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Grateful Dead 04/27/85
Frost Amphitheatre, Palo Alto, CA
Set I
Dancin' In The Streets-> Bertha, Little Red Rooster, Brown Eyed Women, My Brother Esau, Ramble On Rose, Just Like Tom Thumb's Blues-> Cold Rain & Snow-> The Music Never Stopped
Set II
Scarlet Begonias-> Eyes Of The World-> Goin' Down The Road Feelin' Bad-> Women Are Smarter-> Drums-> The Wheel-> Truckin'-> The Other One-> Black Peter-> Around & Around-> One More Saturday Night, E: Day Job
Set III

Comment

Last Changed By System
Sources
(359) View Source    View Archive
SBDMC> DAT> CDR; CDR> EAC> SHN; conversion & upload, A. Jerugim; no known flaws
(17265) View Source    View Archive
Source: SBD > MC > DAT > CDR > EAC > mkwACT Doesn't have missed lyric in The Other One. Seems like it may be still missing some music but, if it is, the d/o is much less drastic.
(20683) View Source    View Archive
Pitch-corrected version of shnid=17265.
(25467) View Source    View Archive
Recording Info: SBD -> Master Cassette -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude v7.02 Professional -> Cool Edit Pro v2.0 -> SHN via Charlie Miller
(32648) View Source    View Archive
flac16; MAC: (FOB) Sennheiser 421's > Sony D5 > TDK MA 90 (Set I) & TDK MAR [aluminum core (Set II)] Tapers: Adam, Justin & Monica Mark McCue Masters Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006.
(76584) View Source    View Archive
flac16; Source: MAC: (FOB) Nak700s > Sony D5 > TDK MA 90s. Recorded by B.Koucky. Transfer: MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9
(78437) View Source    View Archive
DTS Audio 5.1; 3 source DTS-Audio-CD 5.1 Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584
(78504) View Source    View Archive
flac16; SBD + AUD Matrix 3 Source Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584
(78681) View Source    View Archive
flac24; DVD-AUDIO 24/48 SBD+AUD Matrix Mix (65%-SBD/20%-AUD1/15%-AUD2)Mix consisting of SBD - shn id 25467, AUD - shn id 32648 and AUD - shn id 76584
(99835) View Source    View Archive
flac16; Nakamichi 700's > d6 > MAC > Nakamichi DR-1 > HD-P2 > 24/96 WAve > Wavelab 5 > UAD Plugs > r8brain Pro > Izotope Ozone 3 Mbit + > 16/44.1 Wave > Flac
(102035) View Source    View Archive
flac16; Taper: Greg Holtz Source: Nakamichi CM-100's with CP-4 shotgun caps > Sony TC-D5; Transfer: (By JAZ) Cassette Master, TDK MA-R90 Alluminum Core-> Tascam 112 -> RCA/XLR -> Edirol m10dx 24bit 96kHz -> SPDIF -> M-Audio MicrotrackII compact flash -> USB -> Wave Lab 5.0 w/UAD -> R8brain for Sample Rate Conversion to 16bit 44.1kHz -> Traders Little Helper flac8
(124981) View Source    View Archive
flac24; Updated lineage: This fileset appears to be copied from Mark McCue's recording: source ID 32648. Filesets from this seeder have been flagged as suspect because they are thought to have mislabeled lineage and/or re-sampled at a high bitrate
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Eric Horton (1/5) SHN / 2 View 17265
Notes: Source: SBD > MC > DAT > CDR > EAC > mkwACT
Dene Wright (1/5) CD / 3 View   Soundboard
Notes: All
Randy (1/0) SHN / 2 View 25467
Dana L (1/0) cdr / 3 View 76584
Jeff (1/5) FLAC / 2 View 78504 Matrix
Notes: AT176 Grateful Dead Frost Amphitheatre Stanford University Palo Alto, CA April 27, 1985 SBD + AUD Matrix 3 Source Mix (65%-SBD/20%-AUD1/15%-AUD2) Disc 1 - Set 1 01 [02:56] Bill Graham Intro 02 [06:10] Dancing In The Streets > 03 [08:17] Bertha 04 [08:19] Little Red Rooster 05 [06:21] Brown Eyed Women 06 [04:51] My Brother Esau 07 [07:05] Ramble On Rose 08 [00:32] Let Phil Sing 09 [05:00] Tom Thumb's Blues > 10 [05:48] Cold Rain And Snow > 11 [07:05] The Music Never Stopped TT [62:30] Disc 2 - Set 2a 01 [12:32] Scarlet Begonias > 02 [09:04] Eyes Of The World > 03 [05:03] Goin' Down The Road Feeling Bad > 04 [06:51] Woman R Smarter > 05 [06:14] Drums > TT [51:11] Disc 3 - Set 2b 01 [06:14] Space > 02 [04:48] The Wheel > 03 [06:18] Truckin' > 04 [05:57] The Other One > 05 [05:57] Black Peter > 06 [03:39] Around And Around > 07 [05:25] One More Saturday Night Encore 08 [04:44] Keep Your Day Job 09 [00:49] Bill Graham Outro TT [46:21] --------------------------------------------------------- Source Info SBD SBD: Master Cassette > Dat (44.1k) (Sony R500) > SEK'D Prodif Plus > Samplitude v7.02 Professional -> CEPro v2.0 > SHN Transferred and Edited By Charlie Miller [email protected] AUD1 MAC: (FOB) Nak700 > Sony D5 > TDK MA90. Recorded by B.Koucky. MAC playback on Nak DR2 > Presonus Firebox > recorded as 24/96 WAV (Wavelab) > mastered/rendered to 16/44.1 KHz WAV using Waves L3 Multimaximizer > tracked/FLACd using CDWAV 1.9. Transfer and mastering by C.Ladner. AUD2 MAC: (FOB) Senn 421 > Sony D5 > TDK MA90 (Set I) & TDK MAR [aluminum core (Set II)] Mic Config: mics on T bar knee high pointed at the stacks MAC > Nakamichi Cassette Deck 2 (azimuth adjusted) > Audiophile 2496 > WinXP Pro > CEP 2.0 > CD Wave Editor > Flac Frontend (encoded@level 6) >FLAC16 Location: on the lawn, 25 feet from the stage, DFC Taper: Adam, Justin & Monica - Mark McCue Masters All cuts, fades and edits made in CEP 2.0, normalized to 100%. Sector boundaries verified with TLH. Transfer, minor editing and conversion by Alex Ford 3/10 & 11/2006. Thanks to all the hard work from the folks mentioned above in their loving care getting these sources out. Thanks also to the Lossless Legs Community (www.shnflac.net) for getting me these 3 spectacular sources. Also a thanks for some of the images used in creation of the artwork. I found them years ago on the net and do not have anyway to properly credit. --------------------------------------------------------- Tech Notes FLAC/SHNs were decoded to wave. Wavmerge was used to reassemble the tracks back to 1 long wave. CEP2.0 was used to align & synch all of the sources. SF8.0 was used for the EQ setting post mixdown. This is a 65% SBD, 20% AUD1, 15% AUD2 mix. - Mixed by [email protected] - FLAC conversion done 28-SEPT-2006 - Artwork at 300dpi by [email protected] - For best results print at the highest resolution onto glossy photo paper. Design for use in a clear double jewel case. --------------------------------------------------------- Notes After spending several months and likely more than 150 hrs on this project I rushed my way through this text file and the artwork. I just want to be done with it. Hopefully it will be acceptable and without too many typos or errors. The SBD has a strange sound characteristic that can be heard through the first few songs and then disappears. As Charlie Miller noted in his text file "sounds keeps improving as show progresses". Which is indeed true. The sound keeps cycling from normal to "overly bright". Could it be a bad Dolby encode or decode scenario? Only when you listening very critically. It does not subtract from these really great recordings and great show IMO. Both AUD recordings are very good. The Nak700 sounds like it was on a stand and doesn't have the close crowd feeling of a typical FOB. Some post-processing was obviously done to maximize the levels, which does cut down a bit on the dynamic range. The Senn 421 has a much rowdier feel with closer crowd, clapping and a good feel for a live show. All 3 sources had different stoppages between songs in the first set, most notably was during "Let Phil Sing". Here we had missing "crowd" material with no overlap. I employ several techniques, fades, crossfades, volume changes and "borrowing" crowd cheer from different parts of the same recording to fill in the sound and make the new recording flow uninterrupted. Take a listen to the first set, the missing material now flows smooth and is most likely undetectable. d1t01 "Bill Graham Intro" The first 20 seconds is entirely from the NAK700 source, then the Senn 421 source fades in and then finally the SBD also joins the mix. No music was missing. This is smooth and is most likely undetectable. D2 and D3 can be assembled seamlessly on longer media. d2t01 "Scarlet Begonias" The first 10 seconds is just the SBD and the NAK700 source, then the Senn 421 source fades in and also joins the mix. This is smooth and is most likely undetectable. d3t04 "The Other One" 36.334 seconds of "fake" patch was used to cover a missing part of the SBD source. Most likely a repeating musical portion from earlier in the song was used. In short, "The Other One" was patch with the very same "The Other One". This was a very tricky edit to find and remove. It is now patched with a matrix mix of AUD1 and AUD2 for 1:00.119 with 2 second crossfade on each. B/c this is a change in source it is detectable by the listener. d1t09 "Bill Graham Intro" is entirely from the NAK700 source. --------------------------------------------------------- Multitrack Mixdown Settings SET ONE Stereo Matrix SBD -3 AUD1 -7 AUD2 -8.5 SET TWO Stereo Matrix SBD -3.5 AUD1 -7 AUD2 -8.5 --------------------------------------------------------- Editorial Comments This show is like a wearing my favorite slippers. Familiar and very comfortable. I first obtained this show in 1985 about 2 weeks after the show. I was a new 16 yr. old driver and was giving a "friend of a friend" a ride in my car. This guy was a pretty hard core hippie and he produced the cassette of the second set. I was floored. At the time, and considering my age, I had no idea anyone could get a copy of a show THAT fast. And what a show it is. Needless to say the next five years or so were spent wearing out that cassette. This show is most notable for the only "Scarlet > Eyes" but is loaded with great renditions, sick jamming and inspired playing. The first set songs are all played really well. The final Tom Thumb > Cold Rain > Music is fantastic. Phil is just out-of-hand throughout. 'Nuff said. This Scarlet is my favorite, period. A bold statement but one I can stand tall behind. Great long intro, nice middle of the song solo, they come around twice (I LOVE THAT!) before the Wind in The Willows but the ensuing jam towards Fire is inspired. Brent chasing Jerry, Brent chasing Bob. Jerry is traveling 100 miles an hour and the band is right behind. A real nice Fire tease and Jerry picks his moment to lead the gang into Eyes. WOW! Eyes is also full of spit and fire with too many acid laced licks to count. Even GDTRFB is fast paced and fun, with Woman still keeping your interest. Isn't that a change? Not the longest pre-drums, 40+ mins, but understandable as clearly Garcia needed to soak his hand in ice. Normally topping an all Garcia tri-fecta to opened set two, Scarlet > Eyes > GDTRFB, would be hard to beat, beat it they do, beat it to death. The next 45+ mins is transcendental, perfect, seamless, inspired, rocking/soothing and any other accolade you can toss in for good measure. This time a new tri-fecta, Truckin' > Other One > Black Peter, takes center stage in the post drums part. Note by note, second by second the band just clicks. It reminds me of the type of playing they were capable of during 2/27-28, 3/1-2 when the band was just so in tune with each other and what they are doing. While clearly much different, take a listen. These guys are so tuned in to what each other is doing it is 6 as 1. --------------------------------------------------------- Additional Formats This show is available in the following formats: 1. The SBD and both AUD sources listed above. 2. CD-Audio SBD+AUD Matrix Mix at 16/44 3. CD-Audio 5.1 Surround Sound DTS-Audio-CD at 16/44 4. DVD-Audio SBD+AUD Matrix Mix at 24/48 5. DVD-Audio 5.1 Surround Sound at 24/48 and 16/48 (Front & rear channel 24/48; Center & Sub/LFE 16/48) --------------------------------------------------------- FLAC fingerprint gd1985-04-27-mtx-haugh-d1t01.flac:dd1cee35a031950bc8d84843f045160a gd1985-04-27-mtx-haugh-d1t02.flac:e198dbbdb65f31d9c6f5c4d39e931219 gd1985-04-27-mtx-haugh-d1t03.flac:4490313dbd0f298618094f2aa4262917 gd1985-04-27-mtx-haugh-d1t04.flac:6edf8163c0982e1663d8a7f18a8df69c gd1985-04-27-mtx-haugh-d1t05.flac:ca66c891bbc220f58f84b82184f96319 gd1985-04-27-mtx-haugh-d1t06.flac:aa222c989484c53798a2644938629765 gd1985-04-27-mtx-haugh-d1t07.flac:c2e9591ef4f6d4df8168015fdade577f gd1985-04-27-mtx-haugh-d1t08.flac:d2c7dbe990cb9ebe996d52249443c508 gd1985-04-27-mtx-haugh-d1t09.flac:a1c1f61db52d246326c9493dfb7975dc gd1985-04-27-mtx-haugh-d1t10.flac:4c3874ad0f85762ff63ac51cb56b15f2 gd1985-04-27-mtx-haugh-d1t11.flac:5261dd2b51b83f5115d25736dea47435 gd1985-04-27-mtx-haugh-d2t01.flac:c2634d071a42f79b29c80a941f640246 gd1985-04-27-mtx-haugh-d2t02.flac:12e4fc7da7e9defd88dcce1d94470aaf gd1985-04-27-mtx-haugh-d2t03.flac:9199bbe9c12ccc63eaf8a2d0072b0ea8 gd1985-04-27-mtx-haugh-d2t04.flac:8238a53d8c22ea9a23b8c3db2f6d6e14 gd1985-04-27-mtx-haugh-d2t05.flac:07da4a29d38d4430603754c65842cc44 gd1985-04-27-mtx-haugh-d3t06.flac:f601cb904379ac55a8c85e700b5b49b6 gd1985-04-27-mtx-haugh-d3t07.flac:68c746582369c916521473d0ba4e9eb9 gd1985-04-27-mtx-haugh-d3t08.flac:70b66c0ccca2c2e10ded49c37a277e39 gd1985-04-27-mtx-haugh-d3t09.flac:aeea98e064e2b487a144736d9c4ea19a gd1985-04-27-mtx-haugh-d3t10.flac:7afe6a071eae76ce94541f7bbbe78416 gd1985-04-27-mtx-haugh-d3t11.flac:9e6c40425c1cfb17a5d71ee98f1b9105 gd1985-04-27-mtx-haugh-d3t12.flac:d4ebd180ed12a7176aed54ed9a73ccba gd1985-04-27-mtx-haugh-d3t13.flac:41b720a3703cf2273ce64b3f1c12b371 gd1985-04-27-mtx-haugh-d3t14.flac:8f0c7b7eca54ba5cca0ddaf54edfbaf8 --------------------------------------------------------- MD5 c6698cff32359fdb88bfc39d7b595a07 *gd1985-04-27-mtx-haugh-d1t01.flac 9319cf4ee852337095ee6be728df93e4 *gd1985-04-27-mtx-haugh-d1t02.flac 950ad034820a0605ed4e7e3b1d5822d2 *gd1985-04-27-mtx-haugh-d1t03.flac 81a40fdc8f06a6fd20b26599d07d7a16 *gd1985-04-27-mtx-haugh-d1t04.flac 9ab448d69daecd05a193850e7108185e *gd1985-04-27-mtx-haugh-d1t05.flac 6c7ecbc49189e79e7c3f4e0ed17b0e38 *gd1985-04-27-mtx-haugh-d1t06.flac 8da67e412da5bd19922e0fe74a31200a *gd1985-04-27-mtx-haugh-d1t07.flac cf01f14361bd2e8c2c8cfac14daa951e *gd1985-04-27-mtx-haugh-d1t08.flac 096b5a6ed58bf045fcc62ba50609b48d *gd1985-04-27-mtx-haugh-d1t09.flac 9e13e0278708327561b22f8a82517b88 *gd1985-04-27-mtx-haugh-d1t10.flac 3fe6530975289c06946652e3fde6cd0b *gd1985-04-27-mtx-haugh-d1t11.flac 61f459020aa9cede6e87ceb13f61510e *gd1985-04-27-mtx-haugh-d2t01.flac dea937c7ae9785fedee0fefbbc57ae73 *gd1985-04-27-mtx-haugh-d2t02.flac 10c2b075f7267e55e87f35c6f562b8e8 *gd1985-04-27-mtx-haugh-d2t03.flac 02b87e178262edf2eab3f46730d378ac *gd1985-04-27-mtx-haugh-d2t04.flac 7c17a873934935428d279582899270a5 *gd1985-04-27-mtx-haugh-d2t05.flac 22217647c0999e246ddc995ccf374693 *gd1985-04-27-mtx-haugh-d3t06.flac d0572e0e98468c64be21b2a6eead9109 *gd1985-04-27-mtx-haugh-d3t07.flac bcfffcdfeffe9b7cc781927c28a512b9 *gd1985-04-27-mtx-haugh-d3t08.flac 41a7c98785223fe54b2a4ef4510ffd16 *gd1985-04-27-mtx-haugh-d3t09.flac 632281c4df77b78f787b75023a06d5cf *gd1985-04-27-mtx-haugh-d3t10.flac 06de161677e3e2e55aed6f38d019b5ea *gd1985-04-27-mtx-haugh-d3t11.flac f4f2e078aafc726b5a91205851862fe6 *gd1985-04-27-mtx-haugh-d3t12.flac 59b58278a3232baafe080c7a144074b8 *gd1985-04-27-mtx-haugh-d3t13.flac 7a66d89f71bff961e82c086c85c4002d *gd1985-04-27-mtx-haugh-d3t14.flac Size: 952 MB
RavenBlackNight (1/5) flac / 1 View 78437 DTS-Audio-CD 5.1 Mix
raincooker (1/0) / 3 A+ View   SOUNDBOARD
Dave Shaffer (1/0) cd-r / 2 View  
Dario Birindelli (1/3) CDR / 3 A View 25467 SBD
triportweek (1/5) cdr / 0 View 20683
triportweek (1/5) cdr / 0 View 25467
Mark Gay (1/0) / 0 View 359
Notes: 359
Mark Gay (1/0) / 0 View 25467
Notes: 25467
Mark Gay (1/0) / 0 View 78437
Notes: 78437
Mark Gay (1/0) / 0 View 78504
Notes: 78504
Mark Gay (1/0) / 0 View 78681
Notes: 78681
Mark Gay (1/0) / 0 View 99835
Notes: 99835
Mark Gay (1/0) / 0 View 102035
Notes: 102035
Sandy Cook (1/5) FLAC / 2 View 32648
Notes: FOB: Sennheiser 421's>Sony TC-D5M>MC
Victor Pianello (1/5) .shn / 2 View   SBD
Brian (1/5) CDSB / 3 View 78681 SBD + AUD Matrix 3 Source Mix
Notes: Charlie Miller
Marklar (1/0) CDR / 3 View 359
justin tobin (1/5) CDR / 3 A+ View  
Mike McD (1/4.9) cd / 3 A+ A+ View   SBD.
Notes: crackle d1 Red Rooster @ 6:24; looking for replacement copy
Terry Rogers (1/5) CDR / 3 View  
Kima (1/0) shn / 0 View 359
Kima (1/0) shn / 0 View 20683
Kima (1/0) flac / 3 View 32648
Kima (1/0) flac / 3 View 78504
Kima (1/0) flac / 3 View 76584