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User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
---|---|---|---|---|---|---|
thegreatdivide6 (1/0) | flac / 0 | View | 99838 | |||
MrChips (1/0) | / 2 | A | View | 14946 | ||
Notes: | SBD > MR > PCM > DAT > CDR > EAC > mkwACT EAC'd/SHN'd by Doug Nawrocki | |||||
Stuart Ferguson (1/4.3) | CDR / 2 | View | 99838 | Soundboard | ||
Notes: | DVD 2243; lineage: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 99765 | |||||
Scott Schnepf (1/3.7) | CDR / 3 | View | ||||
Hanf (1/5) | Shn / 0 | View | 7564 | |||
Kaz (1/5) | flac / 0 | View | ||||
openpath (1/5) | FLAC / 0 | View | 99838 | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat | ||
x poordevil (1/5) | cdr SBD / 2 | A | View | 14946 | sbd | |
Notes: | dnl | |||||
x poordevil (1/5) | dvd 304 / 1 | View | 7564 | |||
x poordevil (1/5) | dvd 305 / 1 | View | 14946 | |||
J Parzych (1/5) | FLAC / 0 | View | 99838 | SBD > Master Reel > PCM > Dat | ||
J Parzych (1/5) | FLAC / 0 | View | 137374 | |||
Joe (1/5) | FLAC / 0 | View | 99838 | |||
Imetdork (1/0) | FLAC / 0 | View | 99838 | |||
Alex Bushe (1/5) | CD-R / 2 | View | SBD | |||
John Peters (1/0) | SHN / 1 | View | 14946 | SBD: MR > PCM > DAT > CDR > EAC > mkwACT | ||
John Peters (1/0) | FLAC / 1 | View | 99838 | SBD: MR > PCM > DAT; DAT > Samplitude Professional v10.21 > FLAC | ||
michael rosenberg (1/5) | flac/cd / 2 | a | a | View | 14946 | SBD > MR > PCM > DAT > CDR > EAC > mkwACT |
Geoff MacNaughton (1/5) | 2 / 2 | A | View | 14946 | ||
Richard Markley (1/5) | SHN / 2 | View | 14946 | |||
Notes: | DVD114 | |||||
Richard Markley (1/5) | flac / 2 | View | 99838 | |||
Notes: | HD3 | |||||
James (1/0) | / 0 | View | 99838 | |||
SIRMick (1/5) | FLAC / 2 | View | 99765 | |||
SIRMick (1/5) | FLAC / 2 | View | 99838 | |||
Matt Vernon (1/4.8) | SHN / 2 | B | B/A | View | 14946 | |
Notes: | sbd - nawrocki [2007-05-24]Not a string 77 performance, especially some sluggishness and poor vocal harmonies on The Wheel. Set 1 fills the time with typical stuff with Candyman my highlight. Set 2 has a nice PITB but after that (though it does segue into TOO too abruptly) it seems autopilot dead. | |||||
Matt Vernon (1/4.8) | FLAC / 3 | X | X | View | 99765 | |
Notes: | flac16; Recording Info:SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version now in circulation | |||||
Matt Vernon (1/4.8) | FLAC / 2 | B | B/A | View | 100165 | |
Notes: | flac16; Recorded by Steve Maizner Sony ECM-990> Master Cassette; Master cassette> reel> FLAC 1st generation reel played back on Akai Gx-4000D> ART DI/O > Digital Audio Labs Card Deluxe soundcard > Adobe Audition> flac encoding > FLAC Transfer and FLAC encoding by David Minches Pitch correction by Joe B. Jones [2009-08-08]Listened to this after droppin my son off at campon the drive back - vocal intros to TOO and another song were a bit botched? Show seemed to drag - didn't get nearly the same opinion as just a few months back | |||||
Matt Vernon (1/4.8) | FLAC / 2 | X | X | View | 99939 | |
Notes: | flac16; source: aud 1st gen reel taped by Steve Maizner sony ecm 990s>sony tc-158sd; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac [2009-08-08]Upgrade in circulation | |||||
Matt Vernon (1/4.8) | FLAC / 3 | A- | A- | View | 99939 | |
Notes: | flac16; source: aud 1st gen reel taped by Steve Maizner sony ecm 990s>sony tc-158sd; lineage: mac>10.5" reel @ 7.5 ips, dolby b technics rs-1506>teac an-180>hd-p2 24/96> hd>cd wave>adobe 2.0 16/44>flac [2009-07-10]Excellent recording - hard to believe that it took so long to surface! Very nice performance as well | |||||
Matt Vernon (1/4.8) | FLAC / 2 | A- | A- | View | 99838 | |
Notes: | flac16; Recording Info: SBD -> Master Reel -> PCM -> Dat; Transfer Info: Dat -> Samplitude Professional v10.21 -> FLAC; All Transfers and Mastering By Charlie Miller; fixed version of source ID 99765 [2009-07-23]This is about average for 1977, though it does have more of the "78" style so it is a good example of the transition period in performance style as 77 orphs in to 78 |