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Grateful Dead 06/27/84
Merriweather Post Pavilion, Columbia, MD
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Set I
Jack Straw, Friend Of The Devil, Little Red Rooster, Cumberland Blues, My Brother Esau, Loser, Let It Grow
Set II
Help On The Way-> Slipknot!-> Franklin's Tower, Estimated Prophet-> Eyes Of The World-> Why Don't We Do It In The Road*-> Drums-> Morning Dew-> Throwing Stones-> Not Fade Away, E: Brokedown Palace
Set III

Comment
*Without Jerry
Last Changed By System
Sources
(4615) View Source    View Archive
SBD> MC> C> DAT> CDRx1> EAC> SHN; Mastered, ripped, encoded and posted by Skankweed to abgd; upgrade in circulation
(6999) View Source    View Archive
Aud> Nak300> D5> CM> Cdr> EAC> CDWave (Retracking Only)> Shnv3 (MKW ACT); recorded by Steve Ziemba; transferred by Mike Lai; EAC. SHN by Charlie Connor; thanks to Mike Lai and Jon Rianhard; flip in Throwing Stones
(12929) View Source    View Archive
SBD>Cassette Master>Cassette>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN (updated source info); upgrade in circulation
(81509) View Source    View Archive
flac16; Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard. Transfered Charles Bandrofcheck
(82420) View Source    View Archive
flac16; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6
(82450) View Source    View Archive
flac24; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8
(87467) View Source    View Archive
flac16; SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC All Transfers and Mastering By Charlie Miller; upgrade in circulation
(87658) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller. This is a pitch correction of the previous Miller source, shn id 87467
(91375) View Source    View Archive
flac16; Recording Info: Sennheiser 421 -> Cassette Master (Sony D5/Maxell XLII-S/90); Transfer Info: Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.02 -> FLAC/16; Recorded By Rick Pauline; All Transfers and Mastering By Charlie Miller
(111477) View Source    View Archive
flac16; source: 2 Beyer M160 and 1 Sennheiser 421 microphones (15th row-center) > Nak MX100 w/2001 > Sony TCD5M - analog master cassettes; transfer: Sony TCD5M (original record deck) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac files
(122873) View Source    View Archive
flac16; 2nd set only. Gen 1 audience cassette > Sony TC-W320 > Marantz CDR 500 > CDR > EAC > flac
(139841) View Source    View Archive
flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
(141139) View Source    View Archive
flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered in Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
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User (active/rating) Media / # Show Sound Details DB Source User Source
John Fitzgerald (2/0) / 3 View  
Notes: 2 discs data
Randy Carman (2/5) vcd1 / 1 View  
Notes: Set 1 only
frank_the_third (2/4.8) SHN / 2 View  
Kenneth Barner (2/0) SHN / 3 View 12929
Randy Carman (2/0) vcd1 / 1 View  
Notes: Set 1 only
Dan Goorsky (Grateful Dead) (2/0) shn / 3 View   SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
Chase Runyon (2/5) Cdr / 3 A+ View  
Notes: SBD
Ray Hansen (2/0) CDr / 3 View   SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
Michael Goff (2/5) cd / 3 View 4615
Michael Goff (2/5) cd / 3 View 12929
Adam O. (2/5) SHN / 3 View 12929 SBD
Notes: Awesome show. SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
rw (2/5) cdr / 3 View   SBD > MC > DAT > CD
Notes: cut in Franklin's Tower
Tony C. (2/0) VCD / 1 A- View  
Notes: VIDEO SOURCE: Video captured from Slick Willie's aging VHS tape using hi-fi VHS, ATI AIW Radeon, and Audigy mp3+. AUDIO SOURCE: SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN EDITING: Audio converted to wav with MKWact, synchronization to video with Video Edit Magic 2.2 and Cool Edit 2000 to match speed (no other changes made to audio), movie made as uncompressed avi (video + 44.1Khz stereo audio), encoded to VCD-compliant MPEG-1 with TMPGEnc. Video transfer by sunspot Editing by mattman A sunspot/mattman joint. Set One: Jack Straw (1)(2) Friend of the Devil (3) Little Red Rooster Cumberland Blues Brother Esau Loser (4) Let it Grow (5) Notes: Video appears to be shot from the lawn on a tripod. Occasional audience members block the camera, and Brent is all but absent except for a short "cameo" during his solo in Rooster. Overall, this a nice VCD from summer 1984. The synchronized SBD audio captures with sonic clarity what the boys were up to at this point in their career. Enjoy! (1) Video starts 0:14 before audio kicks in. (2) At end of Jack Straw, Phil says, "I wanted to kick it man..." (referring to all the balloons on stage). (3) No audio from 06:47-08:07. I did not edit out the video so that we could watch Jerry & Parrisk rap as Jerry tunes before FOTD. (4) Loser audio cuts in. (5) Video ends before audio. I did not fade out the audio so that the complete 1st set could be enjoyed from start to finish.
Dan Patnoad (2/0) shn / 2 View 12929
Ivo (2/0) CD-R / 3 A View   SBD>PCM>C>DAT>CDR>CE2K>CDR>EAC>SHN>CDR
Robert Kussy (2/0) / 0 View 12929 SBD
Rob Harrison (2/5) DAT / 2 View   AUD
Notes: All sets. FOB Aud > Cassette (Senn. 441's, some hiss)
John Lake (2/0) CDR / 3 A+ View   sbd>mc>dat>cdr
David (1/5) CDR / 3 A View   SBD
KerouacAW (1/0) FLAC / 0 View  
forgottenspace (1/4.5) DVD / 1 View   AUD Video
forgottenspace (1/4.5) DVD / 1 View   Single Audience Camera with sbd audio upgrade
Gary Field (1/5) SHN / 2 View 12929 SBD
Notes: SBD>PCM>C>Dat>CDR>Cool Edit 2000 Noise Filter>CDR>EAC>SHN
Gary Field (1/5) SHN / 2 View 4615 SBD
Notes: LINEAGE SBD>MC>C>DAT>CDRx1>EAC>SHN
Gary Field (1/5) SHN / 2 View 6999 AUD
Notes: Lineage: Aud>Nak300>D5>CM>Cdr>EAC>CDWave(Retracking Only)>Shnv3(MKW ACT) Source: Cassette master recorded by Steve Ziemba Transferred to cd by Michael Lai EAC/Retracked/Shn'd by Charlie Connor 7/5/01 Correct sector boundaries verified using shntool
Gary Field (1/5) FLAC / 2 View 81509 AUD
Notes: Sennheiser 4xx's > Marantz PMDxxx > MC. Playback of MCs on recording deck (Marantz PMDxxx) > Sony D6 > Maxell XL90s (1st gen). 1st (gen) > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs. Recorded by Jeff Hubbard [070116.2]
Gary Field (1/5) FLAC / 2 View 82420 AUD
Notes: Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: Steinberg WaveLab 5.01b (resample, dither) Dither: MegaBitMax (Medium Noise Shaping, Normal Dither Amount) Final Format: 16 bit, 44.1 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 6 [070212.3]
Gary Field (1/5) FLAC / 6 View 82450 AUD
Notes: flac24; Recordist: Kyle Holbrook Location: Centered, ~90' from stage lip, shoulder height Mic Config: X-Y Source: Beyer M88 > Sony TC-D5M > Maxell MX90 (No Dolby) Transfer Format: 24 bit, 96 kHz Conversion: Maxell MX90 > Nakamichi LX-5 > Oade ACM Marantz PMD671 > Compact Flash > IBM ThinkPad T41 Editing: none Dither: none Final Format: 24 bit, 96 kHz Tracking: CD Wave Compression: FLAC Frontend, Level 8 [070213.3]
Gary Field (1/5) FLAC / 2 View 87467 SBD
Notes: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> FLAC [071002.2]
Gary Field (1/5) 87658 / 2 View 87658 SBD
Notes: Recording Info: SBD -> Cassette Master -> Cassette -> Dat (48k) Transfer Info: Dat (Sony R500) -> Samplitude Professional v9.11 -> Cool Edit Pro v2.0 -> FLAC All Transfers and Mastering By Charlie Miller. This is a pitch correction of the previous Miller source, shn id 87467 [071018.2]