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Phish 05/10/90
Pearl Street Night Club, Northampton, MA
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Set I
intro/tuning
Suzy Greenberg
Uncle Penn
Bouncin'
Divided Sky
Tweezer
My Sweet One//
//Bathtub Gin
Possum
Set II
Funky Bitch
Runaway Jim
Harry Hood
//Caravan
Reba
Oh Kee Pa>
AC/DC Bag
Good Times Bad Times

encore:
"Henrietta"
Whipping Post
Set III
 
Comment
 
Last Changed By Weave
Sources
(20314) View Source   
SBD > Nak CR-3A (Maxell XLII-S 90min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain +14dB, no "Tube Warmth") > Delta DIO 2496 > WaveLab v4.0c > WAV (@24bit/48kHz)> FLAC (24bit/48kHz) > remastering (see info file) > WAV (16bit,44.1kHz) > CDWav > SHNv3; Taped by John Redmond
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Collectors With This Show

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User (active/rating) Media / # Show Sound Details DB Source User Source
Kyle Wallace (1/5) cdr / 2 View  
Notes: Notes: NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends).
travis nordgren (1/0) shn / 2 View 20314
Notes: SBD > Nak CR-3A
Marnie (1/3) FLAC / 2 View 20314 SBD > Nak CR-3A
Marnie (1/3) SHN/FLAC / 0 View  
Jesse (1/5) 2 shn/2 CD / 2 90 View   SBD > Nak CR-3A
Notes: PHiSH - 5/10/90 Pearl St - Northampton, MA SOURCE SBD > Nak CR-3A SBD MCass (Maxell XLII-S 90min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) (transfer>24bit FLAC files by Weave - [email protected] on 09/27/2003) Mastering Notes: The 24/48 FLACs were converted to .WAV with FLAC v1.1.0 and loaded into Steinberg's WaveLab. The first step was to correct some anomolies in the original recording. There were small volume reductions in the left channel (a dirty spot on a record head maybe?) for all of Suzy Greenberg & Uncle Penn. After several approaches I decided to create a dual-mono mix of the right channel. There was another noteable change towards the front of Bouncin' and into the quiet section of Divided Sky. The tonal change was compensated for w/ the BBE Sonic Maximizer, with the settings @ 2 for Lo Contour and 3 for Process. The next step was to use Waves X-Noise on each seperate file and render each seperately. The files were loaded into Wavelab's Audio Montage, crossfades were performed at each tape flip and the following mastering processes were applied: Waves 2-band EQ, high pass @ 40Hz, Blue Tubes FA770 compressor, BBE Sonic Maximizer (Lo Contour = 3, Process = 3), Blue Tubes LM2S limiter. The resulting .WAV was tracked in CD-WAV and converted to SHNv3 (seek tables appended). All mastering/edits performed @ Bunker 8 Digital Labs by Dr. Shakedown and Sigmund Droid [email protected] DISC ONE set I: 01. intro/tuning 02. Suzy Greenberg 03. Uncle Penn 04. Bouncin' 05. Divided Sky 06. Tweezer 07. My Sweet One// 08. //Bathtub Gin 09. Possum set II: 10. tuning/mic checks 11. Funky Bitch 12. Runaway Jim DISC TWO set II(cont): 01. Harry Hood 02. //Caravan 03. Reba 04. Oh Kee Pa> 05. AC/DC Bag 06. Good Times Bad Times encore: 07. "Henrietta" 08. Whipping Post Notes: NO tracking/editing/alterations performed before archiving to 24-bit FLAC (except to trim silence from the ends). Seeded to FurthurNet (www.furthurnet.org) by Shakedown
Thomas Raymo (1/5) SHN / 2 View 20314
Notes: OK
Meaty (1/0) shn / 2 sbd View 20314
Justin (1/0) CD-R / 0 View  
BJ Larsen (1/0) shn / 2 View 20314
Notes: SOURCE SBD > Nak CR-3A SBD MCass (Maxell XLII-S 90min)> Sony TC-WE805S > Art DI/O (48Khz, Input gain +~14dB, No "Tube Warmth")> Delta DIO 2496> WaveLab v4.0c> WAV (@24/48)> FLAC (24-bit, v1.1.0) (transfer>24bit FLAC files by Weave - [email protected] on 09/27/2003) Mastering Notes: The 24/48 FLACs were converted to .WAV with FLAC v1.1.0 and loaded into Steinberg's WaveLab. The first step was to correct some anomolies in the original recording. There were small volume reductions in the left channel (a dirty spot on a record head maybe?) for all of Suzy Greenberg & Uncle Penn. After several approaches I decided to create a dual-mono mix of the right channel. There was another noteable change towards the front of Bouncin' and into the quiet section of Divided Sky. The tonal change was compensated for w/ the BBE Sonic Maximizer, with the settings @ 2 for Lo Contour and 3 for Process. The next step was to use Waves X-Noise on each seperate file and render each seperately. The files were loaded into Wavelab's Audio Montage, crossfades were performed at each tape flip and the following mastering processes were applied: Waves 2-band EQ, high pass @ 40Hz, Blue Tubes FA770 compressor, BBE Sonic Maximizer (Lo Contour = 3, Process = 3), Blue Tubes LM2S limiter. The resulting .WAV was tracked in CD-WAV and converted to SHNv3 (seek tables appended). All mastering/edits performed @ Bunker 8 Digital Labs by Dr. Shakedown and Sigmund Droid [email protected]
Alec (1/0) SHN / 0 View 20314
Israel (0/0) / 0 View 20314
Notes: 20314
Ken (0/5) SHN / 2 ex View   SBD > nak CR-3a
Ryan Beach (0/5) CD-R / 2 A View 20314
Notes: SHN available*
Garrett Mitchell (0/0) / 0 View 20314
Steve (0/0) / 0 View 20314
Brian (0/1) / 0 View 20314
evas (0/0) cdr / 2 View 20314
Ron Broman (0/5) SHN / 2 View 20314
Danny E. (0/0) SHN / 2 View  
Ludes (0/0) / 2 View  
sumodie (0/0) SBD / 0 View 20314
Notes: http://bt.etree.org/details.php?id=544782
Scott Maroon (0/5) SHN / 2 View  
a-train (0/0) / 0 View 20314
Dionietzschean (0/0) Flac / 2 View 20314
Notes: Located On Master DVD #158
phishyeyedoc (0/0) / 2 View  
Greg (0/0) SHN / 2 View 20314 SBD > Nak CR-3A
Notes: mike303
Eric Richbourg (0/0) shn / 2 View 20314 SBD > Nak CR-3A (Maxell XLII-S 90min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain...
thechadbaker (0/0) / 0 View 20314
Patrick Stoops (0/0) shn / 2 View 20314
Notes: 2aud dvd.d051
Pat (0/5) CD / 2 A+ View   SBD > Nak CR-3A (Maxell XLII-S 90min) > Sony TC-WE805S > Art DI/O @48kHz (Input gain...