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Grateful Dead 03/22/90
Copps Coliseum, Hamilton, ON
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Set I
Feel Like A Stranger
West L.A. Fadeaway
Easy To Love You
Beat It On Down The Line
It Must Have Been The Roses
The Last Time
Picasso Moon
Don't Ease Me In
Set II
Scarlet Begonias >
Fire On The Mountain
Samson & Delilah
Believe It Or Not >
Truckin' >
Drums >
Space >
The Other One >
Hey Jude >
Dear Mr. Fantasy >
Hey Jude >
Sugar Magnolia

Encore:
It's All Over Now Baby Blue
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(453) View Source    View Archive
SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim; known flaws: 1 sec d/o d2t7 @0:17
(7460) View Source    View Archive
Schoeps CMC54 (ORTF, 19th row) > Aerco PS > DAT @ 48kHz; via Dankseeds
(21433) View Source    View Archive
Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
(28040) View Source    View Archive
SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed & Shn conversion by Dan
(31772) View Source    View Archive
DTS Audio 5.1; Mix of AUD Dave Brotman FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT & SBD > MC > DAT
(91779) View Source    View Archive
flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no Dolby. Mics on 7-foot stand in front of OTS. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.
(107871) View Source    View Archive
flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(111464) View Source    View Archive
Soundboard Unknown>CD>EAC>WAV>SHN (This source was submitted to Etree with the alt-md5; the seed of this source did not match the alt-md5 on d1t7. A new shn-md5 was created.)
(113144) View Source    View Archive
flac16:Matrix by Jubal Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut > AIFF CD tracking via Audacity > FLAC16 via xACT)
(125880) View Source    View Archive
flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe
(125881) View Source    View Archive
flac16; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)>Wave Editor 1.5.7 (iZotope Resampler)> xACT 2.23(align on sector boundaries, encode, tag, fingerprint)>flac16 (level 8); Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe
(126698) View Source    View Archive
flac16; Matrix 3 Source Mix - SBD (shnid=107871) Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video found supplied by Peanut Production for a video project - matrix mixing by Kevin Tobin
(126699) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=107871)Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/48k) -> Samplitude Professional v11.03 -> FLAC/16; All Transfers and Mastering By Charlie Miller + AUD (shn id 125880) flac16/48kHz; Source: Schoeps CMC5/MK4 > Aerco P/S > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB 19th row on a stand; Original transfer and processing: DAT(2) > Sony PCM-2600 > Audioquest coax > TB Fiji Soundforge 4.5 > CDWave > MKWAct. No DAE; Fixed processing: xACT 2.23(shn>wav)>Audacity(inverted right channel with 32 bit float> flac)>xACT 2.23>wav>Sound Studio 3.6(normalize peak, +gain, re-track)> xACT 2.23(encode, tag, fingerprint)>flac16 (level 8) Taped by: Ted Mattes; DAT clone (2), DAT transfer, original processing, SHN extraction, MD5 verification and channel inversion all provided and done by: Craig Hillwig; Final processing, level adjustment and seeding by: Lenny Stubbe + VID (no shn id) master video supplied by Peanut Production for a video project - dts mixing by Kevin Tobin
(139224) View Source    View Archive
flac16; Recording Info: SBD (Recording Mix) > Dat Master > PCM (Sony Beta L-750); Transfer Info: PCM (Sony SL-10) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 > Samplitude Pro X3 Suite > FLAC/16
(141112) View Source    View Archive
flac16/48kHz; Master Audience Recording & Transfer by Ray Ackerman: AKG 460B/CK63 ULS -> AKG B18 phantom power unit -> Panasonic SV250 -> DAT (OTS); Transfer info: Tascam DA 30 mkii -> Microtrack ii -> wavelab 5 -> WAV 16/48
(141931) View Source    View Archive
flac16/48kHz; Ted Mattes Recording: Schoeps CMC5 MK4 > DAT 48k (Panasonic SV-250); Location: row 23 seat 10; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
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User (active/rating) Media / # Show Sound Details DB Source User Source
kmfurtado (3/5) shn / 2 View   SBDDAT>CD>EAC>SHN conversion by AJ - [email protected] - Jan 2000
Colorado (3/0) shn / 2 View 453
gary kriksciun (3/0) SHN / 2 View 453
Joe Clayton (3/0) CDR / 2 View 453
Erik Lazier (3/5) VCD / 1 View  
Notes: Set 1 only; with SBD audio.
David Jancy (3/5) cdr / 2 A + View   SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Notes: Disc 1 - set 1 01 [08:49] Feel Like A Stranger 02 [07:40] West L.A. Fadeaway 03 [06:56] Easy To Love You 04 [03:53] Beat It On Down The Line 05 [07:30] Must Have Been The Roses 06 [05:51] The Last Time 07 [07:13] Picasso Moon 08 [03:26] Don't Ease Me In set 2 09 [08:37] Scarlet Begonias > 10 [12:20] Fire On The Mountain Disc 2 - set 2 (con't) 01 [06:52] Samson & Delilah 02 [06:37] Believe It Or Not 03 [07:44] Truckin' > 04 [03:15] The Other One Jam > 05 [13:12] Drums > 06 [04:50] Space > 07 [08:27] The Other One > 08 [04:52] Hey Jude > 09 [04:17] Dear Mr. Fantasy > 10 [04:31] Hey Jude Finale > 11 [08:03] Sugar Magnolia Encore 12 [07:04] Baby Blue --------------------------------------------------------- Source Info SBD Taper: ? Source: SBD > MC > DAT Location: At the soundboard AUD Taper: Dave Brotman Source: FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT Location: 19th Row --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & AUD sources. This is a 60% SBD, 40% AUD mix. - Mixed by [email protected] - Shn conversion done by [email protected] 10-AUG-2004 - Artwork by Mike Ahern and [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. Special thanks to Mike for his hard work on this art. --------------------------------------------------------- Notes The levels were very low on the SBD source. I increased set 1 by 3.5db and set 2 by 7.5db. D1t4 'BIODTL' a 1 second AUD patch was made at approx 2.22 to cover a cut, dropout or skip in the SBD. Source change from SBD to AUD is obvious to the listener. D1t5 'Roses' a 1 second AUD patch was made at approx 0.22 to cover a cut, dropout or skip in the SBD. The result was smooth and most likely unnoticeable. D1 The SBD source was missing approx 2.38 of crowd cheer after 'Roses'. Most likely where the cassette flip was. The AUD source was trimmed to match. The result was smooth and most likely unnoticeable. D2 and D3 can be assembled seamlessly on longer media. NOTE: Burning options. You can also burn this as 2 CDs by putting D2T1 & D2T2 (Scarlet > Fire) on the end of the first CD. Obviously I set this up for 3 discs but in the end I ended up burning as a 2 disc myself. The artwork was setup to accomidate both options. D2 Both the SBD and the AUD sources had breaks bwtn the D2 and D3 change. The SBD source also had a cassette flip break. Fortunately the breaks were at different spots. I patched the missing SBD portions, approx 4 and 3 seconds, with the AUD. I patched the missing AUD portion, approx 6 seconds, with the SBD. The result was smooth and most likely unnoticeable. The SBD source faded out after the last song of set 2. It restarts at the very first notes of the encore. I adjusted the AUD source accordingly to match. I tried to make this as smooth as possible and it came out okay. I ran the center channel lower than usual (-5db) for this DTS 5.1 mix. This Scarlet > Fire is absolutely insane. Final/last "Believe It Or Not" 10-21-1988 (89 shows) Final/last "Hey Jude" 03-01-1969 (1522 shows)
Brack (3/0) CDR-SBD / 3 A+ View  
TLEO (3/0) shnf / 0 View   sbd-matrix
TLEO (3/0) shnf / 0 View   sbd
TLEO (3/0) shnf / 0 View   dts
TLEO (3/0) shnf / 0 View   sbd
Brian Koistinen (2/5) CDR / 3 A View   DSBD
Notes: also DTS 5.1
Dave Wenzel (2/5) / 3 A View   SBD+AUD Matrix Mix
Notes: Digital Dan's homemade Matrix Hey Jude, last Believe It Or Not
Jim Van Houten (2/5) / 0 View   HD: Official Release Not For Trade /...
Scott Miller (2/0) / 0 View  
PRentz (2/0) shn / 3 View 453
Eric H. (2/5) CDR / 3 A View  
Ray LaChance (2/5) CDR / 3 A View   Soundboard
Ray LaChance (2/5) CDR / 3 A+ View   DTS 5.1
Notes: Grateful Dead Copps Coliseum Hamilton, Ontario, Canada March 22, 1990 DTS-Audio-CD 5.1 Mix Disc 1 - set 1 01 [08:49] Feel Like A Stranger 02 [07:40] West L.A. Fadeaway 03 [06:56] Easy To Love You 04 [03:53] Beat It On Down The Line 05 [07:30] Must Have Been The Roses 06 [05:51] The Last Time 07 [07:13] Picasso Moon 08 [03:26] Don't Ease Me In TT [51:17] Disc 2 - set 2 01 [08:37] Scarlet Begonias > 02 [12:20] Fire On The Mountain 03 [06:52] Samson & Delilah 04 [06:37] Believe It Or Not 05 [07:44] Truckin' > 06 [03:15] The Other One Jam > 07 [13:12] Drums > TT [58:36] Disc 3 - set 2 (con't) 01 [04:50] Space > 02 [08:27] The Other One > 03 [04:52] Hey Jude > 04 [04:17] Dear Mr. Fantasy > 05 [04:31] Hey Jude Finale > 06 [08:03] Sugar Magnolia Encore 07 [07:04] Baby Blue TT [42:03] --------------------------------------------------------- Source Info SBD Taper: ? Source: SBD > MC > DAT Location: At the soundboard AUD Taper: Dave Brotman Source: FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT Location: 19th Row --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch the SBD & AUD sources. CEP2.0 used to adjust the volume for the center, LFE and front channels. Surcode CD Pro DTS was used to encode to DTS. -3db was NOT applied to the rear channels, they were left at their original levels. - Mixed by [email protected] - Shn conversion done by [email protected] 10-AUG-2004 - Artwork by Mike Ahern and [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. Special thanks to Mike for his hard work on this art. --------------------------------------------------------- DTS-Audio-CD Info Front Left Channel SBD > MC > DAT Right Channel SBD > MC > DAT Center SBD Mixed to mono -5db SBD > MC > DAT Surround Left Channel FOB > Scheops > DAT Right Channel FOB > Scheops > DAT Sub/LFE SBD Mixed to mono -3.5db SBD > MC > DAT --------------------------------------------------------- Notes The levels were very low on the SBD source. I increased set 1 by 3.5db and set 2 by 7.5db. D1t4 'BIODTL' a 1 second AUD patch was made at approx 2.22 to cover a cut, dropout or skip in the SBD. Source change from SBD to AUD is obvious to the listener. D1t5 'Roses' a 1 second AUD patch was made at approx 0.22 to cover a cut, dropout or skip in the SBD. The result was smooth and most likely unnoticeable. D1 The SBD source was missing approx 2.38 of crowd cheer after 'Roses'. Most likely where the cassette flip was. The AUD source was trimmed to match. The result was smooth and most likely unnoticeable. D2 and D3 can be assembled seamlessly on longer media. NOTE: Burning options. You can also burn this as 2 CDs by putting D2T1 & D2T2 (Scarlet > Fire) on the end of the first CD. Obviously I set this up for 3 discs but in the end I ended up burning as a 2 disc myself. The artwork was setup to accomidate both options. D2 Both the SBD and the AUD sources had breaks bwtn the D2 and D3 change. The SBD source also had a cassette flip break. Fortunately the breaks were at different spots. I patched the missing SBD portions, approx 4 and 3 seconds, with the AUD. I patched the missing AUD portion, approx 6 seconds, with the SBD. The result was smooth and most likely unnoticeable. The SBD source faded out after the last song of set 2. It restarts at the very first notes of the encore. I adjusted the AUD source accordingly to match. I tried to make this as smooth as possible and it came out okay. I ran the center channel lower than usual (-5db) for this DTS 5.1 mix. This Scarlet > Fire is absolutely insane. Final/last "Believe It Or Not" 10-21-1988 (89 shows) Final/last "Hey Jude" 03-01-1969 (1522 shows)
SailorSaint (2/4.9) FLAC / 2 View   SBD
Notes: Spring '90 Box Set
Lost Sailor (2/0) Shn / 0 View 111464 Soundboard Unknown>CD>EAC>WAV>SHN (This source was submitted to Etree with the alt-md5; the seed...
Lost Sailor (2/0) Flac 16 Mtx / 0 View 113144 flac16:Matrix by Jubal Hunter Seamons using Final Cut Pro (SHN & FLAC > AIFF > Final Cut...
Lost Sailor (2/0) Flac 16 / 0 View 107871 flac16; Recording Info:SBD -> Cassette Master (TDK SA-X90); Transfer Info: Cassette...
Lost Sailor (2/0) Flac 16 / 0 View 91779 flac16; AUD: Nakamichi CM300's w/CP-4 shotguns > Sony TC-D5M > Maxell MX-90/100, with no...
Lost Sailor (2/0) Shn / 0 View 21433 Bertha Remaster of the Master Cassette source; SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
Lost Sailor (2/0) Shn Mtx / 0 View 28040 SBD + AUD Matrix Mix (60%-SBD/40%-AUD); Mixed & Shn conversion by Dan
Lost Sailor (2/0) Shn Mtx / 0 View 453 SBD (Matrix)> DAT> CD> EAC> [retracking of d2 w/ SF, no other alteration]> SHN; via Adam Jerugim;...
Lost Sailor (2/0) Shn Dts / 0 View 31772 DTS Audio 5.1; Mix of AUD Dave Brotman FOB > Schoeps CMC54 (ORTF) > Aerco PS > DAT & SBD >...
Lost Sailor (2/0) Flac 16 Mtx / 0 View 126698 flac16; Matrix 3 Source Mix - SBD (shnid=107871) Recording Info:SBD -> Cassette Master...
Lost Sailor (2/0) Flac / 0 View 126699 DTS-Audio-CD 5.1 Mix; SBD (shnid=107871)Recording Info:SBD -> Cassette Master (TDK...