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Set I
Shakedown Street, Far From Me, Candyman-> Little Red Rooster, Brown Eyed Women, Mama Tried-> Mexicali Blues, Althea, Hell In A Bucket-> Deal
Set II
Help On The Way-> Slipknot!-> Franklin's Tower-> Lost Sailor-> Saint Of Circumstance-> Drums-> Truckin'-> Morning Dew-> Around & Around-> Johnny B. Goode, E: Don't Ease Me In
Set III
Comment
Last Changed By
System
Sources
(7291) View Source
View Archive
D5>Nakamichi 300 Shotguns in front of the stage 10th row; via Clark Ohnesorge; Seeded to etree by Willy
(118888) View Source
View Archive
flac16; Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always Sennheisser 421s>Sony TCD5M>Sony TCD5M (1st gen backup copy from Justin Lee) No Dolby on master cassettes. The first gen. cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011; additional lineage: files tagged with Tag&Rename, checksums created with traderslittlehelper, Tagging, checksums and text February 12,2012 - John Wenzel
(135375) View Source
View Archive
flac16; Audience recording, taper, gear and generation unknown; 16 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; 24/48 resampled and dithered to 16/44.1 with dBpoweramp; flac level 8 and checksums with traderslittlehelper; Tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016
(135376) View Source
View Archive
flac24; Audience recording, taper, gear and generation unknown; 24 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; flac level 8 and checksums with traderslittlehelper; tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016
(135481) View Source
View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
(135482) View Source
View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(140520) View Source
View Archive
flac24; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
(141159) View Source
View Archive
flac16; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
(7291) View Source
View Archive D5>Nakamichi 300 Shotguns in front of the stage 10th row; via Clark Ohnesorge; Seeded to etree by Willy
(118888) View Source
View Archive flac16; Recorded by the late George "Fingers" Bethke FOB in the sweet spot as always Sennheisser 421s>Sony TCD5M>Sony TCD5M (1st gen backup copy from Justin Lee) No Dolby on master cassettes. The first gen. cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transfer by Dave Cohen February 2011; additional lineage: files tagged with Tag&Rename, checksums created with traderslittlehelper, Tagging, checksums and text February 12,2012 - John Wenzel
(135375) View Source
View Archive flac16; Audience recording, taper, gear and generation unknown; 16 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; 24/48 resampled and dithered to 16/44.1 with dBpoweramp; flac level 8 and checksums with traderslittlehelper; Tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016
(135376) View Source
View Archive flac24; Audience recording, taper, gear and generation unknown; 24 bit version; Trade cassettes > Teac W890R, heads aligned to tape > m-audio 2496 audiophile sound card @ 24/48 > editing, volume adjustments and tracked with Audacity; flac level 8 and checksums with traderslittlehelper; tagged with winamp; Transfer and all other mastering by arfarf, March 13, 2016
(135481) View Source
View Archive flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.4 To 24/96 kHz; Metadata Tagging With Tag&Rename
(135482) View Source
View Archive flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Unknown Mics > Unknown Number Of Decks Patched Out Of > Sony TC-D5M, Tapes: Set 1 Maxell UDXLII C90, Set 2 Maxell MX 90; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.4 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(140520) View Source
View Archive flac24; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT
(141159) View Source
View Archive flac16; Robert Bryant FOB recording: unknown mics > cassette master (Sony WM-D6); Charlie Miller DSD Transfer: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Wave > Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Cosmic Bob (1/5) | CD / 0 | View | ||||
| Cosmic Bob (1/5) | FLAC / 3 | B+ | View | 118888 | AUD | |
| Israel Frankel (1/0) | flac cd-r / 3 | View | 118888 | |||
| Charlie Yohe (1/5) | CDR / 3 | View | 7291 | |||
| wharfratpat (1/4) | SHN / 3 | View | 7291 | |||
| wharfratpat (1/4) | FLAC / 3 | View | 118888 | |||
| OBIE (1/5) | SHN / 3 | View | 7291 | |||
| Tommy Danscuk (1/5) | CD / 3 | View | Aud FOB > PCM | |||
| brett garvey (1/5) | SHN / 3 | A | View | 7291 | D5>Nakamichi 300 Shotguns | |
| Notes: | gd1983 11 of 25 | |||||
| Built2Last (1/0) | / 3 | View | 7291 | |||
| Steven Moser (1/4.9) | CD-R / 3 | View | D5>Nakamichi 300 Shotguns in front of the stage 1 | |||
| Notes: | Althea and Shakedown :) | |||||
| Ken Doughty (1/5) | shn / 3 | A | View | 7291 | aud | |
| Notes: | D5>Nakamichi 300 Shotguns in front of the stage 10th row, Mics aimed at the stage just outside of both drum kits. | |||||
| Sandy Cook (1/5) | SHN / 2 | View | 7291 | |||
| Notes: | Nakamichi 300 shotguns>Sony D5 | |||||
| Tim Burke (1/5) | SHN / 2 | View | 7291 | D5>Nakamichi 300 Shotguns in front of the stage 10th row, Mics aimed at the stage just outside... | ||
| Hans Voight (1/5) | SHN / 2 | A- | View | 7291 | D5>Nakamichi 300 Shotguns | |
| Mike McD (1/4.9) | cd / 3 | A+ | A+ | View | AUD. | |
| Tom Bashara/Eric Linstrom (1/5) | SHN, Audio / 2 | View | 7291 | D5>Nakamichi 300 Shotguns in front of the stage 10th row | ||
| Notes: | D5>Nakamichi 300 Shotguns in front of the stage 10th row | |||||
| Kima (1/0) | shn / 3 | View | 7291 | |||
| Doug Moog (1/4.3) | shn / 3 | View | 7291 | AUD > Cassette | ||
| Doug Moog (1/4.3) | shn / 3 | View | 7291 | Ac | ||
| *.* (1/3) | SHN / 2 | View | 7291 | |||
| Notes: | D5 > Nakamichi 300 Shotguns in front of the stage 10th row; via Clark Ohnesorge; Seeded to etree by Willy | |||||
| jgglass (1/0) | cdr / 3 | View | 7291 | |||
| Ringo (1/4.8) | CDR / 3 | A- | View | AUD | ||
| Notes: | [70'05"+59'23"+67'23"] | |||||
| NAC (1/5) | CDR / 3 | AUD | View | 7291 | ||
| zerbini mike (1/0) | cd-r / 3 | View | ||||
| Scott Murphy (1/4.2) | CDR / 3 | A- | View | 7291 | ||
| Notes: | Audience, but OK | |||||
| Gregg Rutter (1/5) | CDR / 3 | A | View | AUD | ||
| jason braun (1/0) | burn / 0 | View | ||||
| S.D.K. (1/5) | / 3 | View | 7291 | SHN | ||
| Noraa (1/0) | shn / 2 | etr | View | D5>Nakamichi 300 Shotguns | ||
| Notes: | Grateful Dead Dane County Coliseum Madison, WI June 24, 1983 D5>Nakamichi 300 Shotguns in front of the stage 10th row, Mics aimed at the stage just outside of both drum kits. Disc One 1st Set Shakedown Far From Me Candyman> Rooster Brown-Eyed Women Mama Tried> Mexicali Althea Bucket Deal Disc Two 2nd Set Help> Slipknot> Franklin's Lost Sailor> Saint> Drums/Space> Disc Three 2nd Set (cont) Truckin'> Morning Dew> Around & Around> Johnny B. Goode Encore Don't Ease EAC/SHN by Willy [email protected] Seeded to etree 02/01/02 Audio discs provided by Clark Ohnesorge | |||||