(7834) View Source    View Archive
Master Soundboard DAT > CDR,EAC'ed / SHN'ed by Scott Clugston, to abgd via Charlie Connor

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(9397) View Source    View Archive
Jay Ashley (Bertha) remaster of Master DAT source; SBD>>DAT>>CDA>>WAV(EAC)>>DAW(Bertha)>>CDA

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(95870) View Source    View Archive
flac16; Recording Info:SBD -> Dat Master (48k); Transfer Info:Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; Upgrade in circulation

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(112525) View Source    View Archive
flac16; Field Gear: Nakamichi CM-300's w/ CP-4 shotgun capsules > Sony D-5 > MAC; Taping location: 3rd level corporate box inside pavilion; Transfer: MAC > Tascam 112 MKII > Edirol R-09 > WAV > Audacity > TLH > FLAC Level 8; Taped, transferred, mastered, track/FLAC by Greg Holtz

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(115497) View Source    View Archive
flac16; Recording Info: SBD -> Dat Master (48k); Transfer Info: Dat Master (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller; this source fixes a drop out in d2t03 of source ID 95870

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(117739) View Source    View Archive
flac24; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With AudioGate Software By Keo

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(117740) View Source    View Archive
flac16; Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/DFC/Middle Of OTS/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes:Sony Metal-ES; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software

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(131371) View Source    View Archive
flac16; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

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(131372) View Source    View Archive
flac24; Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Nakamichi CM100/Cp4 Shotguns + 1 Sennheiser 421 > Unknown Mixer (Either A Radio Shack Or Boss) 1/4 Inch In/RCA Out > Sony TC-D5M > Dolby B, Tapes: Maxell MX 90, 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24/96 kHz; Metadata Tagging With Tag&Rename

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(133842) View Source    View Archive
flac16; lineage: sbd/aud matrix>dat>cd> eac> traders little helper encoding option 8

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(138459) View Source    View Archive
flac16/48kHz; Rick Katzeff recording: FOB Schoeps cardioids* at 110 degrees ORTF > Panasonic SV250 > DAT; Set I is labeled CMC34 & set II is labeled CMC54; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Joe Noel Edits: Track, Flac & Pack: Wave > Audacity > track/label > export multiple > flac 16/48; Checksum & tags created in xACT

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(142005) View Source    View Archive
flac16/48kHz; Dave Brotman FOB Recording using Ted Mattes' rig: Schoeps CMC3 MK4 (ORTF) > DAT (Panasonic SV250); Location info: s1, Section 103 Row BB Seat 28 (hand held); s2, same as s1, mics on stand @ 6'2"; Charlie Miller Transfer: Dat > Sony PCM r500 > Tascam DA-3000 > wav 16/48