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Grateful Dead 06/22/86
Greek Theatre, University Of California, Berkeley, CA
Set I
Jack Straw
It Must Have Been The Roses
Cassidy
Row Jimmy
New Minglewood Blues
Big Railroad Blues
Mama Tried >
Big River
Stagger Lee
Hell In A Bucket >
Might As Well
Set II
Fire On The Mountain >
Samson & Delilah
Ship Of Fools >
Man Smart (Woman Smarter) >
Drums >
Space >
Truckin' >
Goin' Down The Road Feeling Bad >
Stella Blue >
Turn On Your Lovelight

Encore:
U.S. Blues
Box Of Rain
Set III

Comment
FM Broadcast KPFA Berkeley

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(388) View Source    View Archive
DSDB> DAT> CDr; via Mike Lai
(7281) View Source    View Archive
Neumann kmi-84-> Neumann bs48i-2> pcmf1, at sbd; ; Taper Randy Fleck; PCM-> DAT: Sony pcm-601esd-> panasonic 3500; DAT->CD: fostex d5->marantz cdr615-> eac-> cdwav-> mkwact
(30865) View Source    View Archive
Primary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End; Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT shn id 7281 The secondary source covers patches in the last 26 seconds of d2t05(drums); the first 12 seconds of d3to1 (space) Recorded, digitally mastered and patched by Charlie Connor
(81646) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(100204) View Source    View Archive
flac16; Recorded by Mike Grace and Annie Szvetecz; Lineage: Mike Grace Master PCM Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1 Recording Location: Official Tapers Section PCM to DAW Transfer by Mike Grace Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav
(117830) View Source    View Archive
flac24; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
(117831) View Source    View Archive
flac16; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(138856) View Source    View Archive
flac16 44.1khz Source: AKG 460 w/CK61 Caps > Uher 240. Transfer: Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
(138857) View Source    View Archive
flac24 96khz Source: AKG 460 w/CK61 Caps > Uher 240. Transfer: Master Tapes > Nak Dragon > Korg Mr 1000 > Audio Gate > Adobe Audition CS6 > Traders Little Helper . Taper : Danny Thompson. Editing : Joe D'Amico ''AKA'' Joebeacon
(139290) View Source    View Archive
flac16; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
(139291) View Source    View Archive
flac24; source: aud cassette master; taped by Doug Lamarre; sennheiser 441’s > sony d5; maxell mx90’s, dolby b; nakamichi dragon/b > benchmark adc1 @ 24/96; transferred - Rob Berger
(140671) View Source    View Archive
flac16; Source Info: (FOB) Schoeps CMC4/MK2 > Oade M118 > Sony PCM-F1; Transfer Info: Master Oade PCM (unknown deck/hardware/software) > hard disk > Adobe Audition 3.0 > TLH flac16
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Dean Thole (2/0) SHN / 2 View 388
William Ferdinandsen (2/5) / 2 View  
Rob S. (2/0) MD / 3 A- View   aud>cass>cd>md
Teladog (2/4.9) CDR / 2 B+ View  
Notes: Cuts out during Space.
Matt Benway (2/0) / 3 View  
Chase Runyon (2/5) / 3 A View  
Notes: Senns
Ray Hansen (2/0) CDR / 3 View   DSBD>DAT>CDR
Paul Moreno (2/5) SHN / 2 View 7281
Notes: Neumann kmi-84->neumann bs48i-2>pcmf1, at sbd PCM->DAT: Sony pcm-601esd-> panasonic 3500 DAT->CD: fostex d5->marantz cdr615-> eac-> cdwav-> mkwact
Michael Goff (2/5) cd / 3 View 388
Notes: 86 dvd #9
Michael Goff (2/5) cd / 3 View 7281
Notes: 86 dvd #9
bryan cole (2/4.7) / 2 View   dsbd>dat>cdr
jim mcguire (2/5) shn/cdr / 1 A- View 7281
Brian Egger (2/0) / 0 View 388 SBD
evan hoeltge (2/0) shn / 3 View 7281
John Hughes (2/0) CDR / 3 A- View   DSBD>DAT>CDR
Rob Harrison (2/5) DAT / 2 A View   SBD
Notes: All sets. Soundboard>Unknown media,Soundboard>Unknown media
Mark Lucas (2/0) SHN / 2 View   DSDB>DAT>CDR>SHN
Notes: All
Dan Clayton (2/0) shn / 2 View 7281
Gary Field (1/5) 100204 / 2 View 100204 AUD
Notes: Recorded by Mike Grace and Annie Szvetecz; Lineage: Mike Grace Master PCM Recording Equipment: Schoeps CMC42 (Spread Omnis, Spaced 3 Feet Apart with 180 degree angle of incidence) -> Grace 18v Mic Preamp -> MOD PCM-F1 Recording Location: Official Tapers Section PCM to DAW Transfer by Mike Grace Sony SL-HF900 Betamax > Sony PCM-601ESD SPDIF out > RME DIGI9652 sound card SPDF in > Wavelab 4 wav Tracked in Wavelab, FLACd Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging [090728.1]
Gary Field (1/5) SHN / 2 View 7281 AUD
Notes: Source:Neumann kmi-84->neumann bs48i-2>pcmf1, at sbd PCM->DAT:Sony pcm-601esd-> panasonic 3500 DAT->CD:fostex d5->marantz cdr615-> eac-> cdwav-> mkwact
Gary Field (1/5) SHN / 2 View 388 SBD
Notes: DSDB>DAT>CDr
Gary Field (1/5) FLAC / 2 View 30865 AUD
Notes: Primary Source: Recording Info: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer: Nak DR-10 (Playback)> Midiman Flying Cow 24bit/48kHz A/D>RME Digi96/8> Steinberg's Wavelab 3.0 (bit resolution & resampling to 16/44.1>CDWav(v1.71) (tracking only)>Flac Front End Secondary Source: Neumann kmi-84->neumann bs48i-2>pcmf1,(at sbd)PCM->DAT (SHN ID 7281) covers patches in the last 26 seconds of d2t05 and the first 12 seconds of d3t01
Gary Field (1/5) FLAC / 2 View 81646 SBD
Notes: Recording Info: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 [070124.1]
Gary Field (1/5) 117830 / 3 View 117830 AUD
Notes: flac24; Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software [120129.wd001]
Gary Field (1/5) 117831 / 2 View 117831 AUD
Notes: Master Audience Recorded By Mr. Darby; AKGC460B/A60/CK1's (PAS/DFC/First Row OTS/6 Feet High)> Uher340>Sony TC-D5M,Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software [120129.wd001]
Gary Field (1/5) / 0 View 140671
Marc Deardorff (1/5) shn / 2 View 7281
Notes: Neumann kmi-84-> Neumann bs48i-2> pcmf1, at sbd
Marc Deardorff (1/5) shn / 2 View 388
Notes: DSDB> DAT> CDr
Marc Deardorff (1/5) flac / 2 View 30865
Notes: FOB(DFC)>Beyer Dynamic M88's>Sony TCD5M (CM - Maxell MX90's) Transfer
Marc Deardorff (1/5) flac / 2 View 81646
Notes: SBD -> Cassette Master (Sony D5/Maxell MX-90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller