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Set I
Mississippi Half Step Uptown Toodleloo
Mexicali Blues >
Big River
Candyman
Stuck Inside Of Mobile With The Memphis Blues Again
Bird Song
Mexicali Blues >
Big River
Candyman
Stuck Inside Of Mobile With The Memphis Blues Again
Bird Song
Set II
Victim Or The Crime >
Scarlet Begonias >
Fire On The Mountain >
Drums >
Space >
Goin' Down The Road Feeling Bad >
Throwing Stones >
Not Fade Away
Encore:
Box Of Rain
Scarlet Begonias >
Fire On The Mountain >
Drums >
Space >
Goin' Down The Road Feeling Bad >
Throwing Stones >
Not Fade Away
Encore:
Box Of Rain
Set III
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(474) View Source
View Archive
SBD> DAT> ZA2> SHN; slight cut d2t7 ~5:44; via G. King
(87289) View Source
View Archive
flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(94179) View Source
View Archive
flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC
(109365) View Source
View Archive
flac16; Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 2 Nakamichi CM300s/ CP4s w/6" diameter plexiglass plates directly behind the rear pickups of the capsules & 1 Nakamichi CM300/CP1 > Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(111877) View Source
View Archive
flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
(132471) View Source
View Archive
flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(132472) View Source
View Archive
flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(138994) View Source
View Archive
flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017
(474) View Source
View Archive SBD> DAT> ZA2> SHN; slight cut d2t7 ~5:44; via G. King
(87289) View Source
View Archive flac16; SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller
(94179) View Source
View Archive flac16; Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC
(109365) View Source
View Archive flac16; Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 2 Nakamichi CM300s/ CP4s w/6" diameter plexiglass plates directly behind the rear pickups of the capsules & 1 Nakamichi CM300/CP1 > Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions). Transferred by Dave Cohen November 2009.
(111877) View Source
View Archive flac16; Matrix by Hunter Seamons using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT)
(132471) View Source
View Archive flac16; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
(132472) View Source
View Archive flac24; Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename
(138994) View Source
View Archive flac16/48kHz; Source: Audience recording > Schoeps cmc4 mk4 > Oade modified Panasonic SV-255 > Dat (48k); Recorded by Rich Gastwirt; Transfer: Dat > Sony PCM-R500 > Sound Devices 744T > wav 16/48; Transfered by Charlie Miller; Lineage: wav > iZotope RX6 Advanced > iZotope Ozone 5 Advanced > CD Wave > TLH > Flac 16; edited and mastered SIRMick August 2017
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Rob Harrison (2/5) | DAT / 2 | A | View | SBD | ||
| Notes: | All sets. Soundboard>Unknown media | |||||
| Tim Onorato (2/0) | CDR / 2 | B | A | View | SBD>DAT>ZA2>SHN | |
| Edward L. Leiken (2/5) | CD / 2 | A | A+ | View | SBD>DAT>ZA2>SHN | |
| Joe Kennebeck (2/0) | SHN / 0 | View | ||||
| SuperJam (2/0) | cdr / 3 | A | A | View | 474 | SBD>DAT>ZA2>SHN>CDR |
| TJay (2/5) | cdr / 2 | A+ | A+ | View | SDB | |
| Notes: | 2 80 min | |||||
| Dan Clayton (2/0) | shn / 2 | View | 474 | |||
| Mike Ragland (2/0) | CDR / 1 | A | View | |||
| Notes: | Need 1st Set | |||||
| Scott (2/0) | / 0 | View | ||||
| Notes: | highlights | |||||
| forgottenspace (1/4.5) | CD / 3 | View | 87289 | SBD -> Dat -> Cassette Master (TDK SA-X100) | ||
| Gary Field (1/5) | SHN / 2 | View | 474 | SBD | ||
| Notes: | SBD>DAT>ZA2>SHN | |||||
| Gary Field (1/5) | 109365 / 2 | View | 109365 | AUD | ||
| Notes: | Recorded by David Cohen Official Taping Section 8 foot stand (Sec. 128 Row A Seat 4) 2 Nakamichi CM300s/ CP4s w/6" diameter plexiglass plates directly behind the rear pickups of the capsules & 1 Nakamichi CM300/CP1 > Nakamichi 550 w/Maxell XLIIS cassette masters. Dolby B was used on the Master Cassettes. The Master Cassettes were played back with Azimuth adjustment and Dolby B decoding on a Nakamichi CD1 into a Korg MR1000 at DSF 1 bit 5.6MHz. Subsequent conversion to 24/96 AIFF done via Korg Audiogate software. Redbook CDR standard 16/44.1 files were created using Bias Peak, Izotope Ozone's MBIT+ (for all dithering), and Weiss Saracon SRC (all sample rate conversions) [100918.1] | |||||
| Gary Field (1/5) | FLAC / 2 | View | 87289 | SBD | ||
| Notes: | SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 [070926.2] | |||||
| Gary Field (1/5) | 94179 / 2 | View | 94179 | AUD | ||
| Notes: | Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC Recorded, Transferred & Uploaded By Keith Litzenberger [080925.1] | |||||
| Gary Field (1/5) | 111877 / 2 | View | 111877 | MTX | ||
| Notes: | Matrix using Final Cut Pro (FLAC > AIFF > Final Cut w/EQ > AIFF CD tracking via Audacity > FLAC16 via xACT) [110420.wd001] | |||||
| Gary Field (1/5) | 132471 / 2 | View | 132471 | AUD | ||
| Notes: | 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename [150214.wd002] | |||||
| Gary Field (1/5) | 132472 / 5 | View | 132472 | AUD | ||
| Notes: | flac24; 2 Nakamichi CM300/CP4 Shotguns And 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, Maxell MX-100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.0.2 To 24/96 kHz; Metadata Tagging With Tag&Rename [150409.wd002] | |||||
| Marc Deardorff (1/5) | shn / 2 | View | 474 | |||
| Notes: | SBD> DAT> ZA2> SHN; slight cut d2t7 ~5:44 | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 94179 | |||
| Notes: | Sennheiser ME-80's>Technics SV-MD1 DAT Master>Tascam DA-30MKII>Sound Devices 702>Wavelab 5 (Fades, Sample Rate Conversion)>CDWAV>FLAC | |||||
| Boedi-taper (1/4.8) | CDR / 3 | A | A | View | Sony D6 Cassette Master>DAK Shotgun Mics>CDR | |
| Notes: | Boedi-taper's Cassette Master Transferred To CD.Sony D6 Cassette Master>DAK Shotgun Mics>Harmon Kardon CDR 20 Home Burner | |||||
| Brian C (1/4.7) | SHN / 2 | A | A | View | SBD | |
| Notes: | DVD113 | |||||
| mike (1/5) | DVD / 3 | View | Set 1&2 *BHP* | |||
| Notes: | Video Source: Video: AUD (Tripod) > Master Master: JVC Single Tube Camera, Nak 300 Shotguns -> ? Decks -> Panasonic AG-7400 -> S-VHS Master Transfer: S-VHS Master -> Panasonic AG-7150 -> Canopus ADVC-100 -> iMac Core 2 Duo -> Final Cut Pro 6 -> Compressor 3 -> .m2v, .aif -> BHP Add fades Add border Increase brightness Fix audio time delay Video work done by Peanut Productions Audio Source Information: shnid = 87289 Recording Info: SBD -> Dat -> Cassette Master (TDK SA-X100) Transfer Info: Cassette Master (Nakamichi DR-1) -> Apogee MiniMe (24bit/48k) -> Samplitude Professional v9.11 -> FLAC/16 All Transfers and Mastering By Charlie Miller [email protected] September 18, 2007 Notes: -- Set 2 is seamless Audio Patches: 1) Between Stuck Inside Of Mobile With The Memphis Blues Again and Bird Song, 57.351 seconds were missing from the soundboard and was filled using audio from the video. Video Patches: None Notes -Video assets courtesy of Peanut Productions - thank you very much -Soundboard was torrented from LL with many thanks -Audio synchronization by Kevin Tobin using Adobe Audition to compress/expand the audio in multitrack mode to match the original audio. -Video patches created with Ulead VideoStudio 11 by Kevin Tobin. -Multiplexing via TMPGEnc MPEG Editor by Kevin Tobin. -DVD authoring via DVD Architect 5.2 by Kevin Tobin. Video Attribute : Video compression mode : MPEG-2 TV system : 525/60 (NTSC) Aspect Ratio : 4:3 Display Mode : reserved Source picture resolution : 720x480 Frame Rate : 29.99 Source picture letterboxed : Not letterboxed Bitrate : 7.900 Mbps Menu : Yes (song list on separate menu) Audio Attribute : Number of Audio channels : 2 Number of Audio streams : 1 Audio Coding mode: Linear PCM audio Sampling Rate : 48kHz 1536Kbps Brokedown House Production Do NOT buy or sell this video | |||||
| J (1/5) | DVD / 3 | View | Video: AUD (Tripod) > Master / Audio: SBD | |||
| x poordevil (1/5) | cdr aud / 2 | A | View | |||
| Notes: | aud cass>cdr,not etree,drums cut,Stir it up no vocals(crowd sang it)w\Bruce H. A favorite,also have sbd cass but love this aud copy,Miss. Half Step begining is flawed.TRULY AN UNFORGETTABLE NIGHT! Thanks for my last minute free ticket,Joey! | |||||
| x poordevil (1/5) | cdr SBD / 2 | A | View | 474 | SBD | |
| Notes: | dnl | |||||
| x poordevil (1/5) | cdr SBD / 3 | View | 87289 | SBD | ||
| x poordevil (1/5) | DVD aud / 2 | View | 87289 | |||
| x poordevil (1/5) | DVD aud / 1 | View | ||||
| J Parzych (1/5) | FLAC / 0 | View | 87289 | |||
| Imetdork (1/0) | FLAC / 0 | View | 87289 | |||