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Set I
Casey Jones, Jack Straw, Sunrise, Brown Eyed Women, El Paso, Dupree's Diamond Blues, Let It Grow, Deal
Set II
Samson & Delilah-> Scarlet Begonias-> Fire On The Mountain, Finiculi Finicula, Playin' In The Band-> Drums-> The Wheel-> Truckin'-> The Other One-> Wharf Rat-> Sugar Magnolia, E: Johnny B. Goode
Set III
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(278) View Source
View Archive
WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation
(86354) View Source
View Archive
flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).
(123102) View Source
View Archive
flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(142120) View Source
View Archive
flac24; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496
(142121) View Source
View Archive
flac16/48kHz; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp
(142122) View Source
View Archive
flac16/44.1khz Patched soundboard. Recording Info: SBD > Master Reel > PCM > Dat. Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC. Patch source Sandy Troy AKG D224E.
(278) View Source
View Archive WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set; upgrade in circulation
(86354) View Source
View Archive flac16; Source: 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES (beta) > PCM501ES analog out > DBX-1 Decoder > analog in PCMF1/PCM501ES analog out > Fostex D5 @ 48 kHz X2 > WBOTB Master DAT (DAT-2).
(123102) View Source
View Archive flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat (Tascam DA-20) -> Tascam SS-R05 -> Samplitude Professional v11.2.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(142120) View Source
View Archive flac24; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496
(142121) View Source
View Archive flac16/48kHz; Recording Info: Sandy Troy's Master 10" Audience Reels (Sony TC-755); AKG D224E mics; Transfer Info: Master Reels (Technics RS-1506)> Apogee Mini-Me > Apogee Mini DAC (.wav 24-bit/96k) > Adobe Audition 3.0 (24-bit/96k)> TLH flac2496; This is a 16/48 fileset. 24-bit > 16-bit via dBpoweramp
(142122) View Source
View Archive flac16/44.1khz Patched soundboard. Recording Info: SBD > Master Reel > PCM > Dat. Transfer Info: Dat (Tascam DA-20) > Tascam SS-R05 > Samplitude Professional v11.2.1 > FLAC. Patch source Sandy Troy AKG D224E.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Andrew Turner (5/5) | cdr / 2 | A+ | View | Sbd>BettyReel>pcm>dat>cdr | ||
| rabble (5/5) | CD-R / 2 | A | A | View | SBD > 2 Track BBD Reel > ? > SHN | |
| Notes: | Another Betty Board! Great sound, straight off the soundboard to reel-to-reel. | |||||
| andrew (5/4.5) | cdr / 3 | View | ||||
| erico (5/4.5) | CDR / 3 | A+ | View | Soundboard | ||
| Johnny Riddle (5/3) | SHN / 2 | A | A | View | MR>P2>D1) 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz /... | |
| Mike Reaser (5/5) | cdr/shn / 3 | View | MR>P2>D1 | |||
| Notes: | MRP2D1 | |||||
| frederick ferrara (5/0) | audio / 3 | a | View | |||
| Michael Skates (5/4.6) | CDR / 3 | A | A | View | SBD>MR>CDR | |
| Terry Heafey (5/0) | CDR / 3 | View | ||||
| Tom Haber (5/0) | CDR / 3 | View | ||||
| Chad McDaniels (5/0) | / 2 | View | 278 | |||
| Ryan Nyberg (5/5) | shn / 2 | A- | View | 278 | MR>P2>D1); | |
| Notes: | Betty Board! Audio=3; Same problem sound-wise as the night before. Drums & bass are high in the mix & the vocals are low. Excellent performance! | |||||
| Chris M (5/0) | SHN / 3 | View | See Notes | |||
| Ernie Presley (5/0) | CD / 3 | A | View | |||
| John Law (5/0) | SHN / 0 | View | 278 | MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES... | ||
| Notes: | BOOK1 - DVD0008 | |||||
| John Valter (5/3.7) | cdr / 2 | A | View | mr>pcm>dat>cd | ||
| Doug Landon (5/4.7) | SHN / 2 | View | 278 | |||
| martin rordam (5/5) | SHN / 2 | View | 278 | |||
| Notes: | WBOTB tree; Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz; PCM501ES analog out > DBX-1 decoder > analog in PCM501ES; PCM501ES analog out > Fostex D5 @ 48 kHz; Casey Jones, brief low-level crackle, poss bad mic; Wharf Rat ~30 sec section of analog tape damage leading to a cut during the song. There is an illegal bootleg available that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 sec shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels.; note md5s listed here were taken from gdlive.com, 1/2/01- presumably from the same 7/99 shn set | |||||
| Matthew Wolff (5/5) | CDR / 2 | A | A | View | ||
| Evan (5/0) | Audio / 1 | View | ||||
| Notes: | Jerry Garcia Interview, Backstage. | |||||
| Lee Umstead (5/2) | CDR / 3 | View | SBD>MR>PCM>DAT>CDR>EAC>SHN>CDR | |||
| Notes: | 7" 2 track BBD reel w/ DBX-1 @ 7.5 ips | |||||
| Joe Washer (5/0) | CDR / 3 | View | 278 | |||
| Ryan Abbott (5/5) | CDR / 3 | A+ | A++ | View | SBD | |
| Notes: | Amazing show!! | |||||
| Dean Hayward (5/0) | CDR / 3 | View | SBD | |||
| A Helpful Stranger (5/1) | CDr / 3 | A | A+ | View | ||
| Notes: | SBD | |||||
| Furious George (5/4.9) | SHN / 2 | View | 278 | MR-> P2-> D1 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips-> PCM501ES @ 44.055 kHz... | ||
| Notes: | MR-> P2-> D1 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips-> PCM501ES @ 44.055 kHz PCM501ES analog out-> DBX-1 decoder-> analog in PCM501ES PCM501ES analog out-> Fostex D5 @ 48 kHz | |||||
| seth (5/5) | audio / 3 | View | Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips >... | |||
| seth (5/5) | audio / 3 | View | Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips >... | |||
| seth (5/5) | audio / 3 | View | Complete show-- source tape: MR>P2>D1); 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips >... | |||
| Mike (Fillinfriend) (5/5) | CDR / 3 | View | ||||