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Set I
Mississippi Half-Step Uptown Toodeloo, Mama Tried, Deal, Looks Like Rain, Ramble On Rose, El Paso, Sugaree, Let It Grow, Franklin's Tower
Set II
Samson & Delilah, Ship of Fools, Estimated Prophet-> He's Gone-> Drums-> Truckin'-> Stella Blue-> Goin' Down The Road Feelin' Bad-> Johnny B. Goode, E: Uncle John's Band
Set III
Comment
Last Changed By
Hamilton, Greg & Diana
Sources
(7289) View Source
View Archive
Betty's Master Soundboard Reels > PCM x2> DAT > CDR; numerous blips, ticks, crackles, glitches believed to be on the master reels; via Scott Clugston
(9003) View Source
View Archive
SBD> MR> PCM> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon. [Note: an alternate md5 file for d3 circulates.]
(96027) View Source
View Archive
flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz First Reel has no DBX hence MR > P1 > D1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky November 24, 2008
(142839) View Source
View Archive
flac24; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496
(142840) View Source
View Archive
flac16/48kHz; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
(7289) View Source
View Archive Betty's Master Soundboard Reels > PCM x2> DAT > CDR; numerous blips, ticks, crackles, glitches believed to be on the master reels; via Scott Clugston
(9003) View Source
View Archive SBD> MR> PCM> PCM> D> CD> EAC> SHN; edits (see notes), encoding, vined by J. Cotsman; with thanks to Chuck Gannon. [Note: an alternate md5 file for d3 circulates.]
(96027) View Source
View Archive flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz First Reel has no DBX hence MR > P1 > D1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky November 24, 2008
(142839) View Source
View Archive flac24; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496
(142840) View Source
View Archive flac16/48kHz; Source Info: Master Audience Cassettes; AKG D224E mics > Will Boswell's 1st generation reels @ 3 3/4 ips; Transfer Info: 1st generation reels ((Technics RS-1506)> Tascam DA-3000 (DSF 1-bit/5.6 MHz)> dBpoweramp (.wav 24-bit/96k) > Adobe Audition 3.01 (.wav 24-bit/96k)> TLH flac2496; 24-bit > 16-bit via dBpoweramp
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Dene Wright (1/5) | CD / 2 | View | SBD>MR>PCM>PCM>D>CD>EAC>SHN | |||
| Notes: | 1P,2,E. Missing 'El Paso'. | |||||
| Randy (1/0) | SHN / 2 | View | 7289 | |||
| Randy (1/0) | FLAC / 1 | View | 96027 | |||
| Jeff (1/5) | FLAC / 1 | View | 96027 | Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out... | ||
| Notes: | AT569 Grateful Dead Paramount Northwest Theater, Seattle, Washington September 29, 1977 Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz First Reel has no DBX hence MR > P1 > D1 Jace Crouch’s original source DAT via trailmix and Tim Deibert Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky November 24, 2008, Green Mountain Bros. 1st Set: 1. Mississippi Half-Step 2. Mama Tried 3. // Deal 4. Looks Like Rain 5. Ramble On Rose 6. // El Paso 7. Suga//ree 8. Let It Grow 9. Franklin’s Tower Time: 81:24 2nd Set: 1. Samson & Delilah 2. Ship Of Fools 3. Estimated Prophet > 4. He’s Gone > 5. Drums > 6. Tru//ckin’ > 7. Stella Blue > 8. Goin’ Down The Road Feelin’ Bad > 9. Johnny B. Goode Encore: 10. Uncle John’s Band Time: 91:51 To Burn to 3 discs: Disc 1 s1t01 – s1t07 52:59 Disc 2 s1t08 – s2t02 47:45 Disc 3 s2t03 – s2t10 72:36 Source/Mastering Notes: Many pops and hums throughout the source tape that may be from original reels or PCM transfers. First reel has no DBX and cuts to the decoded reels in Sugaree fro the remaining of the show. S1t0 0:00 Squeezed tape start edited out, Mississippi Half-Step is complete. Gain increased gradually from s1t0 5:30 to beginning of set. Cut at start of Deal eased with quick fade in. Partial El Paso begins in last verse with “…kneels by her side” Drop out in dead air before Sugaree removed and crossfaded. Reel change cut in Sugaree @ s1t07 8:29. A bad connection in the equipment can be heard buzzing towards the end of Estimated Prophet @ s2t03 3:34 to s2t03 3:39. Static and some distortion occur following this into He's Gone. Reel change cut in Truckin’ @ s2t06 3:55. Drop out removed during crowd encore call before Uncle John’s Band edited with crossfade. This recording is not in true stereo. Left channel was increased in gain by 0.9 before mastering with L3. No Noise reduction or EQ adjustments were used. gd1977-09-29s1t01.flac:55b39963afcac3a14c0932f4ea05f132 gd1977-09-29s1t02.flac:2c5e3eeabbb021936660f7602cc27904 gd1977-09-29s1t03.flac:4b0f78e79b5e1d5e74d490d8fb5966ae gd1977-09-29s1t04.flac:74508df36547a5424b57af78803f6791 gd1977-09-29s1t05.flac:1215b2c3cf3fc97782f9b9ef73422be4 gd1977-09-29s1t06.flac:48483458e105a72fcdeab0cfe5540799 gd1977-09-29s1t07.flac:1cf0146de57e2abd9fce36544157c7c0 gd1977-09-29s1t08.flac:c14e99eff8088c06868caeabf09068d4 gd1977-09-29s1t09.flac:2f3993baa0347f8f78ca7cd8983daec6 gd1977-09-29s2t01.flac:77e29f934125382218700c453087f96b gd1977-09-29s2t02.flac:5a867dc19dd1833d3fec7ce04237b9df gd1977-09-29s2t03.flac:8668bdfbd4ae9e253496fec5db77cbdb gd1977-09-29s2t04.flac:2dcec9f6f2ff602e8c50c1081de7bc46 gd1977-09-29s2t05.flac:f5d95ab7e453573782f412168a64ed98 gd1977-09-29s2t06.flac:eaaaba24492bfbb78a0d7239224d1f32 gd1977-09-29s2t07.flac:051c6b28b2875629b816abef649d5342 gd1977-09-29s2t08.flac:64cb595ef66b21c3bf1f9991b2c870fa gd1977-09-29s2t09.flac:8cc105884648d741843bbe022c292c06 gd1977-09-29s2t10.flac:3778161bb19f0afa2f9cb88272e5f9fe Size: 635 MB | |||||
| raincooker (1/0) | / 3 | A+ | View | SOUNDBOARD, Most (El Paso missing) | ||
| Dario Birindelli (1/3) | / 3 | View | sdb | |||
| Tom King (1/5) | CDR / SHN / 2 | View | 9003 | SBD | ||
| Notes: | I retracked to fit on 2 discs (2nd disc is 100min cdr) | |||||
| triportweek (1/5) | cdr / 0 | View | 9003 | |||
| Mark Gay (1/0) | / 0 | View | 9003 | |||
| Notes: | 9003 | |||||
| Mark Gay (1/0) | / 0 | View | 96027 | |||
| Notes: | 96027 | |||||
| Sandy Cook (1/5) | SHN / 2 | View | 9003 | |||
| Notes: | SBD>MR>PCM>DAT>CDr>EAC>SHN | |||||
| Victor Pianello (1/5) | FLAC / 1 | View | ||||
| Sigmund BoPs (1/5) | CD-R / 3 | View | 9003 | |||
| Notes: | d1 is filler on, 09-03-77, d3 | |||||
| Redbeard (1/5) | / 3 | View | 96027 | Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out... | ||
| Terence Keating (1/5) | / 0 | View | 9003 | |||
| Tom Bashara/Eric Linstrom (1/5) | SHN, Audio / 2 | View | 7289 | Betty's Master Soundboard Reels > PCM x2> DAT > CDR | ||
| Notes: | Betty's Master Soundboard Reels > PCM x2> DAT > CDR | |||||
| Kima (1/0) | shn / 0 | View | 9003 | |||
| Kima (1/0) | flac / 3 | View | 96027 | |||
| Django (1/5) | SHN / 2 | View | 7289 | Betty's Master Soundboard Reels > PCM x2> DAT > CDR | ||
| Doug Moog (1/4.3) | shn / 3 | View | 7289 | SBD > Reel > PCM > PCM > DAT > CD | ||
| *.* (1/3) | SHN / 2 | View | 9003 | |||
| *.* (1/3) | FLAC / 2 | View | 96027 | |||
| Notes: | flac16; Source: Betty Cantor 7" two track reel w/DBX-1 @ 7 1/2 ips> PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder> analog in PCM501ES analog out>Dat @ 48 kHz First Reel has no DBX hence MR > P1 > D1 Transfer: Panasonic SV-3700 > Cardas cable S/PDIF > Edirol UA-5 > USB > WaveLab @ [32bit float / 48kHz] Mastering: In WaveLab with Waves L3 Multimaximizer Rate Conversion with r8brain to [16bit/44.1kHz] > CD Wave > TLH > Flac Transfer and mastering by Bill Koucky November 24, 2008 | |||||
| Erik (1/0) | / 0 | View | 9003 | |||
| jgglass (1/0) | / 3 | View | 96027 | |||
| wally-brewing (1/0) | / 3 | View | 9003 | |||
| Notes: | d14 | |||||
| Paul Matzerath (1/3) | SHN / 2 | View | 7289 | |||
| Lynn S (1/0) | CD / 3 | View | 9003 | |||
| denance (1/4.9) | shn / 0 | View | 9003 | |||
| denance (1/4.9) | / 0 | View | 9003 | |||
| denance (1/4.9) | / 0 | View | 96027 | |||