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Grateful Dead 08/06/71
Hollywood Palladium, Hollywood, CA
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Set I
Bertha, Playin' In The Band, Loser, Mr. Charlie, Cumberland Blues, Brokedown Palace, Me And Bobby McGee, Hard To Handle, Casey Jones
Set II
Saint Stephen, Truckin'-> Drums-> The Other One-> Me & My Uncle-> The Other One, Deal, Sugar Magnolia, Morning Dew, Turn On Your Love Light
Set III
 
Comment
"WRS Prelude' tease after "Me & My Uncle" - Other artist(s): NRPS -full moon -,full lunar eclipse 'Sugaree" appears on some audience tapes, but may be from another show. The stellar Hard to Handle from the circulating AUD can be heard on the commercial release Fallout from the Phil Zone.
Last Changed By System
Sources
(129) View Source    View Archive
updated source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al; (info file had given AKG 330 etc); D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro; via Ben Kasper, Ben Yerys
(30224) View Source    View Archive
source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) Remaster of SHNid=129 by Sir Mick
(77457) View Source    View Archive
flac16; fix of the flaws in shn id 30224 source info: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Harv Kaslow D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) notes: I've been aware for some time that when I originally did the pitch corrction, I didn't get it right on the first 4 tracks. They have now been corrected
(88816) View Source    View Archive
flac16; Recording Info: (FOB) Sony ECM-22P -> Master Reel -> Reel -> Dat -> Cool Edit Pro -> SHN Transfer Info: SHN -> Cool Edit Pro v2.0 -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(94261) View Source    View Archive
flac16; MR > R > CD > EAC > WAV > FLAC MAR (Harvey Kaslow)* @ 7 1/2 ips. > R @ 7 1/2 ips. (Will Boswell via Rob Bertrando) Maxell UD tape > CD --- R copied @ 7.5 ips using a Revox A-77>A-77 --- Mastered to cd by Matt Smith --- Playback info: R > Akai GX625 > apogee mini me (24/96) > apogee mini dac (monitoring) > Lynx One soundcard > wavelab 5.0 (dithered to 20/44) > CD ** > EAC > WAV (shntool confirms no sbes) > FLAC (TLH)
(96541) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(96668) View Source    View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>WAV>FLAC) January 3, 2009
(97015) View Source    View Archive
flac 16; Sick Bits Vol. 29b - SBD/AUD mix of 2 previously circulating primary sources: SBD (shnid=96541) + AUD (shnid=94261) as well as patch AUD source (shnid=88816). Matrixed by Chris Chappell.
(109430) View Source    View Archive
flac24; FOB Sony ECM-22P mics New Riders - MAR>R@ 7.5 ips.>DVD; GD - lineage: MAR>R@ 7.5 ips>DVD; Akai GX636 (a rare black model) > Apogee Mini Me @24bit/96kHz > Apogee mini DAC (monitoring/mastering) > Lynx One Audio Card > Wavelab 5.0 > FLAC
(110278) View Source    View Archive
DVD-VA: (Video Audio) SBD>>MR>>CDA>>FLAC>>DAW(Bertha)>>Audio DVD; Bertha Remaster of the Master Reel Source (audio only, no video)
(114390) View Source    View Archive
flac24; Aud.7.5 ips>R(Don Wolfe) Transfer info:Akai GX636 > Apogee Mini Me @24/96; Transfered and mastered by Matt Smith 6/11
(127690) View Source    View Archive
flac24; Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC
(130793) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - matrix mixing by Kevin Tobin
(130794) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=96541) Recording Info: SBD -> Master Reel -> CD Transfer Info: CD -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller + AUD (shn id 127690) Lineage: MAR (Harvey Kaslow) @ 7 1/2 ips. > R @ 7 1/2 ips.(Don Wolfe); Transfer info: Akai GX636 direct tape head output > Bottlehead tube tape pre pair Tesla tubes circa 1980 > Apogee Mini Me 24/96 > Apogee Mini DAC monitoring and mastering > FLAC - dts mixing by Kevin Tobin
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User (active/rating) Media / # Show Sound Details DB Source User Source
Dennis O'Donnell (2/0) flac / 2 View 96541
matthew (2/5) shn / 2 A A View 129 Sony ECP-22P mics >Sony 770 RtR->DD>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro
Notes: A full moon show. A shn in circ.
Dan Walter (2/0) CDR / 2 View   Sony ECM-22P>Sony770 Reel>DAT>CDR
Notes: all
James Gregory (2/5) CDR / 2 A View   AKG 330>Sony 770 Reeldeck>Fostex D-5>SBLive digi i/o>SHN>CDR
john (2/5) flac / 2 View 77457
Terrapanda (2/0) / 2 View 88816
Terrapanda (2/0) / 2 View 96541
Jackie H. (2/4.7) CD-R / 2 A View  
LEE SPATZ (2/0) / 0 View 129
Thomas Frank (2/5) SHN / 2 View 129 AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)
Notes: Grateful Dead Hollywood Palladium Hollywood, CA 8/6/71 Disc 1: Set 1 1. Bertha 2. Playing in the Band 3. Loser 4. Mr. Charlie 5. Cumberland Blues 6. Brokedown Palace 7. Me & Bobby McGee 8. Hard to Handle 9. Casey Jones Set 2 10. St. Stephen* --> 11. Truckin' --> 12. Drums --> Disc 2: 1. The Other One --> 2. Me & My Uncle** --> 3. The Other One 4. Deal 5. Sugar Magnolia 6. Morning Dew 7. Lovelight * 2 seconds of static during tuning ** Weather Report Suite tease at the end Source: AKG 330->Sony 770 Reel to Reel (50 ft back from the stage)->D D>CD: Fostex D5->SB Live Digi I/O->Cool Edit Pro (by Ben Kasper) SHN and upload by Ben Yerys (contact me at: [email protected] if any problems come up)
Matthew Klein (2/0) CDR / 2 View 129
Ian (2/0) CDR / 2 View  
khanti (2/3) SHN / 2 View 129
Gage Patterson (2/0) shn / 2 A A+ View 129
Brad (2/0) FLAC & SHN / 0 View 129 Set I + 1st 3 songs of Set II: Sony ECM-22P mics > Sony 770 reel deck > SHN ; Set II (minus...
Notes: excellent AUD for an early 70's show.
Brad (2/0) FLAC / 0 View 88816 FOB Sony ECM-22P > MR > R > DAT> Cool Edit Pro > SHN - Miller
Brad (2/0) FLAC / 0 View 96541 SBD > MR > DAT > CD - Miller
Robe (2/0) Flac/CDR / 3 A View 96668 SBD -> Master Reel -> CD
Notes: 1) There is about a minute cut in the AUD near the end of Lovelight.There are gaps in the AUD between songs. 2) While the primary AUD did not have Me & Bobby McGee, it did have a significantly longer crowd intro and outro than shnid=88816. 3) The right channel of the AUD was low during the last two songs. This was adjusted.
Gdeadman (2/0) cass / 0 5 View   A
ggloyd (2/4.9) cdr / 2 A- View  
Kris Kaiser (2/3) CDR / 2 View   AKG 330->Sony 770 Reel 2 Reel(50 ft back from stage)->DD>CD: Fostex D5->SB Live Digi I/O->Cool...
FTLShawn (2/0) / 0 View 129
Jordan Kisner (2/0) SHN / 2 View 129 Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center
AAA Audio (2/4.8) shn / 2 View  
Bob Wall (2/0) CDR / 2 View  
Dean Thole (2/0) SHN / 2 View 129
Dan Goorsky (2/5) shn / 2 View  
Notes: Sony ECM-22P mics > Sony 770 reel deck, 1/4 track 7.5 ips. 40-50 feet back, dead center; taped by Rob Bertrando et al
john and tracy (2/0) / 2 View  
Steve Tobani (2/5) / 2 View   Sony ECM-22P>FOB 50' from stage>Sony 770 Reel @ 7.5 IPS>D>CD
Scott Leavell (2/5) CDR / 2 A View   AUD
Notes: AUD the gold standard for AUD recordings;millisecond gaps on some songs