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Grateful Dead 04/14/72
Tivoli Theater, Copenhagen, Denmark
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Set I
Bertha, Me & My Uncle, Mr. Charlie, You Win Again, Black Throated Wind, Chinatown Shuffle, Loser, Me And Bobby McGee, Cumberland Blues, Playin' In The Band, Tennessee Jed, El Paso, Big Boss Man, Beat It On Down The Line, Casey Jones
Set II
Truckin', It Hurts Me Too, Brown Eyed Women, Looks Like Rain, Dark Star-> Sugar Magnolia, Good Lovin'-> Caution (Do Not Stop on Tracks)-> Who Do You Love-> Caution (Do Not Stop on Tracks)-> Good Lovin', Ramble On Rose, Not Fade Away-> Goin' Down The Road Feelin' Bad-> Not Fade Away, E: One More Saturday Night
Set III
 
Comment
 
Last Changed By Hamilton, Greg & Diana
Sources
(140) View Source    View Archive
MSR> Cass> DATs> CDRs (not the previously circulating FM version); via D. Sacks; note silence track is presumably to mark set break midway through d2; note info file here updated to reflect reel splice d1t8-9; see flaw notes in public comments
(8828) View Source    View Archive
SBD>mR>C>D>CD; See info file for various patches; via Jack Warner; Jim Powell; seeded to etree by Greg Hurwitt
(23662) View Source    View Archive
Aud (unknown mics), Unknown via Dave Minor encoded by Matt Vernon
(34552) View Source    View Archive
flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Transfers and Mastering By Charlie Miller
(34931) View Source    View Archive
flac16; SBD > MR (16 Track) > Dat > FLAC > DAW(Bertha) > Audio DVD > DVD Audio Extractor v.3.3.2 (audio files extracted prior to burning to DVD disc) > 24/48 wav > downsampled to 44.1 wav with Wave Lab v.5.00a ReSampler (High Quality) > dithered from 24 to 16 bit depth with Wave Lab UV22 HR Plugin > SBEs fixed with shntool v.2.0.3 (by set) > FLAC encoding with FLAC Frontend v.1.7.1 Etree Edition, FLAC v.1.1.2 (level 8); Bertha remaster of shn id 34552
(76006) View Source    View Archive
flac16 This is a pitch/speed fixed version of shn id 34552 The lineage is extended as follows: SBD -> (16 Track) Master Reel -> Dat (44.1k); Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed
(136980) View Source    View Archive
flac16; 2 Source Matrix by Dusborne;Soundboard (shnid:76006), Recording Info: SBD -> (16 Track) Master Reel -> Dat (44.1k)Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Profesional v8.01 -> FLAC; Bert Slany: Speed Correction.flac -> Adobe Audition 1.5 -> pitch/speed correction* -> flac -> TraLiHe -> sbe's fixed; Audience (shnid:23662), Source: Aud (unknown mics) Lineage: Unknown
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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User (active/rating) Media / # Show Sound Details DB Source User Source
Hanf (1/5) Flac / 0 View 34552
Kaz (1/5) CD-R / 4 View  
openpath (1/5) FLAC / 0 View 34552 flac16; SBD -> (16 Track) Master Reel -> Dat (44.1k)
x poordevil (1/5) cdr SBD / 4 A View 8828 SBD
x poordevil (1/5) cdr SBD / 4 A View 34552 SBD
x poordevil (1/5) cdr SBD / 4 A View 76006 SBD Pitch corrected version
J Parzych (1/5) FLAC / 0 View 76006 SBD > (16 Track) Master Reel > Dat (44.1k)
J Parzych (1/5) FLAC / 0 View 140
J Parzych (1/5) FLAC / 0 View 136980
J Parzych (1/5) FLAC / 0 View 23662
OldNeumanntapr (1/5) FLAC / 4 A View   Soundboard; 16 Track Master Reel->DAT (44.1 khz)
Notes: Transfer Info: DAT (Sony PCM R500)->SEK'D Prodif Plus->Samplitude Professional V8.01->FLAC Patch Info: FM Broadcast; Master Reel->Cassette 2->DAT->CD Supplies: d1t08 - Me & Bobby McGee (Patched From 5:08-6:20) d1t09 - Cumberland Blues (Patched From 0:00-0:37) d1t09 - Cumberland Blues (Patched From 1:23 - 3:29) Soundboard; Master Reel->Cassette->DAT->CD Supplies: d3t01 - Dark Star (Patched From 0:00 - 0:43) d3t01 - Dark Star (Patched From 18:01 - 22:48) d3t03 - Good Lovin' (Patched From 14:37 - 15:12) FILLER: Disc 4 7/4/87 Foxboro, MA Soundboard; Cassette Master->CD Tracks 6-9 Uncle John's Band, Playin', Drums, Space, Truckin', The Other One, Wharf Rat, Throwing Stones [Trade CDs >FLAC (Level 8) Via xACT 2.35]
Joe (1/5) FLAC / 0 View 76006
Imetdork (1/0) E72TCR / 0 View  
Alex Bushe (1/5) CD-R / 4 View   SBD
aikox2 (1/4.9) / 4 View  
Notes: CDR SBD. Europe '72 Box Set
John Peters (1/0) FLAC / 1 View 34552 SBD: MR > DAT; Dat (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional v8.01 > FLAC
John Peters (1/0) MP3 / 1 View   Europe '72: The Complete Recordings
Notes: Not for Trade
John Peters (1/0) FLAC / 1 View 76006 SBD: 16 Track MR > DAT (44.1k); DAT (Sony R500) > SEK'D Prodif Plus > Samplitude Profesional...
michael rosenberg (1/5) cdr / 4 a a View 34552 SBD -> (16 Track) Master Reel -> Dat (44.1k)
Geoff MacNaughton (1/5) 2 / 3 A View 140 SBD
Geoff MacNaughton (1/5) / 4 A+ View  
Notes: Europe '72: The Complete Recordings
Richard Markley (1/5) SHN / 2 View 8828
Notes: DVD173
Richard Markley (1/5) flac / 2 View 34552
Notes: DVD311
Richard Markley (1/5) flac / 2 View 76006
Notes: DVD519
James (1/0) / 0 View 8828
upstateDB (1/5) dvd / 1 A A View  
Notes: partial set 1?
SIRMick (1/5) SHN / 2 View 140
Matt Vernon (1/4.8) SHN / 3 A A View 140
Notes: Must have Europe 72 show. Highlights Pigpen's style. 2nd set has a "quiet" Dark Star with a great Pigpen medly (Good Lovin > Caution > Who Do You Love > Caution > Good Lovin).
Matt Vernon (1/4.8) SHN / 4 A/B A/B View 8828
Notes: SBD latest upgrade circa 4/2002 via deadlists tree. [2006-02-11] NFA has that China Cat jam characteristic of the 71 versions. Set 1 has a medlay of many tunes typical for teh time. The PITB is ~ 12 minutes, somewhat degraded by an over zealous Donna. Set 2 starts with some more standalone yunes, though the Truckin' has some improv. The meast of set 2 is a Star > Sugar Mag > Good Lovin > Caution > Who Do You Love > Good Lovin. The Star is not particularly trippy. The Pigpen portion definitley rocks. Another long E72 show with some highlights but not in the top quartile.
Matt Vernon (1/4.8) SHN / 4 A- B View 23662
Notes: Aud via Dave Minor - overall sound quality is very good for this era, though the recording does have some localized flaws, gaps in one channel etc. You definetly get the audience vibe from this recording. If you like auds, then you will enjoy at least one listen to this one one though you may not want to archive a permanent copy.