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Grateful Dead 07/19/89
Alpine Valley Music Theatre, East Troy, WI
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Set I
Hell In A Bucket >
Sugaree
Mama Tried >
Mexicali Blues
Althea
Victim Or The Crime >
West L.A. Fadeaway
Desolation Row >
Deal
Set II
Box Of Rain
Foolish Heart >
Looks Like Rain >
Terrapin Station >
Drums >
Space >
The Other One >
The Wheel >
Morning Dew >

Encore:
Turn On Your Lovelight
Set III
 
Comment
Material from this show is featured in the video Downhill from Here

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(437) View Source    View Archive
DSBD> DAT> CD> eac> SHN; via N. Georges
(92447) View Source    View Archive
flac16; Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008
(96232) View Source    View Archive
flac16; matrix of DSBD: shnid=437 and AUD: shnid=92447 by hansokolow using ProTools
(106492) View Source    View Archive
flac16; TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
(125505) View Source    View Archive
flac24; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(125506) View Source    View Archive
flac16; Master Audience Recorded By Mr. Baker, Transfer By Keo; Nakamichi CM300/CP4 Shotguns > Sony TC-D5M, Tapes: Maxell XLII-S 90's; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(125854) View Source    View Archive
flac16; DSBD -> DAT -> CD -> eac -> SHN (original shn 437) - pitch correction and patches by Kevin Tobin
(125855) View Source    View Archive
flac16; (original shnid = 92447) Source: Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 - pitch correction and patches by Kevin Tobin
(125861) View Source    View Archive
flac16; Matrix 4 Source Mix - SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - matrix mixing by Kevin Tobin
(125862) View Source    View Archive
DTS-Audio-CD 5.1 Mix; SBD (shnid=437) DSBD> DAT> CD> eac> SHN; via N. Georges + AUD1 (shn id 92447) Sennheiser 441 > Marantz PDM 340 w/ dbx Cassette Master Maxell MX-S 90 Recorded by Casey Coniff in front of Repeater Stack Transfer: Nakamichi DR-1 > dbx224x > Korg MR-1 DSD [1 Bit 2.8 khz] Mastering: Audio Gate to [24/96] > WaveLab > Nomad Blue Tube Limiter LM2S-3 > r8brain to [16/44.1] > CD Wave > TLH > Flac Transfer and Mastering by Bill Koucky, Green Mountain Bros. June 26, 2008 + AUD2 (shnid=106492) TAPER: GREG HOLTZ "Third night we were in the pavilion FOB" SOURCE: Nakamichi CM-300's CP-1 caps worn in a hat stealth-style -> Sony WM-D6C. TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion + VID (no shn id) low generation video supplied in dvd format by weem4me for video project - dts mixing by Kevin Tobin
(130697) View Source    View Archive
flac16; Set 2 FOB MC>A>A(XL-II)>CD>flac
(138808) View Source    View Archive
flac24; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree
(138818) View Source    View Archive
flac16; Recording Info: Ultra Matrix SBD > Cassette Master (TDK MA-XG90); Transfer Info: Cassette Master (Nakamichi CR-7A) > Tascam DA-3000 (DSF 1-bit/5.8 MHz) > KORG AudioGate 4 > Adobe Audition CC 2015 > Samplitude Pro X3 Suite > FLAC/24; All Transfers and Mastering By Charlie Miller; the original files had PA static during t03, Sugaree, This is fixed 138808 24 bit -> 16 bit
(141076) View Source    View Archive
flac24/96 Source Info: TS Beyer CM 101-> Sony D6-> Cassette Master (Maxell XL-II's 90's) Transfer Info: Master Cassette-> Nakamichi CR-5A -> Grace Lunatec V3 (Analog-> Digital Converter) (SPDIF out) 24/96-> Marantz PMD 661 MKII (Solid State Recorder)-> SD Card-> WAV-> FLAC Level 8-> Tagged (24/96) Transfers by Pete Ebel
(142299) View Source    View Archive
flac16/48kHz; Ted Mattes Master DAT Recording: Schoeps CMC4 MK4 > DAT; Recorded off the delay stacks from the lawn; Charlie Miller Transfer: DAT > Sony PCM r500 > Tascam DA-3000 > Flac 16/48
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User (active/rating) Media / # Show Sound Details DB Source User Source
James Griffin (4/0) CDR,SHN / 3 View 437 DSBD>DAT>CD>eac>SHN
Kristin & Ted Niemi (4/5) CDR / 3 View  
James Stringer (4/5) DAT / 2 View   DSBD>DAT
Ryan Boldt (4/0) CDR / 3 A View   sbd>dat>cdr
Notes: one or two skips in the first disc
Kyle Milne (4/0) / 0 A View   VHS Pro
Notes: FIRST SET/PLUS BOX OF RAIN, FOOLISH HEART/LAST THREE SONGS OF FIRST SET WERE ON DOWNHILL FROM HERE
Herbert Eustis (4/0) cdr / 3 A A View   DSBD
Lauren (4/0) CD / 3 View   SBD
marcus (4/0) cdr / 3 View  
Jon Paulk (4/5) shn / 3 View 437 DSBD -> DAT -> CD -> eac -> SHN
matt and jennifer (4/5) SHN / 2 A A View 437 SBD
Ben (4/0) cd-r / 2 A+ View   sbd
Jeff (4/5) CD / 3 View   DSBD -> DAT -> CD -> eac -> SHN
Notes: Disc 1 1. Hell in a Bucket 2. Sugaree 3. Mama Tried -> 4. Mexicali Blues 5. Althea 6. Victim 7. West LA Fadeaway 8. Desolation Row 9. Deal Disc 2 1. Box of Rain 2. Foolish Heart 3. Looks Like Rain 4. Terrapin> 5. Drums Disc 3 1. Space> 2. The Other One> 3. The Wheel> 4. Morning Dew 5. E: Lovelight
JoeC (4/0) / 3 View  
Jen (4/0) CDR / 3 A View  
Jen (4/0) CDR / 3 A View  
Jen (4/0) CDR / 3 A View  
Notes: 07-19-89 Alpine Valley Music Theatre, East Troy, Wi. (Wed) 1: Bucket> Sugaree, Mama Tried> Mexicali, Althea, Victim, West L. A., Desolation Row> Deal 2: Box Of Rain, Foolish Heart> L. L. Rain> Terrapin> Drumz> Other One> Wheel> Morning Dew E: Lovelight "Box Of Rain" appears on "Fallout From The Phil Zone"
kb panic (3/5) CD-R / 3 View   SBD
J. Carter (3/0) m4a / 1 View 437
Gene Rider (3/0) WMA / 3 View  
Notes: ----------------------------- Source - ----------------------------- DSBD -> DAT -> CD -> eac -> SHN Seeded by Walstib
Jeff Hyman (3/5) cdr / 3 A+ View   SBD
Notes: part of show on "Downhill From Here" DVD
Jeff Hyman (3/5) cdr / 3 A+ View   SBD
Jeff Hyman (3/5) dvd / 3 A View   proshot
Bill d'Angelo (3/5) CDR / 3 View  
Dave Heenan (3/0) SHN / 2 View 437 DSBD -> DAT -> CD -> eac -> SHN
Dave Heenan (3/0) FLAC / 0 View 138808 Ultra Matrix SBD > Cassette Master (TDK MA-XG90)
john zicconi (3/5) CDR / 3 SBD View   DSBD>DAT>CD>eac>SHN
Carl (3/0) DVD-R / 3 View   See notes
Notes: Video Source: Low Gen 8mm (proshot) > Sony DCR-TRV460 NTSC Camcorder > i.Link > IEEE 1394 Connector > Ulead DVD Workshop 2 Audio Source: DSBD -> DAT -> CD -> eac -> SHN (shnid = 437) Seeded by Walstib download from tol with much appreciation Notes: -Original 8mm video cassette supplied by Dan Cole -Soundboard Audio downloaded from tol -Capture by Kevin Tobin. -Audio synchronization by Kevin Tobin using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Multiplexing and DVD authoring via Ulead DVD Workshop 2 by Kevin Tobin. Audio\Video Flaws: 1) 2 minutes 46 seconds was missing from sbd audio source before the start of Hell in a Bucket - during this space, I used input from video audio track. 2) 1 minute 56 seconds was missing from sbd audio source in between Sugaree and Mama Tried - during this space, I used input from video audio track (note - there was some "talking" between the cameramen on the video - when this occured, there was a large amount of feedback or hum on the video audio track. I toned this done to keep within the same sound level as the soundboard). 3) 55 seconds was missing from sbd audio source in between Mexicali Blues and Althea - during this space, I used input from video audio track. 4) 1 minute 25 seconds was missing from sbd audio source in between Althea and Victim - during this space, I used input from video audio track. 5) 49 seconds was missing from sbd audio source before the start of Box of Rain - during this space, I used input from video audio track. 6) 3 seconds was missing from sbd audio source during Space (also was faded in and out on the sbd auto) - during this space, I used input from video audio track. 7) 2 minutes and 47.300 seconds was missing from the video during Space - I filled this in using graphics and audio from the sbd. 8) 2 minutes 41.658 seconds was missing from sbd audio source before the start of Lovelight - during this space, I used input from video audio track. Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 (525/60) Frame Rate : 30.00 Source picture letterboxed : Not letterboxed Bitrate : 8.00 Mbps (disk 1/2/3) Menu : Yes (song list on separate menu) Audio Attribute : Audio Coding mode : Linear PCM audio Sampling Rate : 48kHz 1536Kbps Audio application mode : Not specified Number of Audio channels : 2 Number of Audio streams : 1 Brokedown House Productions
tapertomWeir1 (3/0) DVD / 2 A A View  
Notes: AUD VIDEO SBD AUDIO
tapertom (3/0) DVD / 2 A A View   PRO SHOT VID
Notes: PRO SHOT VID
tapertom (3/0) DVD / 2 A A View   DVD