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Set I
Harry Hood, Back At The Chicken Shack, Dog Log, Tube, Heavy Things, Back On The Train, First Tube, The In-Law Josie Wales, You Enjoy Myself
Set II
Also Sprach Zarathustra*, Sand, The Horse > Silent In The Morning, Possum, Mike's Song > Simple > Weekapaug Groove > Buffalo Bill > Weekapaug Groove
E: Ya Mar, Sleeping Monkey
E: Ya Mar, Sleeping Monkey
Set III
Comment
* - w/ Do You Feel Like We Do Tease/Jam
Last Changed By
STLBlues
Sources
(930) View Source
FOB Schoeps mk2h (in hat spaced 7") + kc 2.5 + cmc6 > Sonosax sx-m2 > HHb Portadat; Remastered on Behringer DSP 8000; Conversion:? DAT @ 48 > via Zefiro ZA2 > HD @ 44.1; Taper:? E. Lee, C. Barbour; Conversion:? C. Barbour; note pops in d1t1 Hood are from many balloons in vicinity
(931) View Source
B+K 4011> EAA PSP-2> Apogee [email protected]; DA20mkII> Audio Magic Presto II> ZA2> Soundforge XP 4.5> CDWav> .shn; Transfer/shn, E. McRoberts; to PCP via C. Plemons vine
(932) View Source
taper D. Pecoraro (presumably AKG); via P. Marshall's vine to PCP
(933) View Source
FOB Schoeps mk4v> kc-y actives> vms> sbm-1> btp@48; DA20mkII> Audio Magic Presto II> ZA2> Soundforge XP 4.5 (48>44.1)> CDWav> .shn; via E. McRoberts (note Eric likes this version better than the B+K he transferred); note pops in Hood are balloons
(1174) View Source
Microtech Gefell M210> Oade 248 >Tascam DA-P1; less than one second dropout at 10:16 in Sand (on master DAT); via John Tambroni, who says: "Despite the dropout in Sand, this sounds far better than any other source I've heard."
(12237) View Source
Schoeps mk4v > VMS021b > SBM-1 > D8 @48kHz; Tascam DA-20mkII > RME 96/8 > Samplitude (48>44.1kHz) > mkwACT > SHNv3
(21428) View Source
FOB Schoeps mk4v (DFC, in hat) > kcy > VMS02iB > SBM-1 > DA-P1; DA-P1 > Echo MIA > Soundforge 7.0 > CDWav > FLAC; Taped by Carrion Crow
(22278) View Source
Microtech Geffel m210 > Oade M248 > DAT (behind stage); Sony 59ES > Nomad Jukebox 3 > USB > WAV > SF 5 (48>44.1kHz) > CDWav > SHNv3; DATs provided by Steve Mang; Transferred by Terry Watts
(77313) View Source
flac16, 44.1kHz; (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Sony D100 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1 kHz) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
(89122) View Source
Schoeps CMC6/mk41 > Apogee AD-1000 > Tascam DA-P1 @48kHz; Tascam DA-40 > M-Audio Audiophile 2496 > Samplitude 7.0 (48>44.1kHz) > CDWav > FLAC; Taped and transferred by Taylor Caine
(109603) View Source
Microtech Gefell M210's > Oade M248 > Sony SBM-1 > Sony D8; D8 > Tascam CDRW2000 > CD > xACT 2.00a (cdparanoia) > WAV > FLAC; Taped by Jon Pasternak; Transferred by Dave Mallick
(113056) View Source
flac16, 44kHz; Neumann km184 > Lunatec V2 > Sony SBM-1 > DAT (@ 44.1 kHz); Sony TCD-D7 > 7-pin optical > Creative Nomad Jukebox 3 > FireWire > CD Wave > FLAC; Transferred by Paul Hofferkamp
(125143) View Source
flac16, 44kHz; (FOB) Schoeps CCM41 > Oade M248 > Sony SBM-1 > Sony TCD-D7 (44.1 khz); Tascam DA-40 > Tascam CDR 2000 > extract to wav > xACT 2.23 > flac16 (level 8); Source and Transfer by Marc B.; Processed by Lenny Stubbe
(127384) View Source
flac16, 48kHz; Schoeps cmc6/mk4v's > Lunatec V2 > Apogee AD-1000 > DAT > Sony TCD-D8 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC (16/48); Source by John Schmidt and Walt Ferguson; DAT(m) provided by Walt Ferguson; Transfer by Terry Watts
(129655) View Source
flac16, 44kHz; Sennheiser K6RD/ME64 > Sony SBM-1 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(131281) View Source
flac16, 48kHz; (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Sony TCD-D100 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > CF card > usb > pc > .wav > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades) > FLAC v1.3.0 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
(134935) View Source
flac16 AKG ck61/c480b[DIN-ish/OTS/ROC] >>> Audio Magic XStream XLR's >>> Graham Patten DMIC-20[16/48] >>> Sony 7-Pin Cable >>> Sony TCD-D8; Tascam DAP1[DAT Master] > Hosa ODL-276 > Creative Labs Nomad JB3 > PC > FLAC Frontend[FLAC/Level 6] > DVDR > PC[12.18.2015] > FLAC Frontend[WAV] > WaveLab 6.1[Gain/MBC/Crystal Resampler(Ultra)] > CD Wave 1.98[Tracking] > CKRename v1.08 > Traders Little Helper v2.7.0[FLAC/Level 8/Align On Sector Boundaries(Fix)/Verify/FFP/MD5] > MP3Tag v2.73 > .FLAC16; Taped/Transferred/Mastered/Uploaded by Bean
(139623) View Source
flac16 48khz Source: Audio Technica 815 shotguns (OTS/PAS) > D8 @ 16/48 Transfer: DAT/m > Sony PCM-R300 > optical > MacMini(Audacity) > IzotopeRX > xACT(FLAC/TAG) 16/48. Taper: Matt “Lazy Lightning” Lazor. Transfer: DiGiHoArDeRs
(930) View Source
FOB Schoeps mk2h (in hat spaced 7") + kc 2.5 + cmc6 > Sonosax sx-m2 > HHb Portadat; Remastered on Behringer DSP 8000; Conversion:? DAT @ 48 > via Zefiro ZA2 > HD @ 44.1; Taper:? E. Lee, C. Barbour; Conversion:? C. Barbour; note pops in d1t1 Hood are from many balloons in vicinity
(931) View Source
B+K 4011> EAA PSP-2> Apogee [email protected]; DA20mkII> Audio Magic Presto II> ZA2> Soundforge XP 4.5> CDWav> .shn; Transfer/shn, E. McRoberts; to PCP via C. Plemons vine
(932) View Source
taper D. Pecoraro (presumably AKG); via P. Marshall's vine to PCP
(933) View Source
FOB Schoeps mk4v> kc-y actives> vms> sbm-1> btp@48; DA20mkII> Audio Magic Presto II> ZA2> Soundforge XP 4.5 (48>44.1)> CDWav> .shn; via E. McRoberts (note Eric likes this version better than the B+K he transferred); note pops in Hood are balloons
(1174) View Source
Microtech Gefell M210> Oade 248 >Tascam DA-P1; less than one second dropout at 10:16 in Sand (on master DAT); via John Tambroni, who says: "Despite the dropout in Sand, this sounds far better than any other source I've heard."
(12237) View Source
Schoeps mk4v > VMS021b > SBM-1 > D8 @48kHz; Tascam DA-20mkII > RME 96/8 > Samplitude (48>44.1kHz) > mkwACT > SHNv3
(21428) View Source
FOB Schoeps mk4v (DFC, in hat) > kcy > VMS02iB > SBM-1 > DA-P1; DA-P1 > Echo MIA > Soundforge 7.0 > CDWav > FLAC; Taped by Carrion Crow
(22278) View Source
Microtech Geffel m210 > Oade M248 > DAT (behind stage); Sony 59ES > Nomad Jukebox 3 > USB > WAV > SF 5 (48>44.1kHz) > CDWav > SHNv3; DATs provided by Steve Mang; Transferred by Terry Watts
(77313) View Source
flac16, 44.1kHz; (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Sony D100 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > WaveLab 5.01b (fades, resample to 44.1 kHz) > CD Wave v1.95 > FLAC v1.1.2 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
(89122) View Source
Schoeps CMC6/mk41 > Apogee AD-1000 > Tascam DA-P1 @48kHz; Tascam DA-40 > M-Audio Audiophile 2496 > Samplitude 7.0 (48>44.1kHz) > CDWav > FLAC; Taped and transferred by Taylor Caine
(109603) View Source
Microtech Gefell M210's > Oade M248 > Sony SBM-1 > Sony D8; D8 > Tascam CDRW2000 > CD > xACT 2.00a (cdparanoia) > WAV > FLAC; Taped by Jon Pasternak; Transferred by Dave Mallick
(113056) View Source
flac16, 44kHz; Neumann km184 > Lunatec V2 > Sony SBM-1 > DAT (@ 44.1 kHz); Sony TCD-D7 > 7-pin optical > Creative Nomad Jukebox 3 > FireWire > CD Wave > FLAC; Transferred by Paul Hofferkamp
(125143) View Source
flac16, 44kHz; (FOB) Schoeps CCM41 > Oade M248 > Sony SBM-1 > Sony TCD-D7 (44.1 khz); Tascam DA-40 > Tascam CDR 2000 > extract to wav > xACT 2.23 > flac16 (level 8); Source and Transfer by Marc B.; Processed by Lenny Stubbe
(127384) View Source
flac16, 48kHz; Schoeps cmc6/mk4v's > Lunatec V2 > Apogee AD-1000 > DAT > Sony TCD-D8 > DAT(m); DAT(m) > Sony PCM-R500 > SPDIF > Tascam HD-P2 > CDWave > FLAC (16/48); Source by John Schmidt and Walt Ferguson; DAT(m) provided by Walt Ferguson; Transfer by Terry Watts
(129655) View Source
flac16, 44kHz; Sennheiser K6RD/ME64 > Sony SBM-1 > Sony TCD-D8 > DAT(m); DAT(m) > Tascam DA-P1 > M-Audio Audiophile 192 > CDWave > FLAC; Source and Transfer by Greg Nash
(131281) View Source
flac16, 48kHz; (FOB) Schoeps mk4 > kc5 > cmc6 > Sonosax SX-M2 > Sony TCD-D100 (@ 48kHz); Sony PCM-R500 > Tascam HD-P2 > CF card > usb > pc > .wav > CD Wave v1.98 (track splits) > Samplitude SE v9.1.1 (fades) > FLAC v1.3.0 (Level 8); Taped by Dave Flaschner; Transferred by Jason Sobel
(134935) View Source
flac16 AKG ck61/c480b[DIN-ish/OTS/ROC] >>> Audio Magic XStream XLR's >>> Graham Patten DMIC-20[16/48] >>> Sony 7-Pin Cable >>> Sony TCD-D8; Tascam DAP1[DAT Master] > Hosa ODL-276 > Creative Labs Nomad JB3 > PC > FLAC Frontend[FLAC/Level 6] > DVDR > PC[12.18.2015] > FLAC Frontend[WAV] > WaveLab 6.1[Gain/MBC/Crystal Resampler(Ultra)] > CD Wave 1.98[Tracking] > CKRename v1.08 > Traders Little Helper v2.7.0[FLAC/Level 8/Align On Sector Boundaries(Fix)/Verify/FFP/MD5] > MP3Tag v2.73 > .FLAC16; Taped/Transferred/Mastered/Uploaded by Bean
(139623) View Source
flac16 48khz Source: Audio Technica 815 shotguns (OTS/PAS) > D8 @ 16/48 Transfer: DAT/m > Sony PCM-R300 > optical > MacMini(Audacity) > IzotopeRX > xACT(FLAC/TAG) 16/48. Taper: Matt “Lazy Lightning” Lazor. Transfer: DiGiHoArDeRs
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Rob Katz (2/4.3) | SHN / 0 | View | ||||
| JesseJ (2/0) | SHN / 2 | View | Schoeps mk2h (in hat spaced 7") + kc 2.5 + cmc6 > Sonosax sx-m2 > HHb Portadat | |||
| Pete Raber (2/0) | SHN / 2 | View | 930 | |||
| webalienz (2/0) | FLAC / 3 | View | 933 | FOB Schoeps mk4v | ||
| Josh (2/0) | CDR / 3 | View | ||||
| Aaron Wiener (2/5) | CDR / 3 | View | FOB Schoeps MK2h (in hat spaced 7 | |||
| Aaron Wiener (2/5) | CDR/FLAC / 3 | View | 21428 | FOB DFC (in hat) Schoeps mk4v -> kcy actives-> VMS02iB -> SBM1 -> DAP1 | ||
| Notes: | 3 audio / 2 flac | |||||
| Blaise (2/0) | SHN / 2 | View | 933 | Schoeps MK4v>vms021b>SBM1>d8 @ 48KHz | ||
| Claudia (2/5) | CDR / 3 | A++ | A | View | ||
| Paul Moreno (2/5) | SHN / 2 | View | ||||
| Peter Grossman (2/0) | CDR / 3 | A | View | 1174 | ||
| Notes: | DAUD | |||||
| Michael Verrilli (2/0) | CD-R / 3 | B+ | A | View | vms021b>SBM1>d8 @ 48KHz | |
| A. Davis (2/4.2) | FLAC / 2 | View | 21428 | FOB Schoeps mk4v (DFC, in hat) > kcy > VMS02iB > SBM-1 > DA-P1; DA-P1 > Echo MIA > Soundforge 7.0... | ||
| Notes: | Props to Crunchy | |||||
| A. Davis (2/4.2) | SHN / 2 | View | 12237 | Schoeps mk4v > VMS021b > SBM-1 > D8 @48kHz; Tascam DA-20mkII > RME 96/8 >... | ||
| B.J. Sbarra (2/0) | SHN / 3 | A | A | View | 1174 | |
| B.J. Sbarra (2/0) | flac / 2 | View | 933 | |||
| Bryce (2/0) | DVD / 2 | View | ||||
| Notes: | NO CHAPTERS | |||||
| Rich Spinale (2/5) | CDR / 3 | View | 930 | FOB Schoeps mk2h (in hat spaced 7 | ||
| Joe Salem, Jr. (2/0) | CD-R / 3 | A | View | Schoeps MK2h (in hat spaced 7) +KC 2.5 active cable+CMC6 > Sonosax SX-M2 > HHb PortaDAT... | ||
| Bobby Hanson (2/0) | 60M DAT / 2 | View | Aud | |||
| Rus K (2/0) | CDR / 3 | View | FOB Schoeps mk2h (in hat spaced 7") + kc 2.5 + cmc6>Sonosax sx-m2>HHb Portadat;... | |||
| 2 canadian yids (2/3) | cd-r / 3 | B+ | B+ | View | FOB Schoeps mk2h (in hat spaced 7") + kc 2.5 + cmc6 > Sonosax sx-m2 > HHb Portadat;... | |
| Tony C. (2/0) | SVCD / 4 | A | A | View | ||
| Notes: | Missing Disc 3 (Help!) Camera: Sony Hi8 CCD-trv75 Audio Source: Synch: Vegas Video 3.0 D1: Set I: Harry Hood Back at the Chicken Shack Dog Log* Tube Heavy Things D2: Get Back On the Train First Tube Minestrone You Enjoy Myself D3: Set II Also Sprack Zarathustra** Sand The Horse > Silent In The Morning Possum D4: Mike's Song > Simple > Weekapaug Groove > Buffalo Bill > Weekapaug Groove E: Ya Mar Sleeping Monkey * Dedicated to Paul Languedoc; possibly played for a front row sign; after, Trey says, "in fact, he [Paul] likes that one so much, we're gonna play it again!"; band plays a few seconds and stops. ** "Do You Feel Like We Do" (Peter Frampton) tease (a banner was hung from the upper level requesting the song, which may have been played during the previous night's soundcheck). Trey called Page "Bob Mayonnaise." | |||||
| phorce (2/0) | CD / 3 | A | A | View | 12237 | |
| bob (2/5) | CDR / 3 | A- | View | Schoeps Mk2h/kc2.5+cmc6 (FOB)>Sonosax sx-m2>HHb>DSP 8000 | ||
| jay bor (2/0) | / 3 | View | FOB Schoeps | |||
| Eric Tracy (2/0) | shn / 2 | View | Microtech Gefell M210>Oade 248 >Tascam DA-P1 | |||
| Notes: | Phish 12/18/1999, Hampton Coliseum - Hampton, VA Source: Microtech Gefell M210>Oade 248 >Tascam DA-P1 There is a less than one second dropout at 10:16 in Sand (on master DAT) Disc 1 Set I: 01 - Harry Hood 02 - Back at the Chicken Shack 03 - Dog Log 04 - Banter 05 - Tube 06 - Heavy Things 07 - Back on the Train 08 - First Tube 09 - The In-Law Josie Wales Disc 2 Set I Continued: 01 - You Enjoy Myself Set II: 02 - Also Sprach Zarathustra > 03 - Do You Feel Like We Do > 04 - Also Sprach Zarathustra 05 - Sand 06 - The Horse > 07 - Silent in the Morning Disc 3 Set II Continued: 01 - Possum 02 - Mike's Song > 03 - Simple > 04 - Weekapaug Groove > 05 - Buffalo Bill > 06 - Weekapaug Groove 07 - Ovation Encore: 08 - YaMar 09 - Sleeping Monkey Despite the dropout in Sand, this sounds far better than any other source I've heard. Enjoy, John Tambroni ([email protected]) | |||||
| mike srodes (2/5) | / 3 | View | ||||
| Joe (2/0) | CDR / 1 | View | ||||
| Notes: | YEM; II:2001->Sand, Horse->Silent | |||||
| HomeyLeDieu (2/0) | CD-R / 3 | View | unknown | |||