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Set I
Alabama Getaway-> Promised Land, Candyman, Cassidy, West L.A. Fadeaway, My Brother Esau, Loser-> Looks Like Rain-> Deal
Set II
Scarlet Begonias-> Touch Of Gray-> Fire On The Mountain-> Scarlet Begonias-> Don't Need Love-> Drums-> The Wheel-> Throwing Stones-> Not Fade Away, E: Day Job
Set III
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Last Changed By
System
Sources
(14909) View Source
View Archive
AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy
(25811) View Source
View Archive
Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by 10', and 14' high; recorded by Bill Reutelhuber
(31634) View Source
View Archive
flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby
(77440) View Source
View Archive
flac16; Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci./Nak700
(115108) View Source
View Archive
flac16; Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz
(118236) View Source
View Archive
flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
(118238) View Source
View Archive
flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
(123823) View Source
View Archive
flac16; nak300>cp4>d5 no dolby; ots dfc mics @ 10ft. pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.7>cdwave splits>tlh flac 8
(139105) View Source
View Archive
flac16; Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC
(140013) View Source
View Archive
flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
(140693) View Source
View Archive
flac24; Set 2 Recording Info: SBD > PCM Master > PCM Clone (Maxell HGX Gold); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(141152) View Source
View Archive
flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
(14909) View Source
View Archive AUD>MC>??>DAT>CDR; via Paul B; seeded to etree by Willy
(25811) View Source
View Archive Nak CM100 shotgun mics into a Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by 10', and 14' high; recorded by Bill Reutelhuber
(31634) View Source
View Archive flac16; FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby
(77440) View Source
View Archive flac16; Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci./Nak700
(115108) View Source
View Archive flac16; Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart; Transfers, mastering, track/FLAC by Greg Holtz
(118236) View Source
View Archive flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
(118238) View Source
View Archive flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software By Keo
(123823) View Source
View Archive flac16; nak300>cp4>d5 no dolby; ots dfc mics @ 10ft. pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.7>cdwave splits>tlh flac 8
(139105) View Source
View Archive flac16; Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD > Behringer Ultramatch Pro > Sound Devices 744T > Samplitude Pro X3 Suite > FLAC
(140013) View Source
View Archive flac24; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT
(140693) View Source
View Archive flac24; Set 2 Recording Info: SBD > PCM Master > PCM Clone (Maxell HGX Gold); Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD (analog outs) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(141152) View Source
View Archive flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118 -> Cassette Master (Sony WM-D6C/Dennon DXM-90) (FOB); Charlie Miller DSD Transfer: Cassette Master (Nakamichi DR-1) -> Tascam DA-3000 (DSF 1-bit/5.8 MHz) -> KORG AudioGate 4 -> Samplitude Professional v11.2.1 -> FLAC 24/96; Edited & Mastered with Audacity by Joe Noel: Flac 24/96; Checksum & tags created in xACT; 24 bit to 16 bit with MusicConverter using sox-14-4-2
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Lost Sailor (2/0) | Flac 16 / 0 | View | 115108 | flac16; Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90... | ||
| Lost Sailor (2/0) | Flac 16 / 0 | View | 118238 | flac16; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet... | ||
| Lost Sailor (2/0) | Flac 24/48 / 0 | View | 118236 | flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet... | ||
| Lost Sailor (2/0) | Flac 16 / 0 | View | 139105 | flac16; Recording Info: SBD > PCM; Transfer Info: PCM (Sony SLV-M20HF) > Sony PCM-601ESD... | ||
| Lost Sailor (2/0) | Flac 24 / 0 | View | 140693 | flac24; Set 2 Recording Info: SBD > PCM Master > PCM Clone (Maxell HGX Gold); Transfer... | ||
| Lost Sailor (2/0) | Flac 16 / 0 | View | 141152 | flac16; Robert Bryant recording (patched out of Oade Bros) Schoeps CMC4/MK41 -> Oade M118... | ||
| Bill Tetzeli (2/5) | SHN / 2 | View | 14909 | AUD>MC>??>DAT>CDR | ||
| Bill Tetzeli (2/5) | FLAC / 2 | View | 31634 | Nak CM-300s (CP4 caps) > TC-D5M > MAC > CD > EAC > FLAC | ||
| cisconethead (2/0) | / 0 | View | 14909 | |||
| Rolf K (2/0) | CD-R / 2 | View | 118238 | AUD | ||
| Rolf K (2/0) | CD-R / 2 | View | 123823 | AUD nak300 | ||
| Michael McMullan (2/5) | CDR/SHN / 2 | A- | View | 14909 | Aud | |
| Scott (2/0) | CDR(DAO) / 0 | View | ||||
| Richard D. Jordan (2/5) | cdr / 2 | A- | View | sbd | ||
| Notes: | encore:Day Job on d1 | |||||
| Tony Gianelli (2/0) | CDR / 1 | A | View | SBD | ||
| Notes: | Set 2 only | |||||
| michael Ferguson (2/4.3) | SHN / 2 | View | 14909 | Aud > MC > ?? > DAT > CDR | ||
| William Ferdinandsen (2/5) | CDR / 2 | View | ||||
| Kenneth Barner (2/0) | SHN / 2 | View | 14909 | |||
| David (2/0) | SHN / 2 | View | AUD>MC>??>DAT>CDR | |||
| Michael Goff (2/5) | cd / 2 | View | 14909 | |||
| KerouacAW (1/0) | FLAC / 0 | View | ||||
| KerouacAW (1/0) | FLAC / 0 | View | ||||
| Gary Field (1/5) | SHN / 2 | View | 14909 | AUD | ||
| Notes: | AUD>MC>??>DAT>CDR | |||||
| Gary Field (1/5) | SHN / 2 | View | 25811 | AUD | ||
| Notes: | Master tape recorded by Bill Reutelhuber with Nak CM100 shotgun mics > Sony TCD5M (lead deck) with Dolby B noise reduction on (Maxell MX 90 Metal tape) from the 20th row behind the sbd with microphones separated left/right by ten feet and fourteen feet high. Master transferred to digital by being played on a Nakamichi Cassette Deck 1 with azimuth alignment > Mytek Digital 8X96 ADC at 24 bit depth and post-processed with Steinberg Nuendo using Waves plug-ins Q10, and C4. Rendered down to a 16 bit file using Waves L2 Ultramaximizer | |||||
| Gary Field (1/5) | FLAC / 2 | View | 31634 | AUD | ||
| Notes: | FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby | |||||
| Gary Field (1/5) | FLAC / 2 | View | 77440 | AUD | ||
| Notes: | Source: *Nakamichi CM300's(with CP1 Caps/pointed)>Sony D5M(XLIIS)Location: FOB/DFC Stand at 7 Feet/Pointed at Stacks Transfer: #Sony D5Pro>Lunatec V3(analog out)>722@24/96 Editing: 722>Adobe Aud. 2.0 dither and resample/16Bit>Cdwav>flac16 Tapers: Tony Suraci and Eugene D'alessandro:Transfer and upload by Tony Suraci [060921.1] | |||||
| Gary Field (1/5) | / 0 | View | 140693 | |||
| Gary Field (1/5) | 115108 / 2 | View | 115108 | AUD | ||
| Notes: | Source: (FOB) Nakamichi CM-100 mics w/ CP-4 Shotgun Caps > Sony D-6 (TDK MA90 Cassette Tapes); Transfer: MAC > Tascam 112 > Edirol UA-5 > PC > Audacity > TLH > flac level 8; Taped by Greg Holtz and Danny Taggart [110905.wd001] | |||||
| Gary Field (1/5) | 118236 / 3 | View | 118236 | AUD | ||
| Notes: | flac24; Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software [120202.wd001] | |||||
| Gary Field (1/5) | 118238 / 2 | View | 118238 | AUD | ||
| Notes: | Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/FOB/DFC/6 Feet High)> Sony TC-D5M,Tapes Sony Metallic; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software [120202.wd001] | |||||