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Set I
Casey Jones, Feel Like A Stranger, Althea, Cassidy, Tennessee Jed, Looks Like Rain-> Might As Well
Set II
China Cat Sunflower-> I Know You Rider, Women Are Smarter-> He's Gone-> Drums-> Don't Need Love-> Truckin'-> Wang Dang Doodle-> Stella Blue-> Around & Around-> Good Lovin', E: Day Job
Set III
Comment
Last Changed By
System
Sources
(7293) View Source
View Archive
AUD SENN 421's>TCD5-M, Recorded by R. Pauline; MC transferred to CD by Lou B.; cdr > eac (secure) > mkwact > shn (seekable) by Matt Vernon
(20324) View Source
View Archive
Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation
(77449) View Source
View Archive
Source Info:Sennheiser421's>Sony D5:CD Transfer: Denon DN-790r>Audiophile 2496>Cool Edit 200>wav>shn: Taped and Transferred by Phil Unger; originally posted to abgd July 2002; sbe's fixed with shntool 9/16/2006
(81495) View Source
View Archive
flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
(81741) View Source
View Archive
flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
(81975) View Source
View Archive
flac24/96; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke
(87511) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
(87625) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (patch upgrade of shn id 87511)
(91181) View Source
View Archive
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
(110057) View Source
View Archive
flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(111458) View Source
View Archive
flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
(123260) View Source
View Archive
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
(127526) View Source
View Archive
flac16; Source from Doug Oade: Schoeps cmc441 > Sony TC-D5M > Sony PCM-601ESD > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created and SBE's fixed in Traders Little Helper
(139840) View Source
View Archive
flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
(141138) View Source
View Archive
flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
(7293) View Source
View Archive AUD SENN 421's>TCD5-M, Recorded by R. Pauline; MC transferred to CD by Lou B.; cdr > eac (secure) > mkwact > shn (seekable) by Matt Vernon
(20324) View Source
View Archive Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman; upgrade in circulation
(77449) View Source
View Archive Source Info:Sennheiser421's>Sony D5:CD Transfer: Denon DN-790r>Audiophile 2496>Cool Edit 200>wav>shn: Taped and Transferred by Phil Unger; originally posted to abgd July 2002; sbe's fixed with shntool 9/16/2006
(81495) View Source
View Archive flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
(81741) View Source
View Archive flac16; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Wavelab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
(81975) View Source
View Archive flac24/96; Recordist: Kyle Holbrook Location: ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format : 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 Cassette transfer, tracking and FLAC compression performed by Tim Burke
(87511) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
(87625) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller (patch upgrade of shn id 87511)
(91181) View Source
View Archive flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
(110057) View Source
View Archive flac16; Recording Info:SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info:Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation
(111458) View Source
View Archive flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (14th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
(123260) View Source
View Archive flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k); Transfer Info: Dat (Sony R500) -> Samplitude Professional v11.1 -> Adobe Audition v3.0 -> FLAC; All Transfers and Mastering By Charlie Miller
(127526) View Source
View Archive flac16; Source from Doug Oade: Schoeps cmc441 > Sony TC-D5M > Sony PCM-601ESD > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created and SBE's fixed in Traders Little Helper
(139840) View Source
View Archive flac24; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
(141138) View Source
View Archive flac16; Set 1 Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Bruce O'Neil (4/0) | flac / 0 | View | 81975 | aud | ||
| Notes: | gd1984-06-26.beyerM88.holbrook.burke.81975.flac24 | |||||
| Bruce O'Neil (4/0) | shn / 0 | View | 77449 | aud | ||
| Notes: | gd84-06-26.senn421-unger.sbefixed.77449.shnf | |||||
| Bruce O'Neil (4/0) | flac / 0 | View | 81495 | aud | ||
| Notes: | gd84-06-26.senn-hubbard.bandrofcheck.81495.sbefail.flac16 | |||||
| Bruce O'Neil (4/0) | shn / 0 | View | 7293 | aud | ||
| Notes: | gd84-06-26.senn-pauline.vernon.7293.sbeok.shnf | |||||
| Matt Pkorn (4/0) | cdr / 3 | A | A | View | 110057 | SBD -> Cassette Master -> Cassette -> Dat (48k) |
| Notes: | All Transfers and Mastering By Charlie Miller October 3, 2010 | |||||
| Michael Hughey (4/0) | shn / 2 | View | 20324 | |||
| Thom Mann (4/1) | CDR / 2 | View | 20324 | |||
| eddie green (4/0) | flac16 / 3 | View | 87625 | 87625 | ||
| Andrew Selke (4/0) | CDR / 2 | A | View | |||
| Notes: | SBD | |||||
| bob (4/5) | cdr / 3 | View | ||||
| Notes: | sbd | |||||
| Doug Nawrocki (4/4.8) | FLAC DVD / 1 | View | 91181 | Sennheiser 421's > D5 | ||
| Frankie Four Fingers (4/0) | SHN>WAV / 3 | A | A | View | 20324 | Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience... |
| Notes: | Source: SBD>PCM>DAT>CD>SHN. Tennessee Jed and Day Job are patched from an audience recording via Ray Hansen, encoded by Peter Braverman | |||||
| mike west (4/5) | SHN / 2 | View | 7293 | |||
| Notes: | AUD | |||||
| mike west (4/5) | FLAC / 2 | View | 87625 | |||
| Notes: | SBD / CM | |||||
| Joey33 (4/0) | FLAC / 0 | View | 87511 | |||
| Olddeadgolfer (4/0) | CDR / 3 | A | A | View | Audience | |
| CookieMonster (4/5) | cdr-aud / 3 | A | A | View | ||
| Notes: | Columbia, MD | |||||
| stafford (4/0) | shn / 2 | A- | A- | View | SBD > PCM> DAT> CD> SHN | |
| Notes: | not the best sbd. (g-06) | |||||
| Gene Rider (3/0) | WMA / 2 | View | 20324 | |||
| Notes: | Source: SBD Lineage: PCM> DAT> CD> SHN This is a so-so quality soundboard of a so-so show. There are moments, but then, aren't there always? A quick spot Finiculi Finicula tuning before the show starts, then a slight clip right at the beginning of Casey Jones. *Tennessee Jed and Day Job are patched from an audience recording. **Weir makes a lunatic comment before Woman Smarter. What gives with this guy anyway? Thanks to Ray Hansen for the discs. Seeded by Peter Braverman ([email protected]), July 2002. | |||||
| Bill d'Angelo (3/5) | CDR / 3 | View | Senheiser #421>Sony D5 CD Transfer: Denon DN-790r>Audiophile 2496>Cool Edit... | |||
| Dave Heenan (3/0) | SHN / 2 | View | 20324 | SBD>PCM>DAT>CD>SHN | ||
| Dave Heenan (3/0) | FLAC / 2 | View | 87511 | SBD -> Cassette Master -> Cassette -> Dat (48k) | ||
| Dave Heenan (3/0) | FLAC / 2 | View | 110057 | SBD -> Cassette Master -> Cassette -> Dat (48k) | ||
| Dave Heenan (3/0) | FLAC / 0 | View | 123260 | SBD -> Cassette Master -> Cassette -> Dat (48k) | ||
| john zicconi (3/5) | CDR / 3 | SBD | View | SBD | ||
| Marty (3/4.9) | CDR / 3 | View | 87625 | |||
| joe m (3/5) | FLAC / 1 | View | 123260 | |||
| joe m (3/5) | FLAC / 1 | View | 127526 | |||
| Michael (3/0) | FLAC / 2 | View | 123260 | |||
| cbass (3/5) | / 0 | View | 20324 | |||