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Set I
--Jerry Garcia Acoustic Band--
Deep Elem Blues
I'm Troubled
Spike Driver Blues
Blue Yodel No. 9 (Standing On The Corner)
Short Life Of Trouble
If I Lose
I'm Here To Get My Baby Out Of Jail
Oh Babe, It Ain't No Lie (2)
Drifting With The Tide
Ragged But Right
Deep Elem Blues
I'm Troubled
Spike Driver Blues
Blue Yodel No. 9 (Standing On The Corner)
Short Life Of Trouble
If I Lose
I'm Here To Get My Baby Out Of Jail
Oh Babe, It Ain't No Lie (2)
Drifting With The Tide
Ragged But Right
Set II
--Jerry Garcia (Electric) Band--
How Sweet It Is (To Be Loved By You)
Forever Young
Stop That Train
Think
Mission In The Rain
Harder They Come (1)
When I Paint My Masterpiece (1) >
Deal (1)
Encore:
All Along The Watchtower (1)
How Sweet It Is (To Be Loved By You)
Forever Young
Stop That Train
Think
Mission In The Rain
Harder They Come (1)
When I Paint My Masterpiece (1) >
Deal (1)
Encore:
All Along The Watchtower (1)
Set III
Comment
Jerry Garcia Acoustic Band/Jerry Garcia Band. Late Show. (1) with Bob Weir; (2) dedicated to Elizabeth Cotton. Setlist and information courtesy of The Jerry Site.
Last Changed By
Joe Jupille
Sources
(15616) View Source
JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.
(25751) View Source
JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.
(80295) View Source
JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(80337) View Source
JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(15616) View Source
JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated.
(25751) View Source
JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN.
(80295) View Source
JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
(80337) View Source
JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Mark_z (3/0) | SHN / 2 | View | 25751 | |||
| The Genius (3/0) | FLAC / 2 | View | 80337 | Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC... | ||
| Rich (3/5) | CDR / 2 | A-B | View | 80337 | ||
| Notes: | Acoustic set has great sound. Don't care for the electric. | |||||
| Charlie Connor (3/0) | flac16 / 1 | View | 80295 | |||
| Notes: | early.nak300.unknown.ladner.80295.sbeok | |||||
| Rich Willis (3/0) | CDR / 2 | View | 80337 | |||
| Notes: | Acoustic set: SBD; Electric set: FOB | |||||
| fgig1029 (3/0) | cdr / 1 | View | 15616 | |||
| chad (3/5) | flac / 2 | View | 80337 | |||
| Engineer's Monkey (3/5) | SHN / 1 | View | 15616 | |||
| Engineer's Monkey (3/5) | SHN / 1 | View | 15616 | |||
| Lost Sailor (2/0) | Flac 16 44,1khz / 0 | View | 80337 | JGB-JGAB, late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC... | ||
| Lost Sailor (2/0) | Flac 16 44,1khz / 0 | View | 80295 | JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital... | ||
| Lost Sailor (2/0) | Shn / 0 | View | 25751 | JGB & JGAB, Early Show: Sony ECM-939LT stereo mic (center orchestra, ca. 15th row) > Sony WM-D6C... | ||
| Lost Sailor (2/0) | Shn / 0 | View | 15616 | JGAB: MISLABEL OF 10/28/87 matinee acoustic set (sbd), should not be further propagated. | ||
| A.D.Y. List (2/5) | Digital / 1 | A | A | View | 80337 | SBD + AUD |
| Notes: | Outstanding sound quality for the acoustic set - no hiss sbd. Electric band audience recording is also an easy listen. Jerry dedicates the performance of "Oh Babe, It Ain't No Lie" to the memory of Elizabeth Cotton. Tape runs out during "Harder They Come". * with Bob Weir (guitar, vocals) . Bob sings lead on "Masterpiece" and "Watchtower". This is the one and only time the JGB publically played "All Along The Watchtower". Source: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Remastered the acoustic sbd set using Waves L3 Multimaximizer to bring up the peak levels rather than just normalize. Acoustic recording remastered version of previously circulating shnid=15616. Electric band analog recording archived and kindly shared by B.Koucky. Digital transfer and mastering by C.Ladner.Seeded by the green mountain bros @ bt.etree.org, 11/2006. | |||||
| Rolf K (2/0) | CD-R / 1 | View | 80295 | |||
| Notes: | early show. | |||||
| Michael McMullan (2/5) | CDR/FLAC / 2 | A- | View | 80337 | SBD/Aud | |
| Notes: | JGAB & JGB - Late Sow Both Sets | |||||
| Michael McMullan (2/5) | CDR/FLAC / 1 | A- | View | 80295 | Aud | |
| Notes: | JGAB & JBG -- Early Show - Electric Set | |||||
| Michael McMullan (2/5) | CDR/SHN / 2 | A- | View | 25751 | Aud | |
| Notes: | JGAB & JGB -- Early Show Sets | |||||
| Chris Nestler (2/0) | SHN / 1 | View | 15616 | |||
| AAA Audio (2/4.8) | shn / 1 | View | ||||
| Notes: | late | |||||
| Dean Thole (2/0) | SHN / 1 | View | 15616 | |||
| D. Metz (1/5) | SHN / 2 | View | 25751 | |||
| Notes: | JGAB & JGB | |||||
| D. Metz (1/5) | FLAC16 / 2 | View | 80337 | |||
| Notes: | JGAB & JGB | |||||
| Gary Field (1/5) | SHN / 2 | View | 25751 | AUD | ||
| Notes: | Sony ECM-939LT stereo mic > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN | |||||
| Gary Field (1/5) | SHN / 1 | View | 15616 | AUD | ||
| Notes: | MAD (Uncertain source) > CD > DAE (EAC 0.9 beta 4, offset corrected, high/secure) > + 2 dB gain applied to entire show (soundforge 5) > tracking (cdwav) > boundary check (shntool) > SHN (shorten 3.4) [060606.2] | |||||
| Gary Field (1/5) | FLAC / 1 | View | 80295 | AUD | ||
| Notes: | Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Analog recording archived and kindly shared by B.Koucky [061127.3] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 80337 | SBD/AUD | ||
| Notes: | late show: Acoustic set: SBD > DAT > CDR > EAC > WAV > Wavelab/Waves L3 > WAV > FLAC (level 8). Electric set: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC (level 8). Acoustic recording remastered version of previously circulating SHN ID 15616 [061207.3] | |||||
| Marc Deardorff (1/5) | shn / 1 | View | 15616 | |||
| Notes: | Jerry Garcia Acoustic Band: MAD (Uncertain source) > CD > DAE (EAC 0.9 beta 4, offset corrected, high/secure) > + 2 dB gain applied to entire show (soundforge 5) > tracking (cdwav) > boundary check (shntool) > SHN | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 25751 | |||
| Notes: | JGB & JGAB, Early Show: Sony ECM-939LT stereo mic > Sony WM-D6C Pro-Walkman Onto Maxell MX-90 cassette tape, Dolby Off for recording and playback; Transfer playback on Nakamichi MR-2 > Tascam CDRW-700 > EAC > SHN. | |||||
| Marc Deardorff (1/5) | flac / 1 | View | 80295 | |||
| Notes: | JGB, Early Show: Stealth Nak300s, orchestra > D5> MAC > C1 > C2 (Maxell XLII 90). Digital transfer and mastering: C2 Playback on Nak DR-2 > analog out > Presonus Firebox (Neutrik input, preamplification and digitization) > firewire > PC, XP Pro > Wavelab 5, recorded as 24 bit, 96 KHz PCM WAV > Waves X-Noise and L3 Multimaximizer > rendered to 16 bit, 44.1 KHz PCM WAV using Waves IDR with high res CD dither settings (type I dither, ultra shaping) > CDWAV 1.9 (tracking) > FLAC | |||||