<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 420 | 421 - 450 | 451 - 480 | 481 - 510 | 511 - 540 | 541 - 570 | 571 - 600 | 601 - 630 | 631 - 660 | 661 - 690 | 691 - 720 | 721 - 750 | 751 - 780 | 781 - 791 Next >>
User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
Sean McIntyre (5/0) | CD / 1 | View | SBD | |||
Notes: | SBD->Reel->PCM->DAT Not the complete source | |||||
jamestowne (5/0) | CD / 2 | View | 12223 | |||
Notes: | Good SHow | |||||
MeltN2aDream (5/5) | cdr / 2 | View | 12223 | SBD | ||
Notes: | complete show | |||||
Jeff Riney (5/5) | cdr / 1 | View | 74 | |||
Notes: | MR;partial on same disc as 2/12/70 | |||||
Jeff Riney (5/5) | cdr / 1 | View | 12223 | |||
Notes: | source 1:MSR source 2:MSC | |||||
EricS (5/0) | CDR / 2 | View | SBD>MR>PCM>D>CD>EAC>SHN ; SBD>MC>R>C>D>CD>EAC>SHN (?) | |||
Hardcastle Sean (5/0) | / 0 | View | 12223 | |||
Joey Browning (5/4.9) | sb / 90 | A- | View | |||
Joey Browning (5/4.9) | sb / 45 | A | View | |||
Notes: | dew-m&m-dk*-st.st./ | |||||
Glenn (5/5) | SHN / 1 | View | 12223 | Source 1:SBD>MR>PCM>D>CD>EAC>SHN | ||
Notes: | Source 2:SBD>MC>R>C>D>CD>EAC>SHN (?) | |||||
CTDEADHEAD (5/5) | SHN / 1 | View | 12223 | |||
Notes: | 2 SBDS Sources | |||||
Lloyd H (5/5) | CDR / 2 | A+ | A+ | View | SBD | |
Notes: | ? Source 2? // Starts w/Hard to Handle ends with a half-hour Lovelight. // St. Stephen> Eleven very like to "Live Dead" amazingness. | |||||
David Mezias (5/0) | CDR / 2 | A | View | SBD | ||
vivek (5/0) | SHN / 1 | View | 12223 | |||
Tim Wiley (5/3.9) | SHN / 1 | View | 12223 | SBD | ||
AoXoMoXoA (5/5) | SHN / 1 | View | 74 | |||
Notes: | partial Dew>>11//; Reel> PCM> DAT | |||||
Brian Witzke (5/0) | CD-R / 2 | View | ||||
barney rubble (5/3.5) | cdr/shn / 2 | View | 12223 | SBD>MR>PCM>D>CD>EAC>SHN | ||
Notes: | Source 2: SBD>MC>R>C>D>EAC>SHN (?) source 2 provides: --all of Hard To Handle --from 2:53 in The Eleven to the end of the show Notes: --Source 2 originated from a Serafin edit and originally was listed as a reel master, though there is reason to believe it was mastered on cassette, as noted on Eaton's list. There are remnants of digital processing in the recording, including distortion from what is likely to be digital moise reduction. Sound Forge was used to correct the pitch and patch in the portions from the higher quality reel source. --this exact shn set may have seen limited circulation in early 2002 with the 2nd source listed as unknown | |||||
John Coulter (5/4) | CDR / 2 | View | MSR>DAT>CDR | |||
michael gibbs (5/0) | shn / 1 | View | 74 | |||
chris ventura (5/0) | / 0 | View | ||||
Andy Leslie (5/5) | CD / 1 | View | 74 | Reel> PCM> DAT; | ||
Notes: | Reel> PCM> DAT; | |||||
Dozin (5/5) | SHN / 1 | View | 12223 | SBD Master Reel | ||
B J (5/0) | / 0 | View | ||||
ALAN J FINK (5/0) | / 0 | View | 12223 | |||
Ryan Newman (5/0) | / 1 | A | View | SBD>REEL>PCM>DAT>CD | ||
Notes: | Morning Dew -> Eleven// | |||||
Jay Thomson (5/4.9) | SHN / 1 | View | 74 | Reel>PCM>DAT | ||
Dan Niggemann (5/0) | .shn / 1 | View | ||||
Notes: | Source 1: SBD> MR> PCM> D> CD> EAC> SHN Source 2: SBD> MR> R> C> D> CD> EAC> SHN Source 2 provides: Hard to Handle, from 2:53 in The Eleven to the end of the show | |||||
Ratdog910 (5/5) | cdr / 2 | View | 12223 | SBD | ||
jr (5/0) | / 2 | View | Source 1: SBD>MR>PCM>D>CD>EAC>SHN; Source 2:... | |||
Notes: | source 2 provides: --all of Hard To Handle --from 2:53 in The Eleven to the end of the show Notes: --Source 2 originated from a Serafin edit and originally was listed as a reel master, though there is reason to believe it was mastered on cassette, as noted on Eaton's list. There are remnants of digital processing in the recording, including distortion from what is likely to be digital moise reduction. Sound Forge was used to correct the pitch and patch in the portions from the higher quality reel source. --this exact shn set may have seen limited circulation in early 2002 with the 2nd source listed as unknown part of The Music Never Stopped Project 2002 |