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Grateful Dead 07/19/90
Deer Creek Music Center, Noblesville, IN
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Set I
Jack Straw
They Love Each Other
Desolation Row
Row Jimmy
Picasso Moon
Althea >
Promised Land
Set II
Victim Or The Crime >
Foolish Heart >
Playing In The Band >
China Doll >
Uncle John's Band >
Drums >
Space >
All Along The Watchtower >
Black Peter >
Not Fade Away
E: U.S. Blues
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By J
Sources
(2177) View Source    View Archive
DSBRD> DAT> CD-R> EAC> SHN; via Garcia420 to abgd
(32354) View Source    View Archive
flac16; Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC
(34617) View Source    View Archive
flac16; Seamless fix of shn id 2177 - DSBD>DAT>CD-R>EAC>SHN>WAV>FLAC. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
(95783) View Source    View Archive
flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(105263) View Source    View Archive
flac16; TAPER: Greg Holtz SOURCE: FOB Sec B Row 17 DFC Nakamichi CM-100's with CP-1 caps -> Sony WM-D6 TRANSFER: By (JAZ) Master Cassettes (Maxell MX 100) Tascam 112MKII -> Korg MR-1, 1bit 2.8MHz -> USB -> Korg Audio Gate Software 24bit 96KHz -> Wave Lab 6.0 w/UAD -> R8brain for 16bit 44.1KHz sample rate conversion -> Traders Little Helper flac8 -> Tagged w/Tag & Rename
(117699) View Source    View Archive
flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo
(117700) View Source    View Archive
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (PAS/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/Flac8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(118893) View Source    View Archive
flac16; Recorded & Transfered By: Robert Mullen; Source: Master Audience Cassettes; This was recorded with 2 sets of mics input to a 4 channel mixer down to 2 channels into the recorder. The 4 mics were mounted on a stand 8' in height. We were located in the designated "taper" section for this recording. Equipment/Lineage: 2 DAK 5245 Microphones and 2 Realistic PZM Mics(Mounted on 1'x 1'x 3/8" plexiglass)>Realistic 4 Channel Mixer>Sony D6C Portable Stereo Cassette Recorder> Master Cassettes(Sony UX-Pro-90's)>Yamaha Natural Sound Stereo Cassette Deck K-902>SigmaTel Audio Sound Card/CD Wave Editor(tracking)>Traders Little Helper(flac level 8)
(118905) View Source    View Archive
flac16; Recorded by Dave Cohen and Justin Lee 2 Nakamichi CM300 Omnis Spaced at 2 meters>Nakamichi 550 w/dolby B Maxell XLIIS90s cassettes 3/4 of the way back in OTS, DFC The Master Cassettes were played back with Azimuth adjustment and Dolby Decoded on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). FLAC'd using Audiofile Engineering Sample Manager. Transfer by Dave Cohen
(131315) View Source    View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(131316) View Source    View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/CP4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5m > Dolby B, Tapes:Maxell MX 90 + 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename
(132854) View Source    View Archive
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:095783) SBD -> Dat Master (48k) and Audience (shnid:118905) 2 Nakamichi CM300 Omnis Spaced at 2 meters -> Nakamichi 550 w/dolby B; Maxell XLIIS90s cassettes
(142346) View Source    View Archive
flac16/48kHz; Rick Katzeff, Marco Fanari & Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF)> Jensen 16's > DAT (Panasonic sv250); Location: row 5/v center; Charlie Miller Transfer of clone from master: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48
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User (active/rating) Media / # Show Sound Details DB Source User Source
Steve Sawyer (5/4.6) SHN / 3 View 2177 SBD
Blair Waldron (5/0) / 0 View 32354
Blair Waldron (5/0) / 0 View 95783
Darryl Hinko (5/5) FLAC / 2 View 95783
Notes: SBD -> Dat Master (48k)
I also have: SHNid=32354 and SHNid=2177
Hopper (5/5) CDR / 3 A View  
Notes: SBD - All
Michael Mersand (5/0) / 0 View 32354
michael bosley (5/0) cdr / 3 View  
Notes: SBD
Brandon Johnston (5/4.9) SHN,CDR / 3 View 2177 DSbd
Jeff Mitchell (5/0) / 0 View 105263
Jeff Mitchell (5/0) / 0 View 95783
Jeff Mitchell (5/0) / 0 View 117700
Jeff Mitchell (5/0) / 0 View 117699
Jeff Mitchell (5/0) / 0 View 118893
Jeff Mitchell (5/0) / 0 View 118905
catherine (5/5) cdr shn 2 / 0 View  
Notes: Sweet Althea; Brent is NOT Pigpen, for God's sake!!
Jon Pavuk (5/4.3) CD-R / 3 A A+ View 2177 SBD>DAT>CD-R
Jon Pavuk (5/4.3) FLAC / 2 A+ A+ View 95783 SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T ->...
BEASTAFA (5/4.8) CD / 3 A+- View   SBD
gravedigger7 (5/0) cd-r / 3 A View  
mirkman (5/1) / 0 View  
Notes: sbd
chnactsnflwr (5/5) / 0 View   DSBD > DAT >CD-R > EAC > SHN
Notes: DSBD > DAT >CD-R > EAC > SHN > MKWact > Feurio
Jason (5/4.8) CDR / 3 A+ A- View   SBD > Dat Master(48k) CM
Jordan Jacobs (5/3) Flac / 0 View   SBD
Notes: SBD -> Dat Master (48k)(Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC
Mark Brut (5/5) CD / 3 A A View 34617 S:D
crozier (5/4.9) CDR / 3 A B- View  
crozier (5/4.9) mam silver / 3 View 34617
Notes: Fix of shnid 2177 I made the transition between CDs 2 and 3 seamless and cleaned up the resulting SBEs with shntool. I also converted the nonseekable SHNs to FLAC. Many thanks to whomever did the the DAT>CD transfer for providing the overlap that made this fix possible. There is a short segment in the transition between drums and space where the volume is almost inaudible. This is not a fade, it's part of the original recording. It seemed an appropriate place to split the tracks. Also, there is a short burst of static at 11:59 in d2t06. Although this is right where the splice was made, it's part of the original recording, in both segments of redundant material. Bill Tetzeli ([email protected]) 6:40 PM 4/8/2006 ------------------------------------------------------------------------------------- DSBD>DAT>CD-R>EAC>SHN>WAV>FLAC
Clay Hart (5/4.9) CD / 3 A+ View  
Jim Coffey (5/5) CD-R / 3 A+ View   DSBRD->DAT->CDR->EAC->SHN
Yossarian Hunter (5/5) shn / 2 View 2177
Notes: thanx avz
thrak (5/5) flac / 3 View 32354 Recording Info: SBD -> Dat (44.1k) Transfer Info: Dat (Sony R500) -> SEK'D Prodif Plus...