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Grateful Dead 02/20/71
Capitol Theater, Port Chester, NY
Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III

Comment
E.S.P. show - Other artist(s): NRPS
Last Changed By System
Sources
(111) View Source    View Archive
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source    View Archive
likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source    View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Rich Pucci (5/4.7) CDR (shn) / 2 View  
Rudolf E. Zielinski (5/5) CDR / 3 A+ View   SBD
davyp (5/4.3) shn / 2 View 111 WBOTB, 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog...
KYHub (5/5) SHN / 2 A A View 111
Notes: HD1
Joe Rizzo (5/4.8) CD / 3 A A View  
Notes: 2 SHN
garret (5/0) Flac / 26 A+ A++ View 85912 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out >...
Notes: Original WBOTB DATs procured & circulated in 1996 by Jace Crouch and Tim Deibert. Thanks to trailmix for providing the lineaged master DAT for transfer. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L. Seeded by the Green Mountain Bros. at bt.etree.org, June 2007. Comments: Reel flips and short segments of missing music (Casey Jones, Bird Song, Lovelight) were crossfaded to stealthy seamlessness by sampling the 2-3 missing beat(s) from the same measure in a preceding/following verse/chorus. All audio editing was done on 24 bit files. FFT of waveform showed 2 distinct peaks resulting in an annoying whine. First peak broadly centered around 8100 and a second at roughly 15700 Hz. These were attenuated using the SuperNotch notch filter preset of Waves Q10 32 bit paragraphic equalizer performed on the 24/96 WAV files prior to Ozone mastering and MBIT 16 bit rendering.
barry bryson (5/4.3) analog/180 / 2 View   aud
Dan McDonald (5/5) / 2 A View   SBD>R>DAT>CDR
Notes: SBD>R>DAT>CDR
gagabbard (5/5) audio / 3 View  
Notes: SBD>MR>R>DAT>CDR
Andrew Murawa (5/5) cd / 2 A View   7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out >...
Matt Bertollo (5/5) CDR / 3 SBD View 111 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz PCM501ES analog out >...
Notes: 3 Audio or 2 SHN
Cappy (5/0) FLAC / 1 View 85912
Notes: Betty Board
Rob Lecker (5/0) CDR / 3 A View   7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz > PCM501ES analog out...
Chris Francis (5/5) CDR / 2 A A View  
Sean McIntyre (5/0) CD / 3 View 111 SBD
Notes: 7" 2-track Betty Reel w/Dolby A @ 7 1/2 ips->PCM501ES->PCM501ES analog out->Dolby A decode->analog in Fostex D5 @ 48 KHz->DATx3->ZA2->Notch filter->SHN->CDR
MeltN2aDream (5/5) cdr / 2 View 6188 Betty Board
Joey Browning (5/4.9) sb / 0 A View  
DaffiDuck (5/5) shn / 2 View   WBOTB 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz
Notes: WBOTB
CTDEADHEAD (5/5) SHN / 2 View 111
Notes: WBOTB 7" 2-track Betty Reel w/ dolby A
Erika Vago (5/0) CDR / 2 A View   sbd
Stephanie Wilkins (5/4.7) CD / 2 View   sdbd
Brian Witzke (5/0) CD-R / 2 View  
Ian (5/0) / 0 View 111
John Coulter (5/4) CDR / 2 View   MSR>PCM>DAT>CDR
michael gibbs (5/0) shn / 2 View 111
Tyler Bruce (5/4.3) cdr / 3 View   7inch 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz > analog out >...
Ron (5/5) shn / 2 View   7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHzPCM501ES analog out >...
Dozin (5/5) SHN / 2 View 111 SBD Master Reel
ALAN J FINK (5/0) / 0 View 111
B. Robins (5/5) CDR / 2 A View  
Notes: SBD