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Grateful Dead 09/10/91
Madison Square Garden, New York, NY
Set I
Shakedown Street >
C.C. Rider >
It Takes A Lot To Laugh It Takes A Train To Cry
Black Throated Wind
High Time
Cassidy
Deal
Set II
Help On The Way >
Slipknot! >
Franklin's Tower
Estimated Prophet >
Dark Star >
Drums >
Space >
Dark Star >
I Need A Miracle >
Standing On The Moon >
Turn On Your Lovelight

Encore:
It's All Over Now Baby Blue
Set III
 
Comment
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Bruce Hornsby - Piano, Accordion
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Branford Marsalis - Saxophone
Last Changed By J
Sources
(511) View Source    View Archive
complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks
(30755) View Source    View Archive
Source: SBD: DAT(M) > DAT(1) > DAT(2) Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC; FLAC conversion done by [email protected]
(34678) View Source    View Archive
flac16; DSBD>DATs>CDRs>EAC>SHN>WAV>FLAC - Seamless fix of shn id 511. Note Added 11/9/08: Reflac version w/o replay gain added. See info file for details
(89085) View Source    View Archive
flac16; SBD DAT(?) > TASCAM DA-20 (spdif out) -> Apogee Wide Eye spdif innterconnect ->Lynx Two Soundcard (spdif in) -> Wavelab 6.0
(96422) View Source    View Archive
flac16; Lineage: Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Set 1 Hand Held, Section 2, Row S, Seat 2 Set 2 On Stand, Section 2, Row V, Seat 2 Recorded By: James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Tracked in CDwave, FLAC’d Flac Frontend level 8Tag & Rename for FLAC Meta-Tagging.
(98132) View Source    View Archive
flac16; Matrix synch completed by Amdig SBD + AUD Matrix from 2 GEMS Source Mix (65%-SBD/35%-AUD) Time sych done in CEPro 2.0 Multitrack matrix mixdown to 24/48 in CEPro 2.0 Final Matrix Matstering: Jamie Waddell on the GEMS Edit Station. Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither Encoding by BlueDakota. Tracked in Wavelab 6.0, FLAC’d Flac Frontend level 8 Tag & Rename for FLAC Meta-Tagging; Matrix Recordings Created from these GEMS Sources: source ID 89085 - GEMS DSBD (DSBD 16-bit, 44.1kHz Vault DAT Clone) and source ID 96422 - GEMS FOB Aud (Master FOB DAT 16-bit, 48kHz)
(98655) View Source    View Archive
DTS-Audio-CD 5.1 Mix; Source Info - SBD (shnID = 89085) and AUD (shnID = 96422) Recorded By: James Young and Clay Brennecke
(98701) View Source    View Archive
flac24; SBD+AUD Matrix Mix (65%-SBD/35%-AUD) SBD (shnID = 89085) and AUD (shnID = 96422)
(117023) View Source    View Archive
flac24; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
(117024) View Source    View Archive
flac16; Master Audience Nakamichi CM300/CP4 Shotguns>Sony D5; Recorded By JB,Transfer By Keo,Tapes From Heaton; Tapes:Maxell Metal Capsule 100,Maxell MX 110; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With AudioGate Software
(122424) View Source    View Archive
flac24; OTS AUD: 2x Nakamichi CM300 w/CP4 shotguns > Sony TC-D5M > Maxell MXS 90/100, w/no Dolby. Taped by Ted Gidley. Transfer: MAC > Nakamichi CR-5A > Edirol FA-66 > Wavelab > TLH > FLAC 2448 tagged. Transfer by Andrew F. 10/2012
(138917) View Source    View Archive
flac16/48kHz; source: Schoeps cmc34 (FOB) -> Oade P/S -> Panasonic SV-255 (48k); transfer: (DAT master) Sony D8 -> Oade 7-pin/Coax -> Tascam HD-P2 -> wav -> Sound Studio -> xACT -> flac (16/48); recorded by: Dan O'Neill, set 1 handheld, Set 2 stand over 6'; location: Sec 2, Row V, Seat 3
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Collectors With This Show
User (active/rating) Media / # Show Sound Details DB Source User Source
ted1079 (5/5) CD / 3 View  
davyp (5/4.3) shn / 2 View 511 complete; DSBD> DATs> CDRs> EAC> SHN; via Darrin Sacks
audiohead22 (5/5) / 0 View  
Bret Magdasy (5/0) cdr / 3 View 511 DSBD
Notes: missing Dark Star reprise, miracle, and SOTM
Cobb Vaughan (5/4) CDR / 3 A A View  
Cobb Vaughan (5/4) CDR / 3 A A View   DSBD > DAT
Jay (5/5) CD / 2 2 A+ View   SBD
Jason (5/5) CDR / 2 A+ A+ View   DSBD>DATs>CD-r's>EAC>SHN>WAV
Mark Page (5/4.7) CDR / 3 A+ View   DSBD> DAT> CDR
Joe Rizzo (5/4.8) CD / 3 A View   SBD
Notes: Very Good w/ Branford Marsalis & Hornsby filler: Hornsby playing on radio
Joe Rizzo (5/4.8) VCD / 3 A A View  
Bill Conrad (5/5) CDR / 2 View  
garret (5/0) Flac / 20 A+ A+ View 30755 SBD: DAT x 2
Notes: Notes Disc 2 and 3 can be seamlessly joined on longer media. I opted to keep the entire Dark Star on a single CD and break to disc 3 at Space. You can choose to burn this in whatever order you like as the disc transition is seamless. I cloned what was reported as 1st generation DATs making these 2nd gen. As it was still early in October 1991, less than 3 weeks after the shows ended, it seems that the generation count is likely to be accurate. I do not report these to be better or worse than the many versions in circulation. These are fresh transfers off my DATs with no EAC or DAE. This is the music straight off the DATs, no editing of any kind was performed. There are no fades at the start or end of sets. Every second that was on the DAT is here within these FLAC files. 9/10/91 does appear to be from a different source, however, so I am doing this transfer first. This is the only night that does not have several minutes of tuning prior to the first song of each set. I do not know why this is as my memory of this occurrence has faded.
jackstraw (5/0) cd / 3 View 511 sbd
prn76 (5/4) CDR / 3 View   DSBD
prn76 (5/4) VCD / 3 View   VHS > VCD w/ DSBD Audio
barry bryson (5/4.3) analog/180 / 2 View   aud
Ryan (5/5) shn/cdr / 3 View   DSBD>DATs>CDRs>EAC>SHN
Adam (5/0) CDR / 3 View 511
Dan McDonald (5/5) / 3 A+ View   SBD>DAT>CDR
Notes: SBD>DAT>CDR
Bob Paquette (5/4.9) CD-R / 3 B View  
John Cook (5/0) cdr / 2 View 511 sbd
joe gaglione (5/3) sony / 3 A+ A+ View   SBD
Notes: W/Branford Marsalis
Frank Katen (5/0) DVD+R / 3 View 30755
Adam Lawler (5/0) .shn / 2 View 511 SBD
MattMan_audio (5/0) SHN / 2 A+ A View 511 DSBD>DATs>CDRs>EAC>SHN
Notes: I attended this show. Thanks Branford!
Scott (5/0) CD-R / 3 A View   SBD source, this copy made from 2nd gen cass, very clean
Notes: with Bruce Hornsby and Branford Marsalis throughout
Andrew Murawa (5/5) cd / 3 A View   SBD
Guy Lindvall (5/0) shn->CD / 3 View  
Tom Lamprey (5/1) cdr shn / 2 View 511