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Grateful Dead 12/30/86
Henry J. Kaiser Convention Center, Oakland, CA
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Set I
Hell In A Bucket
Althea
C.C. Rider
Cumberland Blues
My Brother Esau >
When Push Comes To Shove
Beat It On Down The Line >
Greatest Story Ever Told
Don't Ease Me In >
The Music Never Stopped
Set II
China Cat Sunflower >
I Know You Rider
Saint Of Circumstance
Ship Of Fools
Estimated Prophet >
Eyes Of The World >
Drums >
Ollin Arageed > *
Drums > #
Iko Iko > #$%
Man Smart (Woman Smarter) > #$%
Stella Blue >
Throwing Stones >
Not Fade Away

Encore:
Johnny B Goode %
Set III

Comment
The Neville Brothers Opened

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Hamza El Din - Hand Drum, Vocals *
Jose Lorenzo - Shakers, Hand Bells #
Art Neville - Hammond B3, Vocals %
Charles Neville - Cowbell, Soprano Sax $
Brian Stoltz - Guitar %
William Green - Drums #
Last Changed By J
Sources
(6025) View Source    View Archive
SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable); via Steve Barbella
(77446) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (Sony D5/MX-XG90) Transfer Info: Cassette Master (Sony TC-WE475) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(80818) View Source    View Archive
flac16; shn id 77446: MSC -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC patched with shn id 6025: Barbella source - SBD> Cm> DAT> CD> EAC> CDWAV editing > SHN (seekable) and multigen cassette purporting to be from an FM post-dated broadcast (no shnid).
(81308) View Source    View Archive
flac16; Source: Nakamichi CM304's>Sony D5M Location: OTS Floor, Stand at 9 Feet Transfer: Nak CR5A>Lunatec V3(analog out)>722@24/96 Editing: Adobe Audition 2.0 dither and resample 16Bit>Cdwav/tracking>flac16 Tapers: Tony Suraci and *Don Beckham Transfer and upload by Tony Suraci
(88983) View Source    View Archive
flac16; taper : Joe D'Amico nak 300 mics w/ cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro> flac frontend
(99638) View Source    View Archive
flac16; Recording Info:SBD -> Cassette Master (Sony D5/TDK MX-XG90/Dolby B); Transfer Info:Cassette Master (Nakamichi DR-1/Dolby B) -> Sound Devices 744T (24bit/96k) -> Samplitude Professional v10.21 -> FLAC/16; All Transfers and Mastering By Charlie Miller
(105203) View Source    View Archive
flac16; Source: Audience > Nakamichi CM-100 mics with CP-4 shogtun caps > Sony TC-D5 > mac Lineage: mac > Tascam 122b > Tascam HD-P2 > wav 24/48 > Adobe Audition 1.5 > Wavelab 6 with iZotope Ozone 4 > iZotope RX Advanced > wav 16/44.1 > CD Wave > Flac 16 Taped by Gregg Holtz, from OTS
(128691) View Source    View Archive
flac16; 2 source Matrix mix of Shnid 81308(aud) and shnid 99638(sdb) with patches used from shnid 88983(aud)
(135512) View Source    View Archive
flac24; source: set 1 beyers 160 fob> tcd-d5> tcd-d5> mc; set 2 sennheiser 441 (3) fob> tcd-d5> mc > c; conversion: sony tc we435>sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
(137456) View Source    View Archive
flac24; Recorded and Mastered by ArchivalAudio [Ian Stoy]; Master Audience cassette: in OTS near the back of the venue balcony; Toa K1’s spaced 24” PATS (Pointed At The Stacks) > Sony WM-D6c; media: Maxell XLII c90’s Dolby C on; Mastering: Tascam 302 Dolby C on > ArchivalAudio silver-gold RCA>1/4” TS > Zoom F8 at 24/48; Transcend 600x SDHD class10 U1 128gb Transcend usb 3 card reader > MacMini 3 GHz i7/16GB DDDR3; Audacity: Fades/Tracking +Ozone 5: Dynamics + Maximizer normalize to -.5db remove DC offset > flac24; xACT Flac Fingerprints
(137978) View Source    View Archive
flac24; Recording Info: SBD > Cassette Master (TDK MA-R90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller
(138007) View Source    View Archive
flac16; Recording Info: SBD > Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller, this is the 137978 24bit->16bit
(138362) View Source    View Archive
flac16; Set 2 Unknown: FOB Schoeps CMC44 > Sony PCM-F1 > PCM master > DAT at 44.1 kHz; John Ammons Transfer: from his DAT clone of the master; Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 44 > Wave; Joe Noel Edits: T,F,P & P: Wave > Audacity > track/label > export multiple > flac 16/44; Checksum & tags created in xACT
(138870) View Source    View Archive
flac16 44.1khz Taper : Joe D'Amico ''AKA'' Joebeacon. Editing : Joe D'Amico ''AKA'' Joebeacon. Nak 300 Mics W/ cp4 Shotguns > Sony D5. Nak Dragon Tape Deck > Sony Sbm1 > Creative Extigy Soundcard > Adobe Audition CS6 > Traders Little Helper
(142302) View Source    View Archive
flac16; Source Info: Oade's Master (FOB) Audience PCM; Schoeps CMC4/MK41mics > Oade M118 > Oade modified Sony PCM-F1; Transfer Info: Master Oade PCM > Sek'd Prodif > Samplitude (.wav 16-bit/44.1k)> hard disk > Adobe Audition 3.0 > TLH flac16
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