Artists
Dates
List Management
Help
Add Source
Reviews
List Collectors
Add to Collection
I Was There
Add to Want List
Wanted By
History
Edit Show
Set I
Feel Like A Stranger
Cold Rain & Snow
Little Red Rooster
Althea
Black Throated Wind
Tennessee Jed
The Music Never Stopped >
Might As Well
Cold Rain & Snow
Little Red Rooster
Althea
Black Throated Wind
Tennessee Jed
The Music Never Stopped >
Might As Well
Set II
Eyes Of The World >
Foolish Heart >
Estimated Prophet >
He's Gone >
Drums >
Space >
The Other One >
Wharf Rat >
Sugar Magnolia >
Sunshine Daydream
Encore:
The Weight
Foolish Heart >
Estimated Prophet >
He's Gone >
Drums >
Space >
The Other One >
Wharf Rat >
Sugar Magnolia >
Sunshine Daydream
Encore:
The Weight
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(11272) View Source
View Archive
SBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr)
(34559) View Source
View Archive
flac16; **SOUNDCHECK** Recording Info:Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller [email protected] -- Thanks to Gary Field for the cassette -- Thanks to macdaddy for the Nak Cassette Deck
(76521) View Source
View Archive
flac16; Set 2 only - MAC>CDR Nak 100s > Sony D-5, using dolby B, onto Maxell cassettes. Taper's section. recorded by Boyd McHugh Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files (updated mic info)
(93038) View Source
View Archive
flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(93177) View Source
View Archive
flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d2t01 of the previous Charlie Miller source.)
(107168) View Source
View Archive
flac16; Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(111794) View Source
View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
(132416) View Source
View Archive
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(132417) View Source
View Archive
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(138740) View Source
View Archive
flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
(11272) View Source
View Archive SBD>DAT>CDR; See info file for 'anomalies'; via Paul; Seeded to etree by eD(efojr)
(34559) View Source
View Archive flac16; **SOUNDCHECK** Recording Info:Unknown Mics -> ? -> Cassette Transfer Info: Cassette (Nakamichi DR-1) -> Sony R500 (Pass Through) -> SEK'D Prodif Plus -> Samplitude Professional v8.01 -> FLAC All Transfers and Mastering By Charlie Miller [email protected] -- Thanks to Gary Field for the cassette -- Thanks to macdaddy for the Nak Cassette Deck
(76521) View Source
View Archive flac16; Set 2 only - MAC>CDR Nak 100s > Sony D-5, using dolby B, onto Maxell cassettes. Taper's section. recorded by Boyd McHugh Transfer: MC > standalone TDK DA-5800 CD recorder, via Nak BX-300 cassette deck, as long multi-song tracks. Track-splitting, burning, etc.: EAC to extract to hard drive, CD Wave for splitting resulting .wav files (updated mic info)
(93038) View Source
View Archive flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
(93177) View Source
View Archive flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller (This source fixes a flaw in d2t01 of the previous Charlie Miller source.)
(107168) View Source
View Archive flac16; Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 3 Nakamichi CM300s/CP4s>Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(111794) View Source
View Archive flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
(132416) View Source
View Archive flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(132417) View Source
View Archive flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(138740) View Source
View Archive flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick July 2017
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
If this is a duplicate or incorrect entry and should be merged, use the Request Merge page.
Collectors With This Show
<< Previous 1 - 30 | 31 - 60 | 61 - 90 | 91 - 120 | 121 - 150 | 151 - 180 | 181 - 210 | 211 - 240 | 241 - 270 | 271 - 300 | 301 - 330 | 331 - 360 | 361 - 390 | 391 - 402 Next >>
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| oakley clark (5/4.5) | CDR / 3 | A | A | View | SBD>DAT>CDR | |
| john acquafredda (5/0) | shn / 0 | View | 11272 | |||
| tom kunz (5/5) | shn / 2 | View | 11272 | |||
| Chris Goddard (5/0) | CDR / 1 | View | Set 2 only | |||
| doubleA (5/0) | / 0 | View | ||||
| Chris Masciangelo (4/4) | CDR / 4 | View | ||||
| Notes: | includes Soundcheck | |||||
| Grayson Kimball (4/4.8) | CDR / 3 | A+ | View | 11272 | SBD/SHN | |
| Notes: | Set 1+2 | |||||
| Brad Foster (4/4.9) | FLAC / 2 | View | SBD>DAT>Cass/m>Sound Forge>CD | |||
| Taylor73 (4/5) | flac / 0 | View | 93177 | 93177 | ||
| bugboyfjp12 (4/0) | flac / 0 | View | 93177 | |||
| Bruce O'Neil (4/0) | flac / 0 | View | 34559 | sbd | ||
| Notes: | gd91-03-20.snchk.miller.34559.sbeok.flac16 | |||||
| Bruce O'Neil (4/0) | shn / 0 | View | 11272 | sbd | ||
| Notes: | gd91-03-20.sbd.oconnor.11272.sbeok.shnf | |||||
| Bruce O'Neil (4/0) | flac / 0 | View | 93038 | sbd | ||
| Notes: | gd91-03-20.sbd.miller.93038.sbeok.flac16 | |||||
| Bruce O'Neil (4/0) | flac / 0 | View | 93177 | sbd | ||
| Notes: | gd91-03-20.sbd-fixed.miller.93177.sbeok.flac16 | |||||
| Bruce O'Neil (4/0) | flac / 0 | View | 76521 | aud | ||
| Notes: | gd1991-03-20.s2.aud.mchugh.76521.sbeok.flac16 | |||||
| Matt Pkorn (4/0) | cdr / 3 | A | A | View | 93177 | SBD -> Dat -> Cassette Master -> Sound Forge -> CD |
| Notes: | All Transfers and Mastering By Charlie Miller July 25, 2008 | |||||
| Josh (4/0) | / 0 | View | 111794 | flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ >... | ||
| Michael Hughey (4/0) | shn / 2 | View | 11272 | |||
| George Roche (4/5) | .shn / 2 | A | A | View | ||
| Notes: | Missing Encore | |||||
| Matt Stevenson (4/5) | / 0 | View | 11272 | |||
| Frankie Four Fingers (4/0) | flac16>wav / 1 | A | A | View | 93177 | flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer... |
| Notes: | flac16; Recording Info:SBD -> Dat -> Cassette Master -> Sound Forge -> CD; Transfer Info:CD -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller | |||||
| Joey33 (4/0) | SHN / 0 | View | 11272 | |||
| Bill H (4/0) | SHN / 2 | View | 11272 | SBD>DAT>CDR | ||
| Notes: | SBD>DAT>CDR | |||||
| Eric (4/5) | SHN / 2 | View | 11272 | |||
| Notes: | v1 p21 | |||||
| michael hogan (4/0) | shn / 2 | View | 11272 | |||
| todd wienke (4/0) | shn / 3 | View | SBD>DAT>CDR | |||
| Notes: | Notes: An outstanding show full of high energy. Unfortunately the source was littered with digi-drops, pops, fizzes & buzz. I edited them the best that I could with SF5 and then recut the show via CDWav. Times noted were the ones on the source. Anomalies: d1t06 03:13 ~1 sec d/o - removed d1t07 00:58 ~1 sec d/o - removed d1t08 01:31 ~1 sec d/o - removed; 02:20 ~1 sec d/o - removed d2t01 00:28-30, :34 static;01:32 pop - removed; 02:03 1.5 sec d/o - removed; 02:04 1 sec d/o - removed; 02:04 static; 13:05 <1 sec d/o - removed; 15:28 <1 sec d/o - removed, static remains; 17:23 1 sec d/o & static removed; 18:27 1 sec d/o - removed, static remains d2t02 02:18 1 sec d/o - removed, static remains; 08:27 <1 sec d/o - removed; 09:27 1 sec d/o & static removed d2t03 00:51 <1 sec d/o - removed, static remains; 01:10 <1 sec d/o - removed, static remains d2t04 02:39 <1 sec d/o - removed, static remains; 08:39 <2 sec d/o - removed, static remains d2t05 01:07 <1 sec d/o - removed; 01:44 <1 sec d/o - removed; 03:27 <1 sec d/o - removed; 05:10 <1 sec d/o - removed; 07:32 <1 sec d/o - removed d3t01 00:43 1 sec d/o, static remains; 04:50 <1 sec d/o - removed, static remains Conversion notes: All eDiting via SF5.0 DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8% All sector boundaries verified using SHNTOOL SHN(seekable) using shortn32 via eD(efojr) - 07/27/02 Another installment of The Music Never Stopped Project! Thanks to Paul for the seed discs. | |||||
| Gene Rider (3/0) | WMA / 3 | View | 11272 | |||
| Notes: | SBD>DAT>CDR Notes: An outstanding show full of high energy. Unfortunately the source was littered with digi-drops, pops, fizzes & buzz. I eDited them the best that I could with SF5 and then recut the show via CDWav. Times noted were the ones on the source. Anomalies: d1t06 03:13 ~1 sec d/o - removed d1t07 00:58 ~1 sec d/o - removed d1t08 01:31 ~1 sec d/o - removed; 02:20 ~1 sec d/o - removed d2t01 00:28-30, :34 static; 01:32 pop - removed; 02:03 1.5 sec d/o - removed; 02:04 1 sec d/o - removed; 02:04 static; 13:05 <1 sec d/o - removed; 15:28 <1 sec d/o - removed, static remains ; 17:23 1 sec d/o & static removed; 18:27 1 sec d/o - removed, static remains d2t02 02:18 1 sec d/o - removed, static remains; 08:27 <1 sec d/o - removed; 09:27 1 sec d/o & static removed d2t03 00:51 <1 sec d/o - removed, static remains; 01:10 <1 sec d/o - removed, static remains d2t04 02:39 <1 sec d/o - removed, static remains; 08:39 <2 sec d/o - removed, static remains d2t05 01:07 <1 sec d/o - removed; 01:44 <1 sec d/o - removed; 03:27 <1 sec d/o - removed; 05:10 <1 sec d/o - removed; 07:32 <1 sec d/o - removed d3t01 00:43 1 sec d/o, static remains; 04:50 <1 sec d/o - removed, static remains Conversion notes: All eDiting via SF5.0 DAE (EAC: High, Secure, Offset Corrected) all track quality > 99.8% All sector boundaries verified using SHNTOOL SHN(seekable) using shortn32 via eD(efojr) - 07/27/02 Another installment of The Music Never Stopped Project! Thanks to Paul for the seed discs. | |||||
| Jeff Hyman (3/5) | cdr / 3 | A | View | sbd | ||
| Notes: | Missing encore; FYI from text file: "...the source was littered with digi-drops, pops, fizzes & buzz." Fixed as well as possible, but... | |||||
| Dave Heenan (3/0) | FLAC / 1 | View | 34559 | Unknown Mics -> ? -> Cassette | ||
| Dave Heenan (3/0) | SHN / 2 | View | 11272 | SBD>DAT>CDR | ||