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Grateful Dead 10/08/89
Hampton Coliseum, Hampton, VA
Set I
Foolish Heart >
Walkin' Blues
Candyman
Me & My Uncle >
Big River
Stagger Lee
Queen Jane Approximately
Bird Song >
Promised Land
Set II
Help On The Way > *
Slipknot! >
Franklin's Tower
Victim Or The Crime >
Eyes Of The World >
Drums >
Space >
I Need A Miracle >
The Wheel >
Gimme Some Lovin' >
Morning Dew

Encore:
We Bid You Good Night
Set III

Comment
Billed as "Formerly The Warlocks" after the Grateful Dead were banned from playing at Hampton Coliseum after several fan incidents during the March 1988 shows. To maintain a low profile, Hampton was not included as part of the regular ticket sales for the East Coast fall tour. Tickets went onsale at local outlets only 10 days prior to the shows. The Marquee for the shows read The Warlocks. The Grateful Dead did not perform at Hampton again until March 5, 1992.

First time played since September 12, 1985 *

Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(439) View Source    View Archive
FOBĀ  Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego II digi I/O -> CDWAV by D. Nawrocki; seed via P. Delgado
(8365) View Source    View Archive
SBD> Master Cass>DAT>CD; via CDead vine; Unknown seeder
(17732) View Source    View Archive
SBD; CDR> EAC> WAV> SHNv3 via Dan Carr
(25261) View Source    View Archive
SBD>>MC>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA/SHN
(32427) View Source    View Archive
flac16; SBD > MC > DAT > CD > EAC > FLAC; EAC/FLAC by Darryl Hinko
(81532) View Source    View Archive
flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(89508) View Source    View Archive
flac16; AUD: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
(96442) View Source    View Archive
flac16; matrix of SBD: shnid=81532 and DAUD: shnid=439 by hansokolow using ProTools
(120376) View Source    View Archive
flac24; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430 Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 Khz; Metadata Tagging With Tag&Rename
(120377) View Source    View Archive
flac16; Master Audience Supplied By Mr. Currier; 2 Nakamichi CM300/CP4 And 1 Sennheiser 421> Nakamichi 550,Ran By Alabama Bob> Second Deck Marantz PMD-430>Dolby B, Ran By Mr. Currier; Tapes Maxell MX-100's; Transfer Information:Nakamichi MR-1>No Dolby>Korg MR-1000 @ 1 Bit/5.6 MHz By Keo; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Khz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(142509) View Source    View Archive
flac16/48kHz; Source Info: Ted Mattes' Master (FOB)Audience Dat; Schoeps CMC4/MK4 mics @ 110 degrees, ORTF, Schoeps t-bar stand, shoulder height > Monster Cable Interlinks > Oade capacitor P/S > Panasonic SV-250 (16-bit/48k); Transfer Info: Master Dat (Sony PCM-R500)> Tascam DA-3000 (16-bit/48k) > .wav(16-bit/48k)> Adobe Audition 3.0 > TLH 1648
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
captain_trip_420 (5/0) / 3 View 439 FOB
Notes: F.O.B. Schoeps CMC34's -> Panasonic SV-250
captain_trip_420 (5/0) / 3 View 81532 SBD
Notes: SBD -> Cassette Master (TDK MA-XG90)
captain_trip_420 (5/0) / 2 View 89508 AUD
Notes: Nakamichi CM300's w/CP4 shotguns > Sony TC-D5M > Maxell MX-90's, with no Dolby. Mics on stand on the floor, near the soundboard. Taped by Ted Carpenter. Transfer: MAC > Nakamichi DR-8 (no Dolby) > Audiophile 2496 analog-in > Soundforge > CD-Wave > TLH > FLAC. Transferred by Andrew F.
captain_trip_420 (5/0) / 3 View 96442 Matrix
Notes: matrix of SBD: shnid=32902 and DAUD: shnid=439 by hansokolow using ProTools
Scott (5/4.4) CDR / 2 View  
Karl (5/0) cdr / 3 a a View  
RamblinBear (5/0) DVD / 1 View 439 FOB Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego II digi I/O -> CDWAV...
Notes: .439.
RamblinBear (5/0) DVD / 1 View 81532 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master...
Notes: .81532.
Scott (5/0) VCD / 3 B+ View   Remastered avi & Schoeps CMC34 -> MPEG-1
Bill Giannini (5/0) CD / 3 View 81532 SBD -> Cassette Master (TDK MA-XG90)
Notes: Cassette Master (Tascam 122mkII) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v8.01 -> FLAC/16
Jim Bennett (5/5) SHN / 2 View 439
Notes: FOB Schoeps
Aaron Starke (5/4) cdr / 2 A View 439 fob schoeps
Notes: warlocks
Aaron Starke (5/4) cdr / 3 A View   VCD
Garrett in Ohio (5/5) SHN / 3 View  
John (5/4.3) / 3 sbd View  
Notes: book 8
John (5/4.3) dvd / 3 View  
Notes: book 18
Rudolf E. Zielinski (5/5) CDR / 3 A+ View   SBD
Bret Magdasy (5/0) CDR / 2 View 8365 SBD
KYHub (5/5) SHN / 2 A A View   FOB Schoeps CMC34's -> Panasonic SV-250; Transfer: D8 -> Montego II digi I/O -> CDWAV...
Jay (5/5) CD / 3 all A View   SBD
Joe Rizzo (5/4.8) CDR / 3 A A View 8365
Notes: Bertha Remaster of SBD > MC source
garret (5/0) Flac / 24 A A View 32427 SBD > MC > DAT > CD > EAC > FLAC
Notes: Notes: - d3t02 Space: 1000 ms crossfade with patch source B from 0:27 - 0:57 1000 ms crossfade with patch source A from 0:57 - 1:35 1000 ms crossfade with patch source A from 8:21 - 8:40 - d3t07 We Bid You Goodnight: 1000 ms crossfade with patch source A from 2:27 - 3:24
garret (5/0) Flac / 23 A A View 81532 SBD -> Cassette Master (TDK MA-XG90)
Notes: Notes: -- 2nd Set is seamless -- Thanks to Paul Scotton and Joani Walker for the tapes
prn76 (5/4) VCD / 3 View   Audio source: F.O.B. Schoeps CMC34's -> Panasonic SV-250 (Thanks Pete Delgado) -> D8 ->...
john (5/5) Flac / 2 View 81532 flac16; Recording Info: SBD -> Cassette Master (TDK MA-XG90) Transfer Info: Cassette Master...
Notes: DVD 121
john (5/5) / 2 View 8365 SBD> Master Cass>DAT>CD; via CDead vine; Unknown seeder
Notes: DVD 72
john (5/5) DVD / 2 View   Video: MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder > Videum 1000...
Notes: SOURCE Video: MAC (8mm camera with dual Sony ECM 77-B mics > Sony EV-S1 8mm Recorder > Videum 1000 Capture card > Ulead Videostudio version 6 > SVCD or VCD > VCD-compliant MPEG-1 Audio: SBD>DAT>CDR>EAC>Cool Edit Pro>Video Note: After capturing the video, the audience soundtrack (from the video) was exported and then loaded into Cool Edit Pro along with a copy of the sbd audio. Then, an unique note at approximately 1 minute intervals on the video soundtrack was found and matched to the same note from the sbd. Some modification (ie stretching or shrinking) to the length of these segment was required in order for the sbd to flawlessly match the captured video. The original video audience track was then muted and the sbd tracks imported as background music prior to rendering the video file as either a vcd or svcd. The video was captured at 480x480 resolution (SVCD) and 24bit RGBT compression for a fairly clean picture. The camera was on a tripod, a little shakey at times but not too bad. A 50-200mm lens was used for some great closeups. The SVCD format will play on most DVD players otherwise the VCD will. The SVCD format also includes a song menu. VCD format (352x240) was rendered from the svcd file and does not have the song menu, but does have the imported sbd audio as part of the file. Flaws: 1) 1 min 24 secs had been cut from the dead space between Big River and Stagger Lee on the cd - I used the video audience soundtrack to fill in. 2) 3 seconds into Help on the Way, there was a 6 sec gap on the video. I filled in using the last frame before the gap that transitioned into the first frame after the gap with no cut in the music. 3) 32 sec gap during space (possible tape flip) was filled in using the video audience soundtrack. Brokedown House Productions Original 8mm cassette supplied by Dan Cole who also let me borrow the Sony EV-S1 8mm Recorder that the tapes were originally recorded on. Video Conversion by Kevin Tobin Audio SBD imported and synced by Kevin Tobin Audio cds provided with thanks by Rick Martin DVD 1: Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 (525/60) Frame Rate : 29.97 Source picture letterboxed : Not letterboxed Bitrate : 6.00Mbps Audio Attribute : Audio Coding mode : Linear PCM audio Sampling Rate : 48kHz Audio application mode : Not specified Number of Audio channels : 2 Bitrate : 1536.00 Kbps Number of Audio streams : 1 DVD 2: Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 (525/60) Frame Rate : 29.97 Source picture letterboxed : Not letterboxed Bitrate : 4.50Mbps Audio Attribute : Audio Coding mode : Linear PCM audio Sampling Rate : 48kHz Audio application mode : Not specified Number of Audio channels : 2 Bitrate : 1536.00 Kbps Number of Audio streams : 1
barry bryson (5/4.3) analog/180 / 2 View   aud
jesse minielly (5/0) cdr / 2 View  
Dan McDonald (5/5) / 3 A View   SBD>DAT>CDR
Notes: SBD>DAT>CDR