very tight and professional, just lacking something that would keep it lodged in my cd player. Some people complain about Jerry being low in the mix, others say its fine.
SpiralLightofVenus (1/5) FLAC / 0 MTX View 84985
Notes: MTX TB4
Rick Childs (1/4.9) CDR / 3 A++ A++ View 23370
Mark Diamond (1/3) / 3 View  
GratefulBrad (1/5) flac / 0 View 14264
Craig S (1/0) CDR / 3 View 82921
winterland121072 (1/0) / 0 View 85004
winterland121072 (1/0) / 0 View 84985
winterland121072 (1/0) / 0 View 18425
winterland121072 (1/0) / 0 View 18426
winterland121072 (1/0) / 0 View 5918
winterland121072 (1/0) / 0 View 23370
winterland121072 (1/0) / 0 View 82921
winterland121072 (1/0) / 0 View 14264
winterland121072 (1/0) / 0 View 237
Cosmic Bob (1/5) CD / 3 View   SBD
Mike Tausig (1/5) SHN / 3 View 5918
Notes: FOB>Sony ECM 99a's>Sony TC-152 MCass>D>WAV>SHN (Steve Hopkins)
Mike Tausig (1/5) SHN / 3 View 18425
Notes: AUD>AKG 200e's>Sony TC-153 MCass>D>WAV>SHN (Jerry Moore)