(529) View Source    View Archive
sbd> DAT> CD-R> EAC> SHN (no cass in gen); seed via A. McCall, via A. Eaglestone to BUDD et al offer; 11/00 at gdlive.com

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(85221) View Source    View Archive
flac16; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > R8Brain v1.9 (downsample to 44.1kHz) > TLH > FLAC. Taped and transferred (May 2007) by Andrew F.

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(85222) View Source    View Archive
flac16/48; AUD Source: Nakamichi CM-300's w/CP-4 shotgun capsules > Casio DA-7 > Agfa Dat tape. Mics on 7-foot stand, pointed at stacks, third row of taping area. Transfer: MAD > Sony TCD-D10P > Coax SPDIF > Audiophile 2496 > Soundforge (at 48kHz) > CD-Wave > TLH > FLAC. Taped & transferred (5/2007) by Andrew F.

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(94674) View Source    View Archive
flac16; source: aud > Nakamichi 300 shotguns > Sony WM-D6 > 2 x Maxell SII-S taped by John Bleich from section V, row K, seat 3 transfer: mac > Nakamichi BX-125E > EMU 020 > Wavelab > wav (24/96) > flac

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(101439) View Source    View Archive
flac16; Lineage: Set 1 Clone of Master DAT, Set 2 Master DAT Set 1 Clone of Master DAT Recording Equipment: B&K 4011 110º ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro Recording Location: FOB Recorded by James Young and Clay Brennecke Transfer: 16 bit – 48kHz DAT Master > TASCAM DA-20 (SPDIF out) -> LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0 Editing and Mastering: Jamie Waddell on the GEMS Edit Station Weiss Saracon for 16 BIT – 44.1kHz SRC and POWR-3 Dither

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(106585) View Source    View Archive
flac16; Nakamichi CM-300 (CP-4) x2 > Cassette Master (Sony TCD5M/Maxell MX-S 90) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 16-bit/44.1KHz) > cdwav (edits) Recorded from Floor Section BB, Row 31, Seat 14 by Bob & Sam Morris

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(124449) View Source    View Archive
flac24; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate Software To 24 Bit/96 kHz; Metadata Tagging With Tag&Rename

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(124450) View Source    View Archive
flac16; Master Audience Recorded By Mr. Currier, Transfer By Keo; AKGC451/CK1's > AKG 9V Phantom Power Supply > Marantz PDM-430 > Dolby B, Tapes Maxell MX-s 100's; Transfer With Nakamichi MR-1 > No Dolby > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate Software To 32/96 Wave; Dithered/Flcked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename

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(134353) View Source    View Archive
flac16; 2 Source Matrix by Dusborne; Soundboard (shnid:000529) SBD->DAT->CDR->EAC->SHN and Audience(shnid:101439)Set 2 Master DAT, Set 1 Clone of Master DAT,B&K 4011 110 degrees ORTF > Neumann BS 48i-2> Modified Sony TCD D-10 Pro,16 bit - 48kHz DAT Master > TASCAM DA-20 (SPDIF out) ->LynxTWO-B Audio Reference Interface (SPDIF in) -> Wavelab 6.0

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(138148) View Source    View Archive
flac16; DSBD Masters DAT-> Panasonic SV-3700-> SP/DIF-> RME Fireface UC-> USB 2.0-> Hewlett-Packard EliteBook 8460p-> Adobe Audition 3.0.1; Beta Sony L-750ESX-HFB Dynamicron EXCELLENT SUPER HIFI VIDEO CASSETTE-> Sony SLO-1800 STEREO VIDEOCASSETTE RECORDER-> Sony PCM-601ESD DIGITAL AUDIO PROCESSOR-> SP/DIF-> Mytek Stereo 192 Sample Rate Converter-> Upsampled to 44.1kHz/24bit->SP/DIF-> RME FIREFACE 800-> FireWire 400-> Lenovo K450e Desktop PC-> WaveLab 6.11; Mastering and editing by acetboy on Pro Tools LE; 16 bit 48 kHz FLAC8 SBE Free March 2017

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(139816) View Source    View Archive
flac16/48kHz; source: daud; taped by Dan Liff r.i.p; neumann rsm 190iS > sony tcd-d10 pro; transferred & seeded - Rob Berger