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Grateful Dead 06/17/91
Giants Stadium, East Rutherford, NJ
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Set I
Eyes Of The World
Walkin' Blues
Brown Eyed Women
When I Paint My Masterpiece
Loose Lucy
Cassidy
Might As Well
Set II
Saint Of Circumstance >
Ship Of Fools >
Truckin' >
New Speedway Boogie >
Uncle John's Band >
Drums >
Space >
Jam >
China Doll >
Playing In The Band >
Sugar Magnolia

Encore:
The Weight
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(484) View Source    View Archive
DSBD> DAT> CDR> SHN; new version d1, 5/18/99; first 1-2 sec of Eyes is missing; note md5s were lacking- ones shown here generated by G.S. Hamilton, for OK shns with the newer d1
(3591) View Source    View Archive
sbd> ?> cdr> eac> shn; via Tony Gardner, with thanks to Peter Braverman
(25608) View Source    View Archive
SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller; [Note: This is the only circulating source without an analog gen in it.]
(31606) View Source    View Archive
flac16; SBD + AUD Matrix Mix
(33670) View Source    View Archive
DTS-Audio-CD 5.1 Mix
(86659) View Source    View Archive
flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F.
(86660) View Source    View Archive
flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped & transferred (7/2007) by Andrew F.
(95644) View Source    View Archive
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: DFC Front Row Taper Section Recorded By: James Young & Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 by Todd Evans Editing and Mastering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging.
(122790) View Source    View Archive
flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(122791) View Source    View Archive
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(128692) View Source    View Archive
flac16; 3 Source Matrix by Dusborne; Soundboard (shnid:025608) Recording Info: SBD -> Master Dat (44.1k) -> Dat Clone; Audience (shnid:095644) Recording Equipment: B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro by James Young & Clay Brennecke; and Audience (shnid:122791) AKG451 With (Rob Berger's Shotguns?)>AKG 9V Phantom Power Supply> Marantz PDM-430>Dolby B, Tapes Maxell MX-s 100's
(134054) View Source    View Archive
flac16; Source: AKG 414-BTL (hypercard X-Y) > Neuman BS945i > Technics SVMD1 DAT; Lineage: Master DAT @ 48kHz > Panasonic SV3700 > 48kHz 16bit Wav > Sample Manager > 44.1kHz 24bit Wav > Wavelab 8.5 / Izotope Ozone 6.1 / MBit+ Dither > 44.1kHz 16bit wav; Recorded, Transferred and Digitally Mastered by Dan Tepper
(135941) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - mixing by Kevin Tobin
(135942) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - matrix mixing by Kevin Tobin
(135943) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=25608) SBD -> Master Dat (44.1k) -> Dat Clone; Transfer: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> SHN; Transferred and Edited By Charlie Miller + AUD (shnid=86659) AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Maxell R-DM Dat tape. Mics on stand aprx 8-feet high, set up to the left of the soundboard (stage right). Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped and transferred (7/2007) by Andrew F. - DTS mixing by Kevin Tobin
(137545) View Source    View Archive
flac24; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(137547) View Source    View Archive
flac16; Recording Info: SBD > Cassette Master (TDK SA-X100); Transfer Info: Cassette Master (Nakamichi DR-1) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, 24bit > 16bit with r8brain
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User (active/rating) Media / # Show Sound Details DB Source User Source
MattMan_Video (1/5) DVD / 2 A View 25608 Audience w/sbd audio.
Notes: Complete. Brokedown House Productions. nice.
Dana L (1/0) cdr / 3 View  
Legba 420 (1/5) cdr / 2 View  
Jeff (1/5) FLAC / 2 View 31606 SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
Notes: AT145 Grateful Dead Giants Stadium East Rutherford, NJ June 17, 1991 SBD + AUD Matrix Mix (60%-SBD/40%-AUD) Disc 1 01 [00:55] Tuning > 02 [15:02] Eyes Of The World > 03 [07:00] Walkin' Blues 04 [06:10] Brown Eyed Women > 05 [01:33] Dark Star Tease > 06 [06:25] Masterpiece 07 [09:15] Loose Lucy 08 [07:12] Cassidy > 09 [06:23] Might As Well TT [59:59] Disc 2 01 [02:59] Tuning/St. Jam > 02 [07:02] Saint Of Circumstance > 03 [07:55] Ship Of Fools > 04 [01:18] Dark Star Jam > 05 [06:57] Truckin' > 06 [10:00] New Speedway Boogie > 07 [13:19] Uncle John's Band > 08 [06:12] Dark Star Jam > 09 [12:12] Drums > TT [67:58] Disc 3 01 [08:26] Space > 02 [05:17] China Doll > 03 [04:35] Playin' (Reprise) 04 [11:54] Sugar Magnolia Encore 05 [06:01] The Weight TT [36:15] --------------------------------------------------------- Source Info SBD SBD: Master Dat (44.1k) > Dat Clone Transfer Info: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional -> SHN Via: The immortal, unstoppable Charlie Miller AUD FOB: B&K 4011's > Neumann BS48i power supplies > Aiwa/HHB1Pro DAT Taper: Curtis Claymont Location: "Sweet Spot" FOB, DFC --------------------------------------------------------- Tech Notes SHNs were decoded to wave and SF 6.0 was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch both of the sources. CEP2.0 used to adjust the volume for the SBD & AUD. This is a 60% SBD, 40% AUD mix. - Mixed by [email protected] - FLAC conversion done 17-JUN-2005 - Artwork by [email protected] 300dpi - For best results print at the highest resolution onto glossy photo paper. Design for use with a clear slim double jewel case. --------------------------------------------------------- Notes d1t09 approx 0.621 seconds of crowd cheer missing after the last song and before Bob Weir's comments "We'll be back in a little bit". Strange. The AUD was trimmed to match and the result is smooth and undetectable. d1t08 at 51:57.173 the levels increase by approx +6db on the FOB. I reduced the levels to match the rest of the recording by doing a gradual decrease in gain. This smooth and is most likely undetectable. d2t09 Level drop significantly on the FOB from 57:36.956 to 57:47.500 for a total of 10.544. Doing a gradual increase in gain I raised this low level portion +10db. This smooth and is most likely undetectable. d2t09 13.220 seconds missing of drums, just before space is about to start on the SBD source. This is not only very difficult to explain why but was really hard to find exactly where to make a patch. I was finally able to get a good idea where this was and patch it with the FOB. This smooth and most likely undetectable. --------------------------------------------------------- Editorial Comments I felt it worthy to include a few observations/opinions. This is another strange 1991 SBD. Let me explain. Quite a few digital SBD's for the 1991 year are in circulation. I am sure some of you have noticed a sorta strange sound quality to them. What makes them sound they way they do is unknown to me. I'd call them too digital. They tip- toe along the edge of blurry. If I had to guess I would think a portable DAT deck was being fed an analog signal into the line in. And although the levels were set appropriately the deck was overloaded by 'too hot' a feed from the SBD. This 1991 SBD source is very similar to many other 1991 shows. 4/27/91, 6/22/91, 8/16/91, 9/8/91 thru 9/18/91 to name a few. These sources have a good mix and are clear as a bell, yes, but also sound too digital. Too much of a hard edge to them. Perhaps the decks were overloaded, maybe it was a poor A to D chip. The FOB used for this mix is excellent. An 'in-your-face' recording with a nice rowdy feel to it. A great compliment to the SBD. While it doesn't completely 'fix' the overly digital sound of the SBD it does help. A good listening spot. Check out where it sounds as if the Dead are about to head into Dark Star in the middle of the first set. Listen to the crowd reaction to Dark Star and then when they break to Masterpiece. This is really fun in 5.1 and on the matrix. A great moment in GD history. I remember wondering to myself if this was going to be a long 1 set show like Foxboro 1987. After opening the show with Eyes Of The World and then this Dark Star exploration, there was really a feeling of anything could happen. Good show, over rated show, Vince or not, what can and should be said is this show it is truly an extraordinarily unique Grateful Dead performance. --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The straight DSBD and FOB: B&K 4011's 2. SBD + AUD Matrix Mix at 16/44 CD-Audio 3. SBD + AUD Matrix Mix at 24/96 DVD-Audio 4. SBD + AUD DTS-Audio-CD 5.1 Surround Sound 5. SBD + AUD DVD-Audio 5.1 Surround Sound --------------------------------------------------------- FLAC fingerprint gd1991-06-17-mtx-d1t01.flac:1c62f035ebebbaf9e5c40b92e08e88ae gd1991-06-17-mtx-d1t02.flac:ebc06b31a67cfdced47abf1a67e67126 gd1991-06-17-mtx-d1t03.flac:825709a424ecd2dbff40e7d0e75b335b gd1991-06-17-mtx-d1t04.flac:720bdbc7687d507873c4c93f8b7d381e gd1991-06-17-mtx-d1t05.flac:d78ec65981cefe76beff5f2340cd9da0 gd1991-06-17-mtx-d1t06.flac:ff5429d9fd59dd2c2cddd5edf428d22c gd1991-06-17-mtx-d1t07.flac:05e352f9ee4a4de9bfe6a84f807f909a gd1991-06-17-mtx-d1t08.flac:285410df48e9eb6c2b39c5a32057ea23 gd1991-06-17-mtx-d1t09.flac:972d393651af8439b5fc05df9f5e74a5 gd1991-06-17-mtx-d2t01.flac:a86251d30a56eeb3ecdf0f67f17ca879 gd1991-06-17-mtx-d2t02.flac:2e22e2c0312881d706d2883210d08275 gd1991-06-17-mtx-d2t03.flac:670a816e56015fc3589ee03a47dfb099 gd1991-06-17-mtx-d2t04.flac:63b1b0639c3aadd983040f5a817be9e1 gd1991-06-17-mtx-d2t05.flac:d535fe01756d2dca2d326544556bc336 gd1991-06-17-mtx-d2t06.flac:c804b0ca392302983786fca9de587c86 gd1991-06-17-mtx-d2t07.flac:7b65504e16f51f1752cc6f3b82fa1293 gd1991-06-17-mtx-d2t08.flac:2b072b02edc546cf63029a1d52b4b3be gd1991-06-17-mtx-d2t09.flac:b669494250f693a7ab0ff8ca4069dff6 gd1991-06-17-mtx-d3t01.flac:8ec207891ad89364f3be9299dd47b12c gd1991-06-17-mtx-d3t02.flac:5f08affbd81c7c3256cbda3242685468 gd1991-06-17-mtx-d3t03.flac:0e0f5d907fc24f776dbed9e9a3ab4c11 gd1991-06-17-mtx-d3t04.flac:c284cac76e90aee7371691d7162a90b5 gd1991-06-17-mtx-d3t05.flac:48fe1ebc8f28c24f96ed687646919e47 Size: 888 MB
RavenBlackNight (1/5) flac / 2 View 31606 SBD + AUD Matrix Mix (60%-SBD/40%-AUD)
raincooker (1/0) / 2 A+ View   SOUNDBOARDm
Dario Birindelli (1/3) cdr / 2 View   Sdb
taperBWeed (1/5) / 2 View 3591 sbd > ? > CDR > EAC > shn
Sandy Cook (1/5) SHN / 2 View  
Notes: SBD>DAT
R Lewis (1/5) CDR / 2 A View  
Victor Pianello (1/5) .shn / 1 View  
Brian (1/5) CDSB / 3 View   sbd>?>cdr>eac>shn>cdr
Notes: * d2t01 - digi-noise @ 0:05.97, digi-modulation @ 0:12.66, 0:12.93 * d2t09 - analog transients/digi-noise @ 1:46.6-1:47.2, 1:47.97, 1:48.83, 1:53.83, 2:03.3-2:05.4, 2:16.9, 2:18, 3:07.7; fuzz (modulation) from 6:24-6:36
Redbeard (1/5) CD / 3 A View   SBD > DAT> CD
hoptrip (1/0) / 3 View 31606
hoptrip (1/0) / 0 View 25608
Terence Keating (1/5) shn / 2 View 25608
Mike McD (1/4.9) cd / 3 A+ A View   SBD.
Notes: Some hiss, distortion at peaks
Terry Rogers (1/5) CDR / 3 View  
Kima (1/0) shn / 3 View 25608
Kima (1/0) flac / 2 View 86659
Kima (1/0) flac / 3 View 86660
Kima (1/0) flac / 3 View 31606
Kima (1/0) flac / 3 View 95644
Brandon Calloway (1/0) cdr / 3 View   SBD + AUD Matrix Mix (60%-SBD/40%-AUD) (see notes)
Notes: SBD SBD: Master Dat (44.1k) > Dat Clone Transfer Info: Dat (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional -> SHN Via: The immortal, unstoppable Charlie Miller AUD FOB: B&K 4011's > Neumann BS48i power supplies > Aiwa/HHB1Pro DAT Taper: Curtis Claymont Location: "Sweet Spot" FOB, DFC
Django (1/5) SHN / 2 View 3591 sbd>?>cdr>eac>shn
Doug Moog (1/4.3) shn / 3 View 484 SBD > DAT > CD-R > .SHN
earthscapeben (1/0) / 3 View 484
Notes: SBD
*.* (1/3) SHN / 2 View 25608
Chris Jones (1/5) shn / 2 View 25608
jgglass (1/0) SHN/AUDIO / 3 A View 3591