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Set I
The Stone
When the World Ends
Louisiana Bayou
Crash Into Me
American Baby Intro >
Dreamgirl
You Might Die Trying
What Would You Say
Say Goodbye
Granny
American Baby
Out Of My Hands
Hunger For the Great Light
Steady As We Go
Two Step
Encore:
Tripping Billies
Everyday
When the World Ends
Louisiana Bayou
Crash Into Me
American Baby Intro >
Dreamgirl
You Might Die Trying
What Would You Say
Say Goodbye
Granny
American Baby
Out Of My Hands
Hunger For the Great Light
Steady As We Go
Two Step
Encore:
Tripping Billies
Everyday
Set II
Set III
Comment
Entire show with Butch Taylor on keyboards.
Last Changed By
Jarod
Sources
(30610) View Source
Taper: Eric Naylor Source: AKG 480/ck61 > Lunatec V3 > Tascam DA-P1 Setup: 6th row, house right, 15' stand, A-B mics Conversion: Tascam DA-20MKII > Audiophile 2496
(30611) View Source
source: Schoeps Mk4v->KCY actives->Schoeps VMS5U->Sound Devices 722 @ 24/48 Sec 101 17' high ~10' from Right Stack conversion: 722->Soundforge 8(#$%&) ->CDWAV->SHN #fades $peak normalize %resample(anti-alias filter, high interpolation accuracy) &bit depth(Highpass Triangular Dither w/ High-Pass contour noise shaping)
(30612) View Source
Taper: Izaak Micah
Source: MK4 > KCy I > VMS 02b IB > SBM1 > DAP1
Location: Section 101 Row 6 Seat 17/18 ~16' stand
(30613) View Source
Source: Oktava MK012s (hypers) > Kind Kables XLR > Edirol UA-5 > Latitude CPx via USB > Wavelab 5.00a > WAV (24/48) Lineage: WAV (24/48) > Sony Soundforge 7.0 (Dither/Resample to 16/44.1) > CD Wave Editor 1.93.3 (Tracking) > shntool (fixed sbe's) > FLAC Frontend 1.7.1 Etree Edition > FLAC Location: Section 204, Row 13, Seat 1 Taper: Tom Horton
(30966) View Source
FLAC24/48:Source: Oktava MK012s (hypers) > Kind Kables XLR > Edirol UA-5 > Latitude CPx via USB > Wavelab 5.00a > WAV (24/48) Lineage: WAV (24/48) > CD Wave Editor 1.93.3 (Tracking) > FLAC Frontend 1.7.1 Etree Edition > FLAC Location: Section 204, Row 13, Seat 1 Taper: Tom Horton
(75665) View Source
Taper: Adam Hudson Transfer: Adam Hudson Email: [email protected] Linage: AT835b > HHB MDP500 > USB > Laptop > Sound Forge 7.0 > CDWAV > Flac > To You Location: Box Seat 24 (NAFS) (Had to Move Mic Stand so Camera Guy Could See) in front of SBD
(30610) View Source
Taper: Eric Naylor Source: AKG 480/ck61 > Lunatec V3 > Tascam DA-P1 Setup: 6th row, house right, 15' stand, A-B mics Conversion: Tascam DA-20MKII > Audiophile 2496
(30611) View Source
source: Schoeps Mk4v->KCY actives->Schoeps VMS5U->Sound Devices 722 @ 24/48 Sec 101 17' high ~10' from Right Stack conversion: 722->Soundforge 8(#$%&) ->CDWAV->SHN #fades $peak normalize %resample(anti-alias filter, high interpolation accuracy) &bit depth(Highpass Triangular Dither w/ High-Pass contour noise shaping)
(30612) View Source
Taper: Izaak Micah
Source: MK4 > KCy I > VMS 02b IB > SBM1 > DAP1
Location: Section 101 Row 6 Seat 17/18 ~16' stand
(30613) View Source
Source: Oktava MK012s (hypers) > Kind Kables XLR > Edirol UA-5 > Latitude CPx via USB > Wavelab 5.00a > WAV (24/48) Lineage: WAV (24/48) > Sony Soundforge 7.0 (Dither/Resample to 16/44.1) > CD Wave Editor 1.93.3 (Tracking) > shntool (fixed sbe's) > FLAC Frontend 1.7.1 Etree Edition > FLAC Location: Section 204, Row 13, Seat 1 Taper: Tom Horton
(30966) View Source
FLAC24/48:Source: Oktava MK012s (hypers) > Kind Kables XLR > Edirol UA-5 > Latitude CPx via USB > Wavelab 5.00a > WAV (24/48) Lineage: WAV (24/48) > CD Wave Editor 1.93.3 (Tracking) > FLAC Frontend 1.7.1 Etree Edition > FLAC Location: Section 204, Row 13, Seat 1 Taper: Tom Horton
(75665) View Source
Taper: Adam Hudson Transfer: Adam Hudson Email: [email protected] Linage: AT835b > HHB MDP500 > USB > Laptop > Sound Forge 7.0 > CDWAV > Flac > To You Location: Box Seat 24 (NAFS) (Had to Move Mic Stand so Camera Guy Could See) in front of SBD
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| chris payment (5/3.4) | CDR / 2 | View | ||||
| Notes: | #225 - Naylor AKG 481 | |||||
| chris payment (5/3.4) | CDR / 2 | View | ||||
| Notes: | #225 - MK4 | |||||
| chris payment (5/3.4) | CDR / 2 | View | ||||
| Notes: | #224 - MK4 | |||||
| kenny (5/0) | / 2 | View | ||||
| Shane M. Rockey (5/3) | CD-R / 2 | A | View | 30610 | ||
| Brian Bruno (5/0) | CDR / 2 | View | Schoeps Mk4v->KCY actives->Schoeps VMS5U->Sound Devices 722 @ 24/48 | |||
| Bill Hamel (5/0) | / 0 | View | ||||
| ariel (5/5) | CDR / 2 | A | View | AKG 480/ck61 > Lunatec V3 > Tascam DA-P1 | ||
| gravedigger7 (5/0) | cd-r / 2 | A | View | |||
| James (5/0) | SHN / 2 | View | Schoeps Mk4v->KCY actives->Schoeps VMS5U->Sound Devices 722 @ 24/48 | |||
| Billy Clemens (5/5) | Audio/flac / 3 | A+ | A | View | 75665 | |
| Notes: | Hudson Source | |||||
| Billy Clemens (5/5) | Audio/flac / 2 | A+ | A | View | 30611 | |
| Billy Clemens (5/5) | Audio/flac / 2 | A+ | A | View | 30610 | |
| Notes: | Naylor Source | |||||
| Scotty2Hotty (5/5) | CDR / 2 | View | ||||
| stevethedj (5/0) | Shn / 0 | View | 30610 | |||
| Bryan H (5/4.9) | cd-r / 2 | A | View | Naylor | ||
| Kurt (5/5) | shn / 2 | A | A- | View | ||
| Mark Lisi (5/3) | cds / 2 | View | AKG 480/ck61 > Lunatec V3 > Tascam DA-P1 | |||
| Notes: | Naylor | |||||
| M-A (5/0) | SHN / 0 | View | ||||
| armyants1027 (5/0) | SHN / 2 | View | ||||
| Kyle (5/0) | cdr / 0 | View | ||||
| Phonsie Hevey (5/0) | / 0 | View | 30611 | |||
| Steve (5/5) | shn / 2 | View | # Taper: Eric Naylor Source: AKG 480/ck61 > Lunatec V3 > Tascam DA-P1 Setup:... | |||
| gwen (5/4.9) | cdr / 2 | A | A | View | ||
| Notes: | DAO | |||||
| Manish Patel (5/0) | cdr / 2 | View | ||||
| Tom Horton (5/5) | / 0 | View | 30966 | |||
| Tom Horton (5/5) | / 0 | View | 30613 | |||
| Brett (5/5) | AUD / 2 | A | A | View | ||
| Notes: | Thank you so much Phil! : | |||||
| Ryan Dedeian (5/5) | / 2 | View | 30610 | |||
| Notes: | SHN(2) | |||||
| Andrew (5/5) | Cdr / 2 | A | View | |||
| Notes: | Great 2005 show. | |||||