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Set I
Casey Jones, Me & My Uncle, Hard To Handle, Bertha, Playin' In The Band, Bird Song, Big Boss Man, Cryptical Envelopement-> Drums-> The Other One-> Wharf Rat, Sugar Magnolia
Set II
Truckin', Loser, Next Time You See Me, Greatest Story Ever Told-> Johnny B. Goode, Ripple, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away-> Turn On Your Love Light
Set III
Comment
E.S.P. show - Other artist(s): NRPS
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(111) View Source
View Archive
7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive
likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
(111) View Source
View Archive 7" 2-track Betty Reel WBOTB w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHz, PCM501ES analog out > dolby A decoder > analog in Fostex D5 @ 48KHz > DATx3 > ZA2 > notch filter > CD-R; via Leigh Orf; see info file for dewhining details; tracked for 3 discs
(6188) View Source
View Archive likely seekable reshn of previous shn set by Bob Clevenger (txt datestamp 3/19/00, md5 datestamp 10/14/01)
(85912) View Source
View Archive flac16; Source: 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > Dolby A decoder > Apogee filter > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz x 2 > WBOTB Master DAT. Transfer and mastering: Jace's DAT (48 KHz) playback on Sony PCM-R500, AES digital output > Benchmark DAC1, XLR analog output > Grace Lunatec V3, sample rate at 96 KHz, AES digiout) > AES digital input, professional mode/sync - LynxTwo soundcard in E6400 dual core processor-based PC > HD as 24 bit/96 KHz WAV > Ozone 3.0 > MBIT+ dithering to 16/44.1 KHz WAV > CDWAV 1.9 (tracking) > FLAC (level 8). Recording, editing and mastering with Wavelab 5.0. All cables were Mogami Gold 0.3m pro-audio XLR cables. All components in the transfer/mastering chain were powered from a Cyberpower 1285AVR noise-attenuated uninterruptible AC power supply. Transfer and mastering by Chris L.
(116617) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> CD; Transfer Info: CD -> Samplitude Professional v10.02 -> Adobe Audition v1.5 -> FLAC; All Transfers and Mastering By Charlie Miller
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
<< Previous 1 - 30 | 301 - 330 | 601 - 630 | 631 - 660 | 661 - 690 | 691 - 720 | 721 - 750 | 751 - 780 | 781 - 810 | 811 - 840 | 841 - 870 | 871 - 900 | 901 - 930 | 931 - 960 | 961 - 973 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Greg Sullivan (0/5) | / 3 | A+ | View | Leigh Orp | ||
| Christopher Rusho (0/0) | / 0 | View | 111 | |||
| StoneBear (0/0) | CDR/SHN / 3 | View | 111 | WBOTB 7 | ||
| [email protected] (0/0) | CDR / 2 | A | View | SBD>REEL>DAT>CD | ||
| Notes: | SBD>REEL>DAT>CD | |||||
| [email protected] (0/0) | CDR / 2 | A | View | SBD>REEL>DAT>CD | ||
| Bob R. (0/0) | CD-R / 2 | A-/ | View | SBD (Bootleg CD) | ||
| Notes: | 1st disc is from different A- source, lots of Pigpen, rare electric "Ripple" | |||||
| Sigsmundo (0/0) | CDR / 1 | A | A | View | ||
| Notes: | Partial First set Only! Casey-Drums. | |||||
| Justin Mason (0/0) | / 0 | View | S:D | |||
| Justin Mason (0/0) | / 0 | View | S:D | |||
| Justin Mason (0/0) | / 0 | View | ||||
| Justin Mason (0/0) | / 0 | View | ||||
| Justin Mason (0/0) | / 0 | View | ||||
| Justin Mason (0/0) | / 0 | View | ||||
| Lee Revell (0/0) | / 3 | View | ||||
| ted hissin (0/0) | cdr / 0 | View | 111 | 7"2-Track Betty Real>PCM>DAT>CDR>Sonic Solutions>CD>EAC>SHN | ||
| DeadVines (0/0) | SHN / 0 | View | 111 | |||
| Steve Karm (0/0) | cdr / 3 | View | ||||
| Grapeskunk (0/0) | CDR / 1 | A | View | |||
| Emily (0/0) | Analog / 2 | A | View | |||
| Rob Lochner (0/0) | CDR / 3 | View | 7" 2-track Betty Reel w/ dolby A @ 7 1/2 ips > PCM501ES @ 44.056 KHzPCM501ES analog out... | |||
| Mark Corner (0/0) | CDR / 3 | View | ||||
| STEVE WESTROM (0/0) | CDR / 2 | A | View | SBD | ||
| Brian Walker (0/5) | SHN / 3 | n/a | View | 7 2-track Betty Reel w/ dolby A @ 7 1/2 ips PCM501ES @ 44.056 KHz, PCM501ES analog out dolby A... | ||
| Notes: | n/a | |||||
| Eric Flodin (0/5) | SHN / 3 | View | ||||
| deadone38 (0/0) | cdr / 3 | View | ||||
| Notes: | betty | |||||
| Tom Reedy (0/0) | cdr / 3 | A+ | View | |||
| Notes: | sdb | |||||
| George (0/3) | CD-R / 2 | View | ||||
| DAVID DENSON (0/5) | CDR / 2 | B | B+ | View | ||
| Notes: | sounds good but not disc at once - but faded in/out as opposed to sharp breaks 'red robin cd' | |||||
| Glen W. (0/0) | CD-R / 3 | View | SBD->MR->R->DAT->CDR | |||
| Notes: | SBD->MR->R->DAT->CDR | |||||
| David Raymond (0/0) | C / 0 | View | sbd | |||