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Grateful Dead 04/26/84
Providence Civic Center, Providence, RI
Set I
Shakedown Street, CC Rider, Loser, Hell In A Bucket, Brown Eyed Women, Lazy Lightning-> Supplication-> Deal
Set II
Scarlet Begonias-> Fire On The Mountain-> Estimated Prophet-> Eyes Of The World> Good Times*> Drumz> Morning Dew> Throwing Stones> Not Fade Away Encore Baby Blue
Set III
 
Comment
*Good Times without Bobby, Jerry, and Phil
Last Changed By Diana Hamilton [db admin]
Sources
(4770) View Source    View Archive
Master Soundboard Cassette > Cassette > DAT > CDR
(78773) View Source    View Archive
flac16; Set I - 1st Gen; Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) Set II - MAC; Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) Tapers: Sennheiser MKE 2002s - Chris K./ Beyer M201s - Kyle H. Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960> CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16. Transfer, all edits, conversion & upload to bt.etree.org by Alex Ford 10/5/2006.
(91432) View Source    View Archive
flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat -> CD; Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC; All Transfers and Mastering By Charlie Miller
(91809) View Source    View Archive
MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN); fixed upgrade of this source now circulates here
(92297) View Source    View Archive
flac16; MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro (FLAC>AIFF>Final Cut>Soundtrack>WAV>SHN) May 10, 2008 Remastered June 14, 2008. Cleaned up version of the previous Seamons matrix source
(92429) View Source    View Archive
flac16; FOB AUD: Patched from unknown mics and lead decks > Marantz PMD-340 > Maxell XLII-S 90's, with no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 > Soundforge > CD-Wave > TLH > FLAC, May 2008. Transfer by Andrew F.
(109441) View Source    View Archive
flac16; source: 2 Sennheiser 441's & 1 Beyer M160 microphones (15th row) > Nak MX100 w/2001 > Sony TCD5M (Dolby on)- analog master cassettes; transfer: Sony TCD5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(123621) View Source    View Archive
flac24; source: (3)audio technica atm11 fob> optimus> d-5; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(125165) View Source    View Archive
flac24; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > CD-Wave (24 bit) > TLH > FLAC 2448 tagged. Transfer by Andrew F. 07/2013
(125166) View Source    View Archive
flac16; AUD: 3x Nakamichi CM300 w/CP4 shotguns > Nakamichi 550 > Maxell XLIIS, floor just to left (stage right) of soundboard, taped by Tim Friend & Joe Morrone. Transfer: MAC > Nakamichi CR5A > Edirol FA-66 > Wavelab 2448 > R8Brain > CD-Wave > TLH > FLAC 1644 tagged. Transfer by Andrew F. 07/2013
(125778) View Source    View Archive
flac16; Master: 3 Sennhesier 441s/Yamaha MM10 Mic Mixer and Sony TC-D5m Cassette Master; 16th Row on Phil's side; 1st deck out of mic mixer; Transfer: Playback Sony UCX-S cassette masters on Sony TC-D5m to Marantz PMD-670
(135838) View Source    View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > 16/44.1 > xACT flac; transferred and seeded by Rob Berger
(135839) View Source    View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5, maxell xlIIS90’s, dolby b, fob, sec 1, row g; nakamichi dragon/b > benchmark ADC1 24/96 > mac > adobe audition > fission > xACT flac; transferred and seeded by Rob Berger
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Jeff Kaisershot (3/5) FLAC / 0 A+ View 92297 Matrix
zowie (3/5) cd / 3 a View 4770 sdb
cbass (3/5) / 0 View 4770
cbass (3/5) / 0 View 78773
cbass (3/5) FLAC / 0 View 91432
cbass (3/5) SHN / 0 View 91809
cbass (3/5) / 0 View 92429
cbass (3/5) FLAC / 0 View 135838
Richard Warren (3/5) shn / 2 View 4770
Notes: 4770
Richard Warren (3/5) flac / 2 View 78773
Notes: 78773
Richard Warren (3/5) flac / 2 View 91432
Notes: 91432
J (3/0) / 0 View 91432
J (3/0) / 0 View 92297
Mike Pageau (3/0) SBD 11 / 3 View 91432
Mike Pageau (3/0) AUD 12 / 3 View 92429
Mike Pageau (3/0) MTX 12 / 3 View 92297
Mike Pageau (3/0) AUD 17 / 3 View 125778
Mike Pageau (3/0) AUD 17 / 3 View 125166
ziko (3/5) / 0 View 78773
ziko (3/5) FLAC / 0 View 91432
Ken Berry (3/5) SHN / 2 View 4770
CARL (3/3.7) / 0 View 91432
Charlie Connor (3/0) shn / 3 View 4770
Notes: sbd.pj.4770.sbeok
Tom Conklin (3/0) CDR / 3 A View   Soundboard
Joey (3/5) .shn / 2 View   MATRIX MIX: SBD/2 AUD (About 60%/40%)(see notes for details)
Notes: Grateful Dead Providence Civic Center Providence, RI April 26, 1984 MATRIX MIX: SBD/2 AUD (About 60%/40%) --------------------------------------------------------------- SBD: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] April 17, 2008 Notes: -- Set 2 is seamless [see notes below] -- Thanks to Joe B. Jones for his help with the pitch correction --------------------------------------------------------------- AUDs: Set I - 1st Gen; Sennheiser MKE 2002 (binaural, head worn) > Sony D5 > Sony D5 > Maxell XLII-S (no Dolby) Set II - MAC; Beyer M201s (hyper cards, X-Y) > Sony TC D5M > TDK MA90 (no Dolby) Location: FOB, 40 feet from the stage, almost center. Tapers: Sennheiser MKE 2002s [not used for matrix] - Chris K./ Beyer M201s - Kyle H. Transfer: Nakamichi CD2 [azimuth adjusted]>Kind Kables rca>xlr>Lunatec V3>coax>Audiophile 24960> CEP 2.0 (normalized_100%)>CD Wave Editor>Traders Little Helper>FLAC16. ---------------------------------------------------------------- Matrix by Hunter Seamons using Final Cut Pro (SHN>AIFF>Final Cut>WAV>SHN) May 10, 2008 Set I: d1t01 - Shakedown Street d1t02 - C.C Rider d1t03 - Loser d1t04 - Hell In A Bucket d1t05 - Brown Eyed Women d1t06 - Lazy Lightnin' -> d1t07 - Supplication -> d1t08 - Deal Set II: d2t01 - Scarlet Begonias -> d2t02 - Fire On The Mountain d2t03 - Estimated Prophet -> d2t04 - Eyes Of The World -> d2t05 - Never Trust A Woman -> d2t06 - Drums -> d3t01 - Space -> d3t02 - Morning Dew -> d3t03 - Throwing Stones -> d3t04 - Not Fade Away Encore: d3t05 - It's All Over Now, Baby Blue Notes: 1) There is occasional, light static in the SBD. 2) The Set II AUD is better quality than the Set I AUD - and there's more crowd action in Set II due to the microphone placement. 3) While there is more ?distance? from the crowd in the AUDs than usual, these sources do provide a complementary indoor ambience for the typically ?studio? sounding SBDs of the mid-80's. The SBD alone is pretty ?flat.? 4) There was a Sennheiser patch for the first 5 minutes of Shakedown in the AUD source that I did not use because it was scratchy and not as nice as I would have liked, so the matrix begins after five minutes into Shakedown. 5) There are gaps in the Set I AUD between songs (when the band takes time to tune), so there is less crowd banter with this matrix, unfortunately. The music should make up for this. 6) Some interesting notes about the SBD source, which apparently was seamless for Set II (as noted by Charlie): (1) There was a ?seamless? cut/edit in Fire on the Mountain, because the AUD version was about twenty seconds longer with more ?Fire! Fire on the mountain!? verses toward the end. I favored the AUD source alone for an extra ten seconds (10:55-11:25) because the SBD was scratchy around that point as well. (2) And while Fire was shorter in the SBD than the actual performance, a section of Eyes toward the end of the song was actually repeated (in the source), making it about a minute and a half longer than it really was. This is not the first time I have encountered such an oddity in a recording. That strangeness was edited out. With all this in mind, SET II should now be seamless in terms of performance. 7) Cuts in the AUD during songs are: Supplication (1:31-1:58) Estimated Prophet (11:18-12:14) Cuts in the SBD during songs are: Fire on the Mountain (10:55-11:25) Eyes Of The World (4:35-4:41) Space (5:31-5:50) Not Fade Away (4:22 to end of track) It's All Over Now, Baby Blue (entire track) 8) This show is extra hot all around from an extra hot month in '84 - one of my favorite Dead zones. Great Space>Dew! 62ef8e6188fc07f1bb3669946cc0c5fd *gd84-04-26d1t01.shn f2b5b8e3e7110ee68bf614c61fdc0500 *gd84-04-26d1t02.shn f9905273fac740455940636259526535 *gd84-04-26d1t03.shn 7fcfba137b51b72a2705e7deb9742212 *gd84-04-26d1t04.shn 8cc18aa1535707e97c084e5f1b95f790 *gd84-04-26d1t05.shn 7156c247f2dcde0ed29a44b9200cde3a *gd84-04-26d1t06.shn 1cbe9f2913583b920f272bb7fb561b44 *gd84-04-26d1t07.shn e10b7210e85c7c1a7967dee15c97d42d *gd84-04-26d1t08.shn e5fcd8a9e90c4219509cefc41f010a93 *gd84-04-26d2t01.shn daab7368bb573a253697cdbe805ade29 *gd84-04-26d2t02.shn 6030ad9bdd3aec21fc11acc295c79074 *gd84-04-26d2t03.shn 51f76e1594e5dc1466ca8a429a27b2de *gd84-04-26d2t04.shn 330e1a22e3d8bd785b37de57825f9900 *gd84-04-26d2t05.shn 7ea9ca6c57f016023555d7842a0a9d4a *gd84-04-26d2t06.shn 878b48e6bcca7c72a4516f7ad5fb8f6d *gd84-04-26d3t01.shn d4a291d07190d15be56960f6871745d7 *gd84-04-26d3t02.shn eaa920af1852eaba589dfe0ebe31cecb *gd84-04-26d3t03.shn cbeccf3f800304aca2a2167fc92bfc63 *gd84-04-26d3t04.shn 7c578384094fb34a7ef56b38b582b256 *gd84-04-26d3t05.shn
Mer (3/0) / 0 View 92297
Notes: GD00105
Scott Herring (3/0) / 3 View   SBD
Notes: DVD #173
Resin421 (3/0) / 0 View 91809 MATRIX MIX: SBD/2 AUD (About 60%/40%) Matrix by Hunter Seamons using Final Cut Pro...
J.B. Hall (3/4) flac / 0 A View   SBD -> Cassette Master -> Cassette -> Dat -> CD
Notes: Grateful Dead - April 26, 1984 Civic Center - Providence, RI Recording Info: SBD -> Cassette Master -> Cassette -> Dat -> CD Transfer Info: CD -> Adobe Audition v1.5 -> Samplitude Professional v10.02 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] April 17, 2008 Patch Info: (FOB) Beyer M201 -> Cassette Master -> FLAC (shnid=78773) supplies: Eyes Of The World (4:38 - 4:42) Space (5:31 - 5:50) Not Fade Away (4:23 - end of track) It's All Over Now, Baby Blue (complete track) Notes: -- Set 2 is seamless -- Thanks to Joe B. Jones for his help with the pitch correction Set 1: d1t01 - Shakedown Street d1t02 - C C Rider d1t03 - Loser d1t04 - Hell In A Bucket d1t05 - Brown Eyed Women d1t06 - Lazy Lightnin' -> d1t07 - Supplication -> d1t08 - Deal Set 2: d2t01 - Scarlet Begonias -> d2t02 - Fire On The Mountain d2t03 - Estimated Prophet -> d2t04 - Eyes Of The World -> d2t05 - Never Trust A Woman -> d2t06 - Drums -> d3t01 - Space -> d3t02 - Morning Dew -> d3t03 - Throwing Stones -> d3t04 - Not Fade Away Encore: d3t05 - It's All Over Now, Baby Blue
KTK(birdsong) (3/5) CD-R / 3 A View 91809 SBD (matrix) -> Cassette Master -> Cassette -> Dat -> CD Set I - 1st Gen; Sennheiser...