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Set I
Minglewood Blues-> Friend Of The Devil, Cassidy, Loser, Feel Like A Stranger, Tennessee Jed-> Looks Like Rain, Might As Well
Set II
Cold Rain & Snow-> Samson & Delilah, Crazy Fingers-> I Need A Miracle-> Drums-> The Other One-> Goin' Down The Road Feelin' Bad-> Wharf Rat-> Around & Around-> Good Lovin', E: Brokedown Palace
Set III
Comment
Last Changed By
Michael
Sources
(4722) View Source
View Archive
nearly same info as previous shn set, but checksums differ for d1t1,8, d2t1, d3t1; unspecified editing or reDAE?; via Mike Lai; upgrade in circulation
(4981) View Source
View Archive
FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; ; note another version circulates with some different md5s
(102039) View Source
View Archive
flac16; Nakamichi CM-300 shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris
(102569) View Source
View Archive
flac16; Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
(129722) View Source
View Archive
flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550
(135524) View Source
View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; transferred and seeded by Rob Berger
(135525) View Source
View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
(135532) View Source
View Archive
flac24; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
(135533) View Source
View Archive
flac16; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
(138614) View Source
View Archive
flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 110 feet from stage|DFC (1st row behind soundboard) Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost. set 2 equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
(138615) View Source
View Archive
flac24 48khz Source Audience Recording: Beyer M 201c Location: 110 feet from stage|DFC (1st row behind soundboard) Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost. set 2 equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
(142568) View Source
View Archive
flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44
(4722) View Source
View Archive nearly same info as previous shn set, but checksums differ for d1t1,8, d2t1, d3t1; unspecified editing or reDAE?; via Mike Lai; upgrade in circulation
(4981) View Source
View Archive FOB - Senn 421's> Sony TC-D5 (at "mouth" of the stage)> Nak Dragon Playback> HHB CDR-850 (no DAT gen)> CDR (Jim Wise transfer/master); Extraction, Editing, Shorten Compression & Upload by Mike "dankstar" Parrillo; ; note another version circulates with some different md5s
(102039) View Source
View Archive flac16; Nakamichi CM-300 shotgun (CP-4) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII C-90); Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1kHz) > cdwav (edits); Recorded by Bob Morris
(102569) View Source
View Archive flac16; Recording Info:(FOB) Sennheiser 421 -> Cassette Master (Sony TC-D5M/Maxell UDXLII-C90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.22 -> FLAC/16; Recorded By Jim Wise; All Transfers and Mastering By Charlie Miller
(129722) View Source
View Archive flac16; Recorded By Mason Taylor on a Nakamichi 550 Cassette Deck, on chrome tapes, with Nakamichi microphones; Transferred on Mason's restored Nak550
(135524) View Source
View Archive flac16; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> 16/44.1 > xACT flac; transferred and seeded by Rob Berger
(135525) View Source
View Archive flac24; source: aud cassette master; taped by Doug Lamarre; nak 300’s > sony d5m, fob; maxell udxl-II90, mx90, dolby b; nakamichi dragon/b > benchmark ADC1 24/96 > tascam HD-P2, compact flash > mac > adobe audition > fission> xACT flac; transferred and seeded by Rob Berger
(135532) View Source
View Archive flac24; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/24; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
(135533) View Source
View Archive flac16; Recording Info: (FOB) (2)Beyer M160's + (1)Sennheiser 421 -> Cassette Master (Sony TC-D5M/TDK MA-C90/Dolby B); Transfer Info: Cassette Master (Nakamichi CR-7A/Dolby B) -> Korg MR1000 (24bit/96k) -> Samplitude Professional v11.2.1 -> FLAC/16; Recorded By Frank Streeter; Transfered By Neil Sturtevant; Mastered By Charlie Miller
(138614) View Source
View Archive flac16 44.1khz Source Audience Recording: Beyer M 201c Location: 110 feet from stage|DFC (1st row behind soundboard) Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost. set 2 equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
(138615) View Source
View Archive flac24 48khz Source Audience Recording: Beyer M 201c Location: 110 feet from stage|DFC (1st row behind soundboard) Lineage: Beyer M201's (hyper cardiod)in brim of straw cowboy hat >> Sony TCD5M w Maxell XL-II, Dolby B ON Playback: Nakamichi LX-5 ->Marantz PMD 661|SD card 24/96 Processing:SD->Audacity (Windows 7)-> CDWav editor ->TLH (flac) set 1 All but Minglewood: equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost. set 2 equalized with 3-4 dB overall bass boost below 400Hz & 1-2 dB 500-2.4k mid boost & 5-10K 1-2 dB boost Taped by; Executive Crew: Kyle Holbrook & Olvy Johnson Transferred by Kyle Holbrook
(142568) View Source
View Archive flac16; Marc Severson & Anonymous Recording (FOB): Nakamichi 700s > DBX box II > Master Cassette > PCM(1); A Philly Crew transfer: PCM > Sony PCM601esd (spdif out) > Marantz PMD661 recorder > Nuendo > Flac 16/44
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 354 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Brad (3/5) | shn / 2 | View | 4981 | |||
| E Moss (3/5) | shn / 2 | View | 4981 | |||
| Ryan Stearns (3/0) | / 0 | View | 102569 | sennheiser 421 | ||
| Ryan Stearns (3/0) | CDR / 2 | A | A | View | 102569 | sennheiser 421 |
| Charlie Kidder (3/5) | SHN / 2 | View | AUD | |||
| Tie Dye Tim (3/0) | CDR / 3 | View | ||||
| Matty (3/4.9) | SHN / 2 | View | 4722 | |||
| Monkmoose (3/5) | cdr / 3 | View | ||||
| Jeff MacLaren (3/5) | shn / 2 | A- | View | 4981 | ||
| Michael (3/1) | AUDIO / 2 | A | View | Aud(FOB)->SENN.441s->D5->Son.Studios->CD-R. | ||
| David Goldeen (3/5) | / 3 | View | aud:mc>dat>cdr | |||
| Notes: | good aud recording | |||||
| KLT (3/5) | CD-r / 3 | View | 4981 | FOB - Senn 421's> Sony TC-D5 (at | ||
| Russell Lane (3/0) | shn / 2 | View | 4981 | |||
| MANDALA (3/0) | cd / 3 | View | ||||
| Notes: | from Eprophet-thanks! | |||||
| Jeff Martinson (3/4.7) | CDR/SHN / 3 | A | A- | View | Senn 421>D5 MAC>Nak Dragon>D>HHB850>CD | |
| Notes: | Senn 421>D5 MAC>Nak Dragon>D>HHB850>CD-- shn archived+audio | |||||
| Jeff Digby (3/5) | cdr/shn / 3 | View | 4981 | |||
| Douglas McVey (3/4.5) | cdr / 3 | View | ||||
| Notes: | AUD:MC>DAT>CDR | |||||
| Andy Perry (3/4.3) | shn / 2 | View | ||||
| Patrick Brown (3/0) | analog / 1 | B | View | SBD | ||
| Notes: | 90 | |||||
| Richard Stein (3/5) | CDR, SHN / 3 | A | A | View | ||
| Jim Zogby (3/0) | CDR / 3 | View | FOB - Senn 421's>Sony TC-D5 (at "mouth" of the stage)>Nak Dragon Playback>HHB CDR-850... | |||
| Martin Novak (3/0) | / 0 | A | View | AUD | ||
| tim mayo (3/0) | CDR / 3 | A | View | |||
| Jake (3/1) | AUDIO / 2 | A | View | Aud(FOB)->SENN.441s->D5->Son.Studios->CD-R. | ||
| Jake (3/1) | AUDIO / 2 | A | View | Aud(FOB)->SENN.441s->D5->Son.Studios->CD-R. | ||
| Drew (3/0) | cd / 3 | View | FOB Sennheiser 421's>SOny TC-5>NAK dragon playback>HHb>CDR-850>CD | |||
| Mike Abrams (3/0) | shn / 2 | View | FOB Senn 421s > Sony TC-D5 (at 'mouth' of stage) > Nak Dragon Playback > HHB CDR-850 (no... | |||
| Torbj�rn Olofsson (3/0) | / 3 | View | 4981 | |||
| Notes: | a+s | |||||
| Dan Freedman (3/0) | CDR / 3 | View | AUD>MC>DAT>CDR | |||
| Michael (3/1) | Audio CD-R / 3 | A | A | View | AUD->Senn.441s->FOB->MC->DAT->CD-R. | |