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Grateful Dead 10/20/78
Winterland Arena, San Francisco, CA
Set I
Minglewood Blues, They Love Each Other, Cassidy, Dire Wolf, El Paso, Tennessee Jed, It's All Over Now, Loser, Lazy Lightning > Supplication
Set II
Mississippi Half-Step Uptown Toodeloo > Franklin's Tower, Dancin' In The Streets > Drums > Space > Not Fade Away > Black Peter > Around & Around

E1: Johnny B. Goode

E2: Shakedown Street
Set III

Comment
 
Last Changed By Chris Fraher
Sources
(4159) View Source    View Archive
SBD; transferred and seeded to etree by Mike Lai, from Bruce Fried DAT
(21245) View Source    View Archive
Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step
(92542) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF; Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(100698) View Source    View Archive
flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [16/44.1] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
(100700) View Source    View Archive
flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC; MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein Transfer By: Bob Menke Mastering By: Derek McCabe
(102072) View Source    View Archive
flac16; Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave > Dithered to 16 bit with Audacity > Flac (level 8)
(102073) View Source    View Archive
flac24; Recorded by: Mike Martin and Mark Bunton with Chuck helping out. Our location was on the floor under the mirrored ball about 20-25 feet from the stage dead center. Equipment: 2 Sony ecm-280 microphones (shoulder high) > Teac PC-10 w/ Dolby > TDK SA-C90 tape. Transfer: Nakamichi CR3A w/ Dolby > Audigy 4 Pro @ 24/44.1 > Editing with NERO > Tracked With CD Wave
(135505) View Source    View Archive
flac16; 2 source matrix by Dusborne;Soundboard (Shnid:92542)Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFFTransfer Info:AIFF -> Samplitude Professional v10.1 -> FLAC, All Transfers and Mastering By Charlie Miller; Audience(shnid:100700) Analog Audience Source: AUD Master Cassettes,Analog Lineage: 2 x AKG D224e => Sony TC-158 >> MAC,Analog Sound Preservation: MAC >> Nakamichi CR-7a => Korg MR-1000 DSF >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Taped By: Reinhart Holwein,Transfer By: Bob Menke,Mastering By: Derek McCabe
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
jeff korona (5/0) cdr / 3 View  
Darryl Hinko (5/5) FLAC / 2 View 92542
Notes: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF
I also have: SHNid=4159
Michael Mersand (5/0) / 0 View 4159
Michael Mersand (5/0) / 0 View 92542
Brandon Johnston (5/4.9) SHN / 2 View 4159 Sbd
Jeff Mitchell (5/0) / 0 View 21245
Jeff Mitchell (5/0) / 0 View 4159
Jeff Mitchell (5/0) / 0 View 102072
Jeff Mitchell (5/0) / 0 View 100698
Jeff Mitchell (5/0) / 0 View 92542
Waz (5/5) cdr / 2 A A View 21245
Notes: (21245) Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC Circulated from nugs.net as flac files w/ an .md5 checksum; probable undocumented EAC step.
Jon Pavuk (5/4.3) FLAC / 2 A+ A View 92542 SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only)...
Jon Pavuk (5/4.3) FLAC / 2 A A View   SBD>Master Reel>Cassette>DAT>WAV
Jon Pavuk (5/4.3) FLAC / 2 A+ A+ View 100698 Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e => Sony...
gravedigger7 (5/0) cd-r / 3 A View  
Notes: great sound
mirkman (5/1) / 0 View  
Notes: sbd
Pat (5/0) CDR / 3 A+ View 92542 SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only)...
trailmix (5/5) shn / 0 View 4159 sbd
John Schwarz (5/5) / 3 A View  
TJ (5/0) / 0 View 4159
Jordan Jacobs (5/3) Flac / 0 View   SBD
Notes: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) ->Sony R500 (A>D Only) -> Peak -> AIFF -> Samplitude Professional v10.1 -> FLAC
Dave (5/1) CDR/SBD / 3 A A- View  
crozier (5/4.9) mam silver / 3 View 92542
Notes: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) -> Sony R500 (A>D Only) -> Peak -> AIFF Transfer Info: AIFF -> Samplitude Professional v10.1 -> FLAC (3 Discs Audio / 2 Discs FLAC) All Transfers and Mastering By Charlie Miller [email protected] July 1, 2008 Patch Info: AKG D224E -> Cassette Master -> Reel -> Reel -> MiniMe -> CD supplies: Drums (1:59 - 4:21) Notes: -- Set 2 is seamless -- Patch material supplied by Pat Lee and transferred by Matt Smith -- Patch was recorded by Reinhart Holwein on a Sony TC-158 cassette deck
Clay Hart (5/4.9) CD / 3 A View  
thrak (5/5) DAT / 1 View   SBD
thrak (5/5) shn / 3 View 4159 SBD
thrak (5/5) flac24 / 5 View 100700 flac24; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e =>...
Notes: MOTB0094
thrak (5/5) flac / 3 View 92542 flac16; Recording Info: SBD -> Cassette Master (Maxell UDXL-I) -> PCM (Analog Out) ->...
thrak (5/5) flac / 3 View 21245 Source: SBD>Master Reel>Cassette>DAT>WAV>FLAC
thrak (5/5) flac / 2 View 100698 flac16; Analog Audience Source: AUD Master Cassettes (MAC) Analog Lineage: 2 x AKG D224e =>...