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Grateful Dead 02/18/71
Capitol Theater, Port Chester, NY
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Set I
Bertha, Truckin', It Hurts Me Too, Loser, Greatest Story Ever Told-> Johnny B. Goode, Mama Tried, Hard To Handle, Dark Star-> Wharf Rat-> Dark Star-> Me & My Uncle
Set II
Casey Jones, Playin' In The Band, Me And Bobby McGee, Candyman, Big Boss Man, Sugar Magnolia, Saint Stephen-> Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Uncle John's Band
Set III

Comment
Mickey's last show until 10-20-74 - E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(107) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR?-> CD-R; via Orf; disortion removed digitally (see notes); more info comparing Orf's NR to the WBOTB version; note the (possibly reextracted?) Orf version went to abgd 12/99 via D. Hollister, J. Sachs (md5s shown as "abgd", kindly provided by Eric Noon: note 2 versions- abgda, posted to abgd 1/19/00, has d2t2 sig different from Eric's abgdb, which he generated himself for the set- not sure which is correct)
(6672) View Source    View Archive
direct copy of WTOTB tape (see inf file notes); DAT > WAV > SHN by Dan Stephens: Tascam DA-20mkII > SBLive! (48-44.1) > WAV > MKW Audio Compression Too; upload by Scott Thompson
(85478) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1) Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(111793) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> Dat (44.1k); Transfer Info: Dat (Sony R500) -> Tascam SS-R05 -> Adobe Audition v3.0 -> Samplitude Professional v11.2 -> FLAC; All Transfers and Mastering By Charlie Miller
(123539) View Source    View Archive
flac16; AUD. Recorded on cassette tape by Jim Cooper > Hitachi Trq-222, 2 unidentified mikes. Transferred > Sony tc we475 > dbx 2231 EQ > sony rcd w500c > CDR > WAV > FLAC
(123881) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger
(132101) View Source    View Archive
flac16; Partial 2nd Set; it is supposidly 4th gen audience recording from an unknown source; the transfer was not documented
(132136) View Source    View Archive
flac16; aud tape>fm>rr>c>d or aud tape>aud>fm>rr>c>d; broadcast on wgtb fm in washington, dc a couple days after the show
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User (active/rating) Media / # Show Sound Details DB Source User Source
Kevin O'Brien (4/0) SHN / 2 A A View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; via Orf;...
Bill Healy (4/0) cdr 3 / 3 A View   sbd
Jon Paulk (4/5) shn / 3 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
matt and jennifer (4/5) SHN / 2 A A View 107 SBD
Jacob Howard (4/4.8) CD / 3 View   SBD
Notes: first Bertha, Greatest Story, Loser, Playin' in the Band & Wharf Rat. Mickey Hart's last show until 10/20/74. This run was recorded for Skullfuck (none of it was used)
Laura Liane (4/0) CDR / 2 View   mp3 sourced
Randy Holt (4/0) cdr / 3 View  
David Nestler (4/0) CD-R / 3 View   Unknown
Bill Coughlin (4/0) cdr / 3 View   SBD -> Dolby A Reel -> Dolby A decode -> ...
Tom (4/5) CD / 3 A A View  
Ben (4/0) cd-r / 2 A+ View   sbd
Ryan (4/1) / 3 View  
Jeff (4/5) CD / 3 View   sbd>master reel>pcm>dat>cd
amelia (4/5) cdr / 3 A View  
Ken Whitmore (4/0) cdr / 3 View 107
Tom (4/0) .SHN / 2 View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: missing eginning of set one (Bertha, Me & My Uncle, Bird Song, Promised Land, Sugaree) dropout in Dark Star at 17:11 missing One More Saturday Night
Jen (4/0) CDR / 3 A View   Sbd - lineage unknown
Notes: Disc One:(53:23) Set 1 Bertha Truckin Hurts Me Too Loser Greatest> Johnny B. Goode Mama Tried Hard To Handle Disc Two:(48:03) Dark Star> Wharf Rat> Dark Star> Me & My Uncle Set 2 Casey Jones Playin Bobby McGee Disc Three:(50:13) Candyman Big Boss Man Sugar Magnolia St. Stephen> NFA> GDTRFB> NFA> Uncle John first "Bertha",first "Greatest", first "Loser",first "Playin",first "Wharf Rat" - Mickey's last show until 10-20-74 - E.S.P. show
Jen (4/0) CDR / 3 A View   Sbd - lineage unknown
Notes: Disc One:(53:23) Set 1 Bertha Truckin Hurts Me Too Loser Greatest> Johnny B. Goode Mama Tried Hard To Handle Disc Two:(48:03) Dark Star> Wharf Rat> Dark Star> Me & My Uncle Set 2 Casey Jones Playin Bobby McGee Disc Three:(50:13) Candyman Big Boss Man Sugar Magnolia St. Stephen> NFA> GDTRFB> NFA> Uncle John first "Bertha",first "Greatest", first "Loser",first "Playin",first "Wharf Rat" - Mickey's last show until 10-20-74 - E.S.P. show
Jen (4/0) CDR / 3 A View   Sbd - lineage unknown
Notes: Set 1 Bertha Truckin Hurts Me Too Loser Greatest> Johnny B. Goode Mama Tried Hard To Handle Dark Star> Wharf Rat> Dark Star> Me & My Uncle Set 2 Casey Jones Playin Bobby McGee Candyman Big Boss Man Sugar Magnolia St. Stephen> NFA> GDTRFB> NFA> Uncle John first "Bertha",first "Greatest", first "Loser",first "Playin",first "Wharf Rat" - Mickey's last show until 10-20-74 - E.S.P. show
kb panic (3/5) / 3 B View   SBD
Notes: 1st's - Mickey last show until 10-20-74
J. Carter (3/0) SHN / 1 View   SBD > DAT > CD > SHN
Gene Rider (3/0) WMA / 3 View  
Notes: SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See my notes below for details. * first performance The original reels of the Port Chester run of '71 were audibly tainted due to a cable problem. The result is a tone which hovers around 8000 Hz with an amplitude of about +20 dB above the noise floor. This translate to a very annoying pitch, especially during quiet sections, which is in the old-tv-tube or lousy-hard-disk or maybe even the-sound-you-hear-after-you-slam-your-head-against-a-concrete-wall class of 'whine'. Because this interference is 'monochromatic' it's easy to get rid of if you have the processing power and a quick FFT algorithm. I used the filter-shaping capabilities of the Sonic Foundry Noise Reduction Plugin to tailor a very narrow notch filter which attenuated the interference without affecting the rest of the signal. And it's all done in the digital domain. Huzzah! As a side note, I actually ended up crafting many filters to process these shows. The frequency of the interference actually drifted anywhere from 7700 to 8100 Hz during a given show. This was probalby due to a slightly wandering reel speed. It made my work harder but when I tried a much wider filter I started to be able to hear the attenuation in the music. The filters generally go like this: 25 dB /- - - - - - - -\ / \ / \ 0 dB | | 7830 7900 7970 The end result is no more annoying whine! I also removed some of the nasty mic feedback in the 2/18/71 Bertha using this type of filter. Leigh Orf
Jeff Hyman (3/5) cdr / 2 A View 107 sbd
Notes: first Bertha, Greatest Story, Loser, Playin, Wharf Rat; Mickey's last show until 10/20/74.
Jeff Hyman (3/5) cdr / 2 A View 111793 sbd
Notes: Miller
Bill d'Angelo (3/5) CDR/shn / 3 A B+ View 107
Dan Linsley (3/5) / 0 View 6672
Dave Heenan (3/0) SHN / 2 View 107 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Dave Heenan (3/0) FLAC / 2 View 111793 SBD -> Master Reel -> Dat (44.1k)
timmy b (3/5) cdr / 3 A View 107
john zicconi (3/5) CDR / 3 SBD View   SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R