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Grateful Dead 02/21/71
Capitol Theater, Port Chester, NY
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Set I
Cold Rain & Snow, Me And Bobby McGee, Loser, Easy Wind, Playin' In The Band, Bertha, Me & My Uncle, Ripple, Next Time You See Me, Sugar Magnolia, Greatest Story Ever Told-> Johnny B. Goode
Set II
China Cat Sunflower-> I Know You Rider, Bird Song, Cumberland Blues, I'm A King Bee, Beat It On Down The Line, Wharf Rat, Truckin', Casey Jones, Good Lovin'-> Drums-> Good Lovin'-> Uncle John's Band
Set III

Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(1980) View Source    View Archive
SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; apparently sourced from previously-circulating Leigh Orf seed, with possible additions by Jason Lunz; note d2,3 have same md5s as previous copy, but d1 md5s are different
(87134) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz > WBOTB Master DAT (DAT-1). Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by C.Ladner.
(98034) View Source    View Archive
flac16; SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R; 03/19/09: This is a re-seed. I have re-encoded the files using FLAC, and added tags (May also include an undocumented EAC generation or other changes.)
(116618) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(123830) View Source    View Archive
flac16; source: aud cassette master; taped by Jim Cooper; two unknown mics > hitachi trq-222 deck tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger; Upgrade in circulation
(123885) View Source    View Archive
flac16; source: aud cassette master taped by Jim Cooper; two unknown mics > hitachi trq-222 deck; tdk c-120sd tapes, low bias, no nr; nak dragon > tascam hd-p2 24/96 > pc > cd wave > adobe audition 2.0 ( nr ) 16/44.1 > flac; transferred & seeded by Rob Berger feb. 2013
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
John L. (1/0) CDR / 3 View  
Adam Eaglestone (1/4.8) cdr / 3 View   SBD>DOLBY A REEL>DOLBY A DECODE>DAT>SOUND FORGE nr>CDR
J Dawg (1/0) CDR / 3 A View   SBD
John Banks (1/5) CDR / 3 A+ View  
Paul McFadyen (1/5) CDR / 3 A View  
Steve Johnson (1/0) DAT(2hr) / 2 A A View   sbd>?>dat
Warren Oates (1/5) cdr / 3 A View   SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
Notes: orf version.
yubah (1/5) CDR / 3 View 1980
GHOST (1/0) SHN / 2 View 1980 SBD
greengirl (1/4.3) CDR / 3 A A View   SBD>??>CD
greengirl (1/4.3) CDR / 3 A A View   SBD>??>CD
BJ (1/5) CDR / 3 A+ View  
Notes: SBD
Jody Bugabear (1/5) cdr / 3 View   SBD->MR->R->DAT->CDR
greg gwiasda (1/5) CDR / 3 A View  
Tommy Brame (Audio) (1/5) CDR / 3 View 1980
Matthew Hilty (1/5) / 0 View 1980
Sean Madigan (1/5) SHN / 2 View   SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
John Forkner (1/5) shn / 2 View 1980 SBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R
sarah anne (1/5) CDR / 3 View   sbd>dolby A reel>dolby A decode>dat>soundforge nr>cdr
Judah Baker (1/0) CDR / 3 A+ View   SBD:MR -> R > R > DAT > Sound Forge NR > CD-R
Notes: Grateful Dead February 21, 1971 Capitol Theatre, Port Chester, NY SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See my notes below for details. Disc 1 Set 1 1. Cold Rain And Snow (7:24) 2. Me And Bobby McGee (8:18) 3. Loser (7:37) 4. Easy Wind (9:21) 5. Playing In The Band (5:46) 6. Bertha (6:17) 7. Me And My Uncle (4:57) 8. Ripple (take 1) (1:31) 9. Ripple (7:53) 10. Next Time You See Me (5:41) 11. Sugar Magnolia (7:33) Disc 2 1. Greatest Story Ever Told > (4:43) 2. Johnny B. Goode Set 2 3. China Cat Sunflower (11:36) 4. Bird Song (6:44) 5. Cumberland Blues (5:48) 6. King Bee (9:12) 7. Beat It On Down The Line (4:53) 8. Wharf Rat (11:02) Disc 3 1. Truckin' (8:42) 2. Casey Jones (6:33) 3. Good Lovin' (16:55) 4. Uncle John's Band (7:36) The original reels of the Port Chester run of '71 were audibly tainted due to a cable problem. The result is a tone which hovers around 8000 Hz with an amplitude of about +20 dB above the noise floor. This translate to a very annoying pitch, especially during quiet sections, which is in the old-tv-tube or lousy-hard-disk or maybe even the-sound-you-hear-after-you-slam-your-head-against-a-concrete-wall class of 'whine'. Because this interference is 'monochromatic' it's easy to get rid of if you have the processing power and a quick FFT algorithm. I used the filter-shaping capabilities of the Sonic Foundry Noise Reduction Plugin to tailor a very narrow notch filter which attenuated the interference without affecting the rest of the signal. And it's all done in the digital domain. Huzzah! As a side note, I actually ended up crafting many filters to process these shows. The frequency of the interference actually drifted anywhere from 7700 to 8100 Hz during a given show. This was probalby due to a slightly wandering reel speed. It made my work harder but when I tried a much wider filter I started to be able to hear the attenuation in the music. The filters generally go like this: 25 dB /- - - - - - - -\ / \ / \ 0 dB | | 7830 7900 7970 The end result is no more annoying whine! I also removed some of the nasty mic feedback in the 2/18/71 Bertha using this type of filter. Leigh Orf <[email protected]>
Jeff Ishaq (1/0) DAT / 2 View   SBD (Betty) > R2R > PCM> DAT
Notes: Not yet transferred to CDR. d/o in Wharf Rat.
Jeff Ishaq (1/0) DAT / 2 View   SBD (Betty) > R2R > PCM> DAT
Notes: Not yet transferred to CDR. d/o in Wharf Rat.
Judah Baker (1/0) CDR / 3 A+ View   SBD:MR -> R > R > DAT > Sound Forge NR > CD-R
Judah Baker (1/0) CDR / 3 A+ View   SBD:MR -> R > R > DAT > Sound Forge NR > CD-R
Notes: Grateful Dead February 21, 1971 Capitol Theatre, Port Chester, NY SBD -> Dobly A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See my notes below for details. Disc 1 Set 1 1. Cold Rain And Snow (7:24) 2. Me And Bobby McGee (8:18) 3. Loser (7:37) 4. Easy Wind (9:21) 5. Playing In The Band (5:46) 6. Bertha (6:17) 7. Me And My Uncle (4:57) 8. Ripple (take 1) (1:31) 9. Ripple (7:53) 10. Next Time You See Me (5:41) 11. Sugar Magnolia (7:33) Disc 2 1. Greatest Story Ever Told > (4:43) 2. Johnny B. Goode Set 2 3. China Cat Sunflower (11:36) 4. Bird Song (6:44) 5. Cumberland Blues (5:48) 6. King Bee (9:12) 7. Beat It On Down The Line (4:53) 8. Wharf Rat (11:02) Disc 3 1. Truckin' (8:42) 2. Casey Jones (6:33) 3. Good Lovin' (16:55) 4. Uncle John's Band (7:36) The original reels of the Port Chester run of '71 were audibly tainted due to a cable problem. The result is a tone which hovers around 8000 Hz with an amplitude of about +20 dB above the noise floor. This translate to a very annoying pitch, especially during quiet sections, which is in the old-tv-tube or lousy-hard-disk or maybe even the-sound-you-hear-after-you-slam-your-head-against-a-concrete-wall class of 'whine'. Because this interference is 'monochromatic' it's easy to get rid of if you have the processing power and a quick FFT algorithm. I used the filter-shaping capabilities of the Sonic Foundry Noise Reduction Plugin to tailor a very narrow notch filter which attenuated the interference without affecting the rest of the signal. And it's all done in the digital domain. Huzzah! As a side note, I actually ended up crafting many filters to process these shows. The frequency of the interference actually drifted anywhere from 7700 to 8100 Hz during a given show. This was probalby due to a slightly wandering reel speed. It made my work harder but when I tried a much wider filter I started to be able to hear the attenuation in the music. The filters generally go like this: 25 dB /- - - - - - - -\ / \ / \ 0 dB | | 7830 7900 7970 The end result is no more annoying whine! I also removed some of the nasty mic feedback in the 2/18/71 Bertha using this type of filter. Leigh Orf <[email protected]>
Michael Aird (1/0) CD / 3 View 1980
Clammer (1/0) CDR / 3 View   SBD>Dolby A Reel>Dolby A decode>DAT>Sound Forge>CD-R
Elliott Schubeck (1/0) Audio / 3 B B View  
George Shannon (1/5) CD / 3 View 1980
Notes: etree
Mark Frost (1/0) cdr / 3 B+ View   SBD
Notes: some hissing disc 1: 1. Cold Rain & Snow 2. tuning 3. Me And Bobby McGee 4. Bobby talks 5. Loser 6. tuning 7. Easy Wind 8. tuning 9. Playin' In The Band 10. tuning 11. Bertha 12. tuning 13. Me & My Uncle 14. tuning 15. Ripple tuning 16. Ripple 17. tuning 18. Next Time You See Me 19. tuning 20. Sugar Magnolia disc 2: 1. Greatest Story Ever Told-Johnny B. Goode 2. China Cat Sunflower-I Know You Rider 3. Bird Song 4. Cumberland Blues 5. tuning 6. I'm A King Bee 7. tuning 8. Beat It On Down The Line 9. tuning 10. Wharf Rat 11. Truckin' 12. Casey Jones disc 3: 1. Good Lovin'-Drums-Good Lovin'- 2. Uncle John's Band Filler: 3. Promised Land 4. Deal 5. Playin' In The Band- 6. Scarlet Begonias- 7. Playin' In The Band
Seymour Young (1/0) / 0 View 1980