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Radiohead 06/26/97
Roskilde Festival, Roskilde, Denmark
Set I
Lucky
My Iron Lung
Airbag
Planet Telex
Exit Music (For A Film)
The Bends
Nice Dream
Paranoid Android
Karma Police
Creep
Climbing Up The Walls
No Surprises
Talk Show Host
Bones
Just
Fake Plastic Trees
You
The Tourist
High And Dry
Street Spirit (Fade Out)
Set II
 
Set III
 
Comment
 
Last Changed By Ron Broman
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
Slick2007 (5/5) FLAC / 1 A View  
christian smith (4/5) / 2 View   SBD
christian smith (4/5) / 2 View   SBD
christian smith (4/5) 2 / 0 View   SBD
christian smith (4/5) 2 / 0 View   SBD
timmy b (3/5) cdr / 1 A View  
HD (1/5) FLAC / 1 View   Sonic Studios (DSM-6P) > Sony TCD-D8 > DAT-M > CDR1 > FLAC
cool (1/4.6) FLAC / 1 B- B- View   Sonic Studios DSM-6P > Sony D8
Notes: Fair Audience Recording, Distortion.
Lucas (1/5) SHN / 2 A View   sbd > ? > cdr > EAC > shn
Notes: notes: the national anthem fades in about half way through some interference occurs during street spirit (fade out)
Stuart Ferguson (1/4.3) CDR / 1 View   Soundboard
Notes: DVD 130; lineage: Sonic Studios DSM-6P > Sony D8. transfer: Dat master > HHb CDR830 > EAC/wavlab > FLAC
KidAJoe (1/0) FLAC / 0 View  
Notes: Radiohead June 26, 1997 Roskilde Festival - Orange Scene Roskilde, Denmark source: Sonic Studios DSM-6P > Sony D8 transfer: Dat master > HHb CDR830 > EAC/wavlab > FLAC 01. Fitter, Happier intro 02. Lucky 03. My Iron Lung 04. Airbag 05. Planet Telex 06. Exit Music 07. The Bends 08. Creep 09. Climbing Up The Walls 10. No Suprises 11. Just 12. Talk Show Host 13. Fake Plastic Trees 14. Paranoid Android 15. Street Spirit notes: the master tape recorded with the mic sensitivity setting on the D7 set to "high" which unfortunately makes for a recording that is rather saturated, particlularly during the loud parts of the show. I have EQ'd the wav files with WavLab 3.0 in the following way: high: +7.5db mid: +5.8db low: -4.5db The bass remains quite prominent in the mix even after the EQ, and boosting the mids and highs helps to compensate for the low end saturation, making a much more listenable recording than the raw, unedited master. Even so, it is not perfect, nor close to it. But since no other source has surfaced of this particular performance (that I am aware of), I figure it's worth putting out.
HEDSPACE (1/5) cdr / 2 View   SBD
Tom Gambichler (0/0) flac / 1 View   SS DSM>D8
doyoudo (0/0) / 0 View