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Grateful Dead 05/07/77
Boston Garden, Boston, MA
Set I
Bertha, Cassidy, Deal, Jack Straw, Peggy-O, Minglewood Blues, Mississippi Half Step-> Big River, Tennessee Jed, The Music Never Stopped
Set II
Terrapin Station-> Samson & Delilah, Friend Of The Devil, Estimated Prophet, Eyes Of The World-> Drums-> The Wheel-> Wharf Rat-> Around & Around, E: U.S. Blues
Set III
 
Comment
 
Last Changed By Hamilton, Greg & Diana
Sources
(262) View Source    View Archive
SBD> Betty Reels> PCM> DAT> Digitally read in on SGI> SHN; USB missing, Around has a couple of uncorrectable blems; (note missing USB- one might infer this stemmed from the WBOTB source distribution- their USB was intended to become filler on a 4/78 show which did not end up getting around)
(6021) View Source    View Archive
Sony ECM 33P mic > TC-152 deck, Taper: Steve Rolfe; AudMC > DAT > Soundforge > CDWAV > SHN; A > D transfer by Noah Weiner: AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only); Soundforge was used for normalizing and editing
(26085) View Source    View Archive
SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
(26361) View Source    View Archive
Bertha Remaster of the Rob Eaton/The Wizard soundboard source: SBD> MR> DAT> editing> SHN> DAW(Bertha)> CDA/SHN, by Jay Ashley; see pub comments for extended notes
(88525) View Source    View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller
(124619) View Source    View Archive
flac16; 2 Source Matrix by dusborne; Soundboard (shinid:088525) Recording Info: SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v9.12 -> FLAC All Transfers and Mastering By Charlie Miller and Audience (shnid:6021) audMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Blair Waldron (5/0) / 0 View 26085
Blair Waldron (5/0) / 0 View 262
Blair Waldron (5/0) / 0 View 88525
michael webster (5/5) cdr / 3 View  
Notes: SBD
Ryan Boone (5/5) shn / 2 View 262
Notes: Betty Boards
Sergio Sanchez (5/5) SHN / 2 View 262 SBD -> Betty Reels ->PCM -> DAT -> Digitally read in on SGI -> SHN
Torben (5/5) cd / 3 View   sbd-mr-pcm-dat-cdr
jeff korona (5/0) cdr / 3 View  
Darryl Hinko (5/5) FLAC / 2 View 88525
Notes: SBD -> Master Reel -> PCM -> Dat (44.1k)
I also have: SHNid=26085 and SHNid=262
Hopper (5/5) CDR / 3 A View  
Notes: Missing US Blues encore - unknown filler
santino (5/0) / 0 View 88525
Michael Mersand (5/0) / 0 View 88525
Eric Hall (5/4) shn / 3 A View 262 SBD
Notes: SBD
Brandon Johnston (5/4.9) SHN / 2 View 262 Sbd>Betty Reels>PCM>DAT
Notes: missing encore US Blues
Brandon Johnston (5/4.9) SHN / 2 View 26085 SBD > MR > PCM > DAT > digital emphasis decode > D->A conversion > DBX...
Jeff Mitchell (5/0) / 0 View 88525
Jeff Mitchell (5/0) / 0 View 6021
Jeff Mitchell (5/0) / 0 View 26361
Jeff Mitchell (5/0) / 0 View 26085
Jeff Mitchell (5/0) / 0 View 262
Waz (5/5) shn / 3 A A View 26085 Soundboard
Notes: (26085) SBDMR > PCM > DAT > digital emphasis decode > D->A conversion > DBX Decode > digital mixing console (level adjustments > DAT > DAT (master clone)> WAV > additional editing (AUD patching, pop/glitch removal, etc.) > SHN. Digital encoding and DBX decoding by Rob Eaton; CD editing and mastering by The Wizard.
catherine (5/5) cdr / 0 View  
sonny gable (5/5) / 2 a View  
Notes: tao
Jon Pavuk (5/4.3) SHN / 2 A A+ View 262 SBD>Betty Reels>PCM>DAT
Jon Pavuk (5/4.3) SHN / 2 A+ A+ View 26085 Soundboard Recording>Digital encoding and DBX decoding by Rob Eaton
Notes: Here is how Rob did his part: Master 1/2 trk 7" reels @7.5ips (DBX encoded)-> PCM beta digital->Sony 2500 dat-> DB Technologies DB3000S for digital emphisis decode-> DB Technologies 924 for D->A conversion-> Dolby 361 modules W/K9-22 DBX cards for DBX decode-> Neve Capricorn Digital mixing colsole (24 bit/ 32bit floating point processing (for level adjustment)-> Panasonic SV4100 Pro Dat recorder (master Decode Dat)-> Master Clone (panasonic Sv3700->Sv3800 via AES interlink) Here is what the Wiz did: Rob's DAT clone>Tascam DA-20 mkII>Digital Audio Labs Card Deluxe>WAVE> Diamond Cut Audio DC-6 (for editing)>WAVE>CD and SHN. Here is what was used for the AUD patches: AudMC > DAT > Soundforge > CDWAV > SHN Taper: Steve Rolfe Sony ECM 33P mic > TC-152 deck A > D transfer by Noah Weiner - November, 2001 AudMC played back on a Nakamichi MR-1 > Fostex D5 (A>D only) Soundforge was used for normalizing and editing. Note: US Blues encore from an unknown SBD source. DBX reel source was unusable.
Jon Pavuk (5/4.3) FLAC / 2 A+ A+ View 88525 SBD -> Master Reel -> PCM -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> Sound Devices 744T ->...
BEASTAFA (5/4.8) CD / 3 A+- View   SBD
mirkman (5/1) / 0 View  
Notes: sbd
trailmix (5/5) shn / 0 View 26361 SBD>>MR>>DAT>>CDA>>SHN>>DAW(Bertha)>>CDA/SHN
Notes: MSR>DAT Bertha
trailmix (5/5) shn / 0 View 26085 Master 1/2 trk 7" reels @7.5ips (DBX encoded)-> PCM beta digital->Sony 2500 dat-> DB...
Notes: MSR Wiz+Eaton