(8501) View Source    View Archive
AUD > DAT > CDR > EAC > CDR > EAC > SHN; Seeded to abgd by cepx with thanks to Paul B.; Note 2nd set only: see txt file for editing notes

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(8599) View Source    View Archive
Complete; Nak 300-> Sony D-5 > MC > Sony KA1ES -> HHb 850 > CD; via Tommy Danscuk; Seeded to etree by Ernie Dodd

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(12182) View Source    View Archive
2nd set only; Source: SBD>Cassette>Cassette>DAT Conversion: Tascam DA-20 MK II >SoundForge (48KHz>44.1KHz)>Cool Edit 2000 (10db hiss reduction and FFT filter to reduce treble from Dolby)>CD Wave>MKW (SHN) Taped by ?, Converted by Rob (Odeo) Harrison (www.odeo.net) 7/8/02. Includes filler from GDH #461 - Warfield, 2/17/82

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(16756) View Source    View Archive
Pitch Corrected/Fixed/Retracked version of follwing source (*Cool Edit Pro notes at bottom): Nak 300 > Sony D-5; Sony KA1ES > HHb 850 > CD > EAC > Cool Edit 2000 > CDwav > Shnv3 Master Cass. > Cdr by Tommy Danscuk; Man with the plan: Willy Eac > cool edit > CDwav > shnv3 Ernie Dodd shntool verified

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(21533) View Source    View Archive
SBD > MC > C > DAT > CD > EAC > SHN; EAC/SHN by Darryl Hinko

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(33704) View Source    View Archive
flac16; SBD> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475)> Sony R500 (Pass Through)> SEK'D Prodif Plus> Samplitude Professional v8.01> FLAC; Transfers and Mastering By Charlie Miller; Upgrade in circulation

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(76118) View Source    View Archive
flac16; Pitch-corrected fix of shn id 33704 - Recording: SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC

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(83024) View Source    View Archive
flac16; LINEAGE: 2x Sennheiser 441's > Sony TCD5-M > Maxell MX TRANSFER: Nakamichi CR-7A > DAT (Sony DTC-60ES with SBM) > CD > EAC > WAV > FLAC. The microphone location was 'dead center' and approximately 50 to 60 feet from the stage, which was about 50 feet or so in front of the Official Taper's Section.

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(89970) View Source    View Archive
flac16; Source: Master Audience Cassette Taper: Bill Koucky Location:Taper Section – Mezzanine Media: Maxell MX 90’s Transfer: Nakamichi DR-1 > Edirol UA-5 > USB > WaveLab 5.0 @ [24/96] Mastering with: iZotope Ozone 3 > CD Wave > r8brain [16/44.1] > TLH > FLAC Transfer and Mastered by Bill Koucky February 10, 2008

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(104708) View Source    View Archive
flac16; Recorded by Dave Cohen Orchestra Floor Sec. L/C Row RR Seat 73 3 Nakamichi CM300s w/CP4s> Nakamichi MX100 mixer>patchbay>Sony WMD6 Maxell XLII cassette masters No Dolby. The Master Cassettes were played back with Azimuth adjustment on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.

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(105818) View Source    View Archive
flac16; Recording Info:SBD -> Cassette Master (Sony D5/Maxell MX90); Transfer Info:Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.22 -> FLAC/16; All Transfers and Mastering By Charlie Miller

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(108081) View Source    View Archive
flac16; Source: 2 Beyer M-160 microphones > Sony TC-D5M ~ Mics @ 7 feet 16th row-center Maxell MX90's Transfer: Sony TC-D5M (original record deck) > PreSonus Inspire GT > Sound Forge > .wav files > Trader's Little Helper > flac and ffp files

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(119948) View Source    View Archive
flac16; Source: Sony C38B> TCD5M OTS Seat CTR EE 103; Conversion. TD302Bk>PMD660> CDWave > flacfrontend > traderslittle helper; Recorded by Stan Roberts

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(126305) View Source    View Archive
flac24; source: (4) nakamichi 300> mixer> tcd-d5>mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit

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(132358) View Source    View Archive
flac16; Source: Schoeps CMC441s (90deg, 17cm) > Oade M118 > Oade mod SONY PCM-F1; Lineage: Master PCM > DAW (via SEKD Prodif) > Wav; Mastering by Dave Usborne: Izotope RX Advanced Declick and Spectral Repair used manually to fix pops and digital artifacts. Editing done in Reaper V4.591/X64; BCE de-emphasis curve (modified PCM de-emphasis) applied. Tracks cut and Flac files created in Audacity 2.0.5