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Grateful Dead 10/06/84
Richmond Coliseum, Richmond, VA
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Set I
Hell In A Bucket, Dire Wolf, Cassidy, They Love Each Other, Minglewood Blues, Tennessee Jed, Looks Like Rain-> Don't Ease Me In
Set II
Scarlet Begonias-> Fire On The Mountain, Playin' In The Band-> China Doll-> Drums-> Throwing Stones-> Goin' Down The Road Feelin' Bad-> One More Saturday Night, E: Day Job
Set III

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Last Changed By System
Sources
(3160) View Source    View Archive
AUD?; no other info available
(15573) View Source    View Archive
FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT
(32898) View Source    View Archive
Unknown shotgun mics > Sony D6 > MC > Playback on Marantz SD 4050 > Marantz Intergrated Stereo Amp MP-68 > SBLive! > CDWave > WAV > mkwACT > SHN; upgrade in circulation
(33955) View Source    View Archive
This is a re-record of shnid 32898 using azimuth adjustment and Audacity.
(77750) View Source    View Archive
flac16; Source: *Beyer M88's>Sony D5M(XLIIS) Location: FOB/DFC Stand at 7 feet Transfer: Sony D5Pro>Lunatec V3>722@24/96 Editing: 722>Adobe Aud. 2.0>16Bit>Cdwav>flac Taped, transfered and uploaded by Tony S./nak700
(87015) View Source    View Archive
flac16; taper : Joe D'Amico aka Joebeacon nak 300 mics > sony d5 Transfer: nak dragon tape deck into creative extigy sound card into pc -flac frontend
(91173) View Source    View Archive
flac16; taper : Joe D'Amico nak 300 mics > sony d5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend (This source is an EAC version of the previous D'Amico source.)
(92383) View Source    View Archive
flac16; Taper: Greg Holtz Source: Nakamichi CM100s CP4caps, FOB-> D-6 Transfer: (By Holtz 1997) Unknown Nakamichi Tape Deck-> RCA-1/8"-> D-3 DAT @ 48kHz Current Transfer: (By JAZ) DAT (Direct from Cassette Master)-> PCM-R300-> Coax-> M-Audio Delta 1010Lt-> Wave Lab 5.0-> R8brainPro 44.1kHZ-> Traders Little Helper flac8; Upgrade in circulation
(109985) View Source    View Archive
flac16; source: 2 Beyer M-88's & 1 Beyer M-160 Microphones > Nak MX100 w/2001> Sony TC-D5M (Dolby on) - analog master cassettes; transfer: Sony TC-D5M (original record deck - Dolby on) > Pre Sonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files
(112831) View Source    View Archive
flac24; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > TLH > Flac Level 8 > 24/96
(112860) View Source    View Archive
flac16; Tapers: Greg Holtz, Tony Bolton, and Mark Kotyuk. Source: Nakamichi CM100s w/CP-4 Shotgun Capsules > FOB -> D-6 > MAC; Transfer: MAC > Tascam 112MKII > Edirol UA-5 (24/96) > PC > WAV > Audacity (fades and tracking) > R8-Brain dither to 16/44 > TLH > Flac Level 8
(124157) View Source    View Archive
flac24; lineage: (2) audio technica atm11/ (2) nakamichi 300 cp1 fob> optimus> d-5> mc> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(127557) View Source    View Archive
flac16/48kHz; Set 2 Source from Doug Oade: 90 degree, 17cm Schoeps CMC441s at Sbd into an Oade power supply then a modified Sony TCD-D5M then > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotpoe RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; Tracks cut in Audacity 2.0.5; Flac files created in Traders Little Helper
(132556) View Source    View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(132557) View Source    View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Sony D5, Tapes:Maxell UDXLII 90's; Tapes Labelled:Nakamichi 100 Guns - Sandy; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
jeff couch (4/5) SHN / 2 View 3160
Joel Widder (4/5) CDR / 3 View  
CookieMonster (4/5) cdr-sbd / 3 A A View  
Notes: Richmond, VA
Chuck Gannon (4/5) CDR / 3 View   AUD>?>CD
Notes: AUD>?>CD
Brian Hovsepian (4/0) CDR / 3 View  
Notes: Mouth of the Beast AUDs
Ryan and Ollie (4/4.3) AUDIO/SHN / 3 A A- View 15573 NAK 300 MICS
Notes: ALSO HAVE IN SHN'S, 2 DISCS.
Gene Rider (3/0) WMA / 3 View  
Notes: Sorry, no source info available
Dave Heenan (3/0) FLAC / 2 View 77750 Beyer M88's>Sony D5M(XLIIS)
timmy b (3/5) cdr / 3 A View 3160
Boisedeadhead (3/0) CDR / 3 View 15573 FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony...
Notes: FOB Nak 300 mics>Sony TCD5-M>DAT(via highly modified Sony ES)>CDR>EAC>CE2K>SHNTOOL>MKWACT Disc 1: 1. Hell in a Bucket 2. Dire Wolf 3. Cassidy 4. They Love Each Other 5. Minglewood Blues 6. Tennessee Jed 7. Looks Like Rain 8. Don't Ease Me In Disc 2: Set II 1. Scarlet Begonias -> 2. Fire on the Mountain 3. Playing in the Band -> 4. China Doll -> 5. China Jam -> 6. Drums -> Disk 3: Set II, cont. 1. Space -> 2. Throwing Stones -> 3. Goin' Down the Road -> 4. One More Saturday Night 5. (E) Day Job* -Disks from Alan Matta -Editing and Seeding by MattMan ([email protected]) -Very nice audience recording. -The only edting I did was retracking, fixing drop out at end of China Jam (tape flip?), and cutting level of Day Job by 6 db. -Drums can flow seemlessly into Space with longer media. *Day Job may be from an unknown AUD source. A few words from the recordists, in their own words: -Mike Grace "I recorded both those shows on a Sony TcD5-M recorder and Nakamichi 300 super-cardiod mics. We were set up about 30 feet in front of the sound board. This was one of the last tours before the official 'Tapers Section' was established. We had to sneak the equipment into the show although security was not too tight. The tapes were transferred from the same Sony deck to a highly modified Sony 75ES DAT recorder."
joe m (3/5) FLAC / 1 View 127557
Kevin Tobin Videos (3/5) DVD / 1 View 132556 Single camera audience shot with soundboard audio upgrade End Set 1 & Start Set 2 on
Notes: Brokedown House Production with video provided by Ian - Seeded on LL 10/06/16 LL Seeding Seeded at TTD 10/06/16 TTD Seeding
Kevin Tobin Videos (3/5) BD / 1 View 132556 Single camera audience shot with multiple audio upgrade End Set 1 & Start Set 2 on
Notes: Brokedown House Production with video provided by Ian - Seeded on LL 10/07/16 LL Seeding Seeded at TTD 10/07/16 TTD Seeding
Michael (3/0) FLAC / 2 View 77750
Jeff Kaisershot (3/5) FLAC / 0 A View 87015 Nak 300 mics > Sony D5
cbass (3/5) / 0 View 15573
cbass (3/5) FLAC / 0 View 87015
cbass (3/5) / 0 View 32898
cbass (3/5) FLAC / 0 View 112860
cbass (3/5) FLAC / 0 View 127557
Richard Warren (3/5) shn / 2 View 33955
Notes: 33955
Richard Warren (3/5) flac / 2 View 77750
Notes: 77750
Richard Warren (3/5) shn / 2 View 32898
Notes: 32898
Richard Warren (3/5) flac / 2 View 87015
Notes: 87015
Mike Pageau (3/0) AUD 4 / 2 View 33955
Mike Pageau (3/0) AUD 11 / 2 View 87015
Mike Pageau (3/0) AUD 12 / 3 View 92383
Mike Pageau (3/0) AUD 16 / 3 View 112860
Dave Lemen (3/0) / 0 View  
Notes: DVD 102
ziko (3/5) / 0 View 87015