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Grateful Dead 03/21/86
Hampton Coliseum, Hampton, VA
Set I
(I'm A) Road Runner
Dupree's Diamond Blues
New Minglewood Blues
Bird Song
Tons Of Steel
Supplication >
Let It Grow
Set II
Uncle John's Band >
Terrapin Station >
Playing In The Band Reprise >
Drums >
Space >
I Need A Miracle >
Stella Blue >
Sugar Magnolia

Encore:
It's All Over Now Baby Blue
Set III

Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(5178) View Source    View Archive
Nakamichi 300 with Shotguns, Marantz PMD-430; Transfer: Nakamichi BR3 -> Cool Edit 2000 -> Shn; see info file for flaw notes; via Willy
(8453) View Source    View Archive
1st set only; Updated lineage: Unknown Audience recording (Had been marked: Matrix SBD>MC>C>CD); via Jim Skinner; Seeded to etree by Willy
(81864) View Source    View Archive
flac16; Source: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flacfrontend 1.7.1 (level 8) > flacs.
(87638) View Source    View Archive
flac16; taper : Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > creative extigy soundcard > cool edit pro > flac frontend
(107555) View Source    View Archive
flac16; source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files
(127531) View Source    View Archive
flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(132688) View Source    View Archive
flac16; OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M>Fuji Metal; Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6); Recording by DATBRAD; Master cassette transfer to DAT by Mark Lynn; DAT to CDR and conversion to wav>flac by DATBRAD
(140274) View Source    View Archive
flac16; Source Info: (FOB) Schoeps CMC4/MK41 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
(142450) View Source    View Archive
flac16/48kHz; Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k
(142491) View Source    View Archive
flac16; Matrix 2 Source Mix - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - matrix mixing by Kevin Tobin
(142492) View Source    View Archive
DTS-Audio-CD 5.1 Mix; - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - dts mixing by Kevin Tobin
(142493) View Source    View Archive
flac16/48kHz; 5.1 LPCM Surround Sound (48k) - SBD (shnid = 142450) Recording Info: SBD > Cassette Master > Reel (Technics) > Dat (Panasonic SV-3800/48k); Transfer Info: Dat (Sony PCM-R500) > Tascam DA-3000 > Adobe Audition CC2015 > Samplitude Pro X3 Suite > FLAC/48k + AUD (shnid = 107555) source: 2 Beyer M160 Microphones>Sony TC-D5M - 25 feet from stage (mic's on a stand @about 5½ feet feet)>analog cassette master - Maxell MX90's. transfer: Sony TC-D5M (origional record deck)> Pre Sonus Inspire GT> Sound Forge> .wav files> Trader's Little Helper> flac and ffp files - surround mixing by Kevin Tobin
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Gary Field (1/5) 127531 / 4 View 127531 AUD
Notes: flac24; source: (2) beyers 160> tcd-d5> mc; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit [140902.wd002]
Gary Field (1/5) 132688 / 2 View 132688 AUD
Notes: OTS 2 Nakamichi CM100s/cP4 shotguns(PAS)>Sony TCD5M>Fuji Metal; Transfer: Nakamichi CR7A>Lucid AD9624>Fostex D5>DAT>Tascam DA20MKII>Tascam CDRW700>CDR>Wavelab 6>CDWave>Flac Frontend(Level 6) [150505.wd002]
Gary Field (1/5) / 0 View 140274
Gary Field (1/5) 142450 / 0 View 142450
Gary Field (1/5) 142491 / 0 View 142491
Gary Field (1/5) 142492 / 0 View 142492
Gary Field (1/5) 142493 / 0 View 142493
Marc Deardorff (1/5) shn / 2 View 5178
Notes: Nakamichi 300 with Shotguns, Marantz PMD-430; Transfer: Nakamichi BR3 -> Cool Edit 2000 -> Shn; see info file for flaw notes
Marc Deardorff (1/5) shn / 1 View 8453
Notes: 1st set only; Matrix SBD>MC>C>CD
Marc Deardorff (1/5) flac / 2 View 81864
Notes: Unknown shotgun mics > Sony D6 > Maxell MX 90s (MC) MC > Playback on Marantz PRD505 (azimuth adjusted) > Marantz Intergrated Stereo Amp MP-68 > SB Audigy4 on new P4 machine > Sound Forge normalization > WAV > CDWave > WAVs > Flac
Ed Izsak (1/5) CDR / 1 View   SDBD
Notes: SET I
Boedi-taper (1/4.8) CDR / 2 A A View   Audience Recording
Notes: Audience Recording
Kevin White (1/0) / 2 View  
mike (1/5) DVD / 1 View   Set 2 - Graceful Duck Archive
Notes: Graceful Duck Archive Unknown Gen VHS > SuperBeta Hi-Fi > Edit SuperBeta Hi-Fi > Playback Sony EDV-9500 > Standalone Panasonic DMR-E50 (XP)> TMPGEnc DVD Author 3 No Artwork Chapters: 9 NTSC / Stereo TRT: 01:08:22 Audio codec: AC3 Audio bitrate: 256 kb/s Video codec: MPEG2 Video bitrate: 7811 kb/s Picture resolution: 704x480
J (1/5) DVD9 / 2 View   Video: AUD (Tripod) > Master / Audio: SBD
thegreatdivide6 (1/0) DVD / 0 View   (shnid=107555) 2 Beyer M160 Microphones > Sony TC-D5M (25 Feet From Stage, Mics On A Stand At...
Notes: DVD, audience
Jim (1/5) FLAC / 0 View 127531
Stuart Ferguson (1/4.3) CDR / 1 View 8453
Notes: DVD 2812; lineage: 1st set only; Updated lineage: Unknown Audience recording (Had been marked: Matrix SBD>MC>C>CD); via Jim Skinner; Seeded to etree by Willy
x poordevil (1/5) dvd shn / 1 View 8453
x poordevil (1/5) DVD aud / 1 View  
J Parzych (1/5) FLAC / 0 View  
Imetdork (1/0) FLAC / 0 View 142450
aikox2 (1/4.9) / 1 View  
Notes: DVD aud. 2nd set only. I was there : )
John Peters (1/0) FLAC / 1 View 142450 SBD: MC > R (Technics) > DAT (Panasonic SV-3800/48k); DAT (Sony PCM-R500) > Tascam DA-3000 >...
Matt Vernon (1/4.8) SHN / 1 View 8453
SpiralLightofVenus (1/5) FLAC / 0 AUD View 81864
Notes: AUD TB4
SpiralLightofVenus (1/5) DVD / 0 View  
Notes: DVD TB13
SpiralLightofVenus (1/5) DVD / 0 AUD View 107555
Notes: DVD AUD TB19
SpiralLightofVenus (1/5) FLAC / 0 AUD View 140274
Notes: AUD TB19
Rick Childs (1/4.9) CDR / 1 A+ A+ View 8453
Notes: Grateful Dead March 21, 1986 Hampton Coliseum Hampton, VA Matrix SBD>MC>C>CD Disc One 1st Set Roadrunner Dupree's Minglewood Bird Song Tons Of Steel> //Supplication> Let It Grow (false start)> Let It Grow Notes- Some minor static in spots of d1t01, between :32 and :51 Levels start out low, and settle in around 1:00 of d1t01 Cut at start of d1t06 (Supplication Jam) First Roadrunner, and one of only two 'attempts' at it, both in March 86 ;o) Here is the comment from Deadlists regarding the Let It Grow (false start)- Gordon Sharpless says ``The piece I have titled "What the Fuck" (a long standing title I used in my own set list books in the 80s) is 31 seconds of incomprehensible music, founded in Bobby trying to sing Let it Grow (sort of) while the remainder of the band still plays Supplication (sort of). The end result is 31 seconds of something that is neither Supplication nor Let it Grow, and upon a critical listening, can be only titled "What the Fuck?!".'' EAC/SHN by Willy [email protected] Seeded to etree 03/25/02 Audio discs provided by Jim Skinner Audio discs provided by Jim Skinner