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Set I
Bertha
Greatest Story Ever Told
West L.A. Fadeaway
Me & My Uncle >
Big River
Ramble On Rose
When I Paint My Masterpiece
Brown Eyed Women
The Music Never Stopped
Greatest Story Ever Told
West L.A. Fadeaway
Me & My Uncle >
Big River
Ramble On Rose
When I Paint My Masterpiece
Brown Eyed Women
The Music Never Stopped
Set II
Iko Iko *
Good Morning Little School Girl * #
Way To Go Home >
Saint Of Circumstance >
He's Gone >
Drums >
Space >
The Wheel >
So Many Roads
All Along The Watchtower > *
Turn On Your Lovelight * #
Encore:
Gloria * #
Good Morning Little School Girl * #
Way To Go Home >
Saint Of Circumstance >
He's Gone >
Drums >
Space >
The Wheel >
So Many Roads
All Along The Watchtower > *
Turn On Your Lovelight * #
Encore:
Gloria * #
Set III
Comment
Steve Miller Band opened
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Steve Miller - Guitar *
James Cotton - Harmonica #
Jerry Garcia - Guitar
Bob Weir - Guitar
Vince Welnick - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Steve Miller - Guitar *
James Cotton - Harmonica #
Last Changed By
J
Sources
(548) View Source
View Archive
SBD->CASS0->DAT @ 44.1 Khz (encore 48 Khz, resampled via CoolEdit Pro @ 999 qs); Transfer: DAT->PC (S/PDIF, TB Fiji), SHNs from original WAVs, A. Shiffman; see info file for flaw notes; upgrade in circulation
(2258) View Source
View Archive
SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; Missing encore; upgrade in circulation
(8959) View Source
View Archive
SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) > Vault Archive ADAT > 24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB; Seeded to etree by Jay Serafin
(22794) View Source
View Archive
Source: Soundboard (was originally labeled as Shure Beta 57's > Tascam Porta 5 DBX Analog Deck > Cass Master > DAT > CDR) Transfer: EAC > CDR > FLAC Taper: Jim O'Malley Location: "...down on the field close to the stage..."
(32496) View Source
View Archive
flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller
(34801) View Source
View Archive
flac16; Seamless fix of shn id 8959 - SBD > GD MASTER D > D > SSSB
(138876) View Source
View Archive
flac16/48kHz; Set 2, unknown taper: B&K 4011 at 110 degrees ORTF > Neumann PS > Sony D10Pro - FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
(139264) View Source
View Archive
flac16 44.1khz Set 1 only. Recorded by David Cohen & Justin Lee. OTS 8 foot stand. 2 Nakamichi CM300 Omnis spaced 2 meters >Sony D10Pro II DAT 48K Master sample rate converted to 44.1 in Wavelab
(139368) View Source
View Archive
flac16 44.1khz Source Info: FOB Schoeps CMC3 MK2-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1).Transfers by Pete Ebel
(139369) View Source
View Archive
flac16 44.1khz Source Info: FOB B&K 4011-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
(548) View Source
View Archive SBD->CASS0->DAT @ 44.1 Khz (encore 48 Khz, resampled via CoolEdit Pro @ 999 qs); Transfer: DAT->PC (S/PDIF, TB Fiji), SHNs from original WAVs, A. Shiffman; see info file for flaw notes; upgrade in circulation
(2258) View Source
View Archive SBD> D-> CDR-> EAC> SHN; Ripped by John Zei; Missing encore; upgrade in circulation
(8959) View Source
View Archive SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) > Vault Archive ADAT > 24-bit/96 kHz 2-track Mixdown DAT (Marin County Source) > SSSB; Seeded to etree by Jay Serafin
(22794) View Source
View Archive Source: Soundboard (was originally labeled as Shure Beta 57's > Tascam Porta 5 DBX Analog Deck > Cass Master > DAT > CDR) Transfer: EAC > CDR > FLAC Taper: Jim O'Malley Location: "...down on the field close to the stage..."
(32496) View Source
View Archive flac16; SBD -> Dat -> CD Transferred and Edited By Charlie Miller
(34801) View Source
View Archive flac16; Seamless fix of shn id 8959 - SBD > GD MASTER D > D > SSSB
(138876) View Source
View Archive flac16/48kHz; Set 2, unknown taper: B&K 4011 at 110 degrees ORTF > Neumann PS > Sony D10Pro - FOB; John Ammons Transfer: from his DAT clone of the master. Tascam DA20 Mark II DAT > Roland SRC-2 sample rate/format converter (from SPDIF to Optical) > Mac Mini > Audacity 3.0 at 48K > Wave; Edited & Mastered in Audacity by Joe Noel > flac 16/48; Checksum & tags created in xACT
(139264) View Source
View Archive flac16 44.1khz Set 1 only. Recorded by David Cohen & Justin Lee. OTS 8 foot stand. 2 Nakamichi CM300 Omnis spaced 2 meters >Sony D10Pro II DAT 48K Master sample rate converted to 44.1 in Wavelab
(139368) View Source
View Archive flac16 44.1khz Source Info: FOB Schoeps CMC3 MK2-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's) Extract Wav-> Flac Level 8-> Tagged (16/44.1).Transfers by Pete Ebel
(139369) View Source
View Archive flac16 44.1khz Source Info: FOB B&K 4011-> DAT. Transfer Info: Dat (Panasonic SV-3700) -> Marantz CDR-615 -> CD (Late 90's). Extract Wav-> Flac Level 8-> Tagged (16/44.1). Transfers by Pete Ebel
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Collectors With This Show
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| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| Scott Mauvais (lscott) (2/0) | SHN/FLAC / 0 | SBD | View | 34801 | SBD > GD MASTER D > D > SSSB | |
| Richard D. Jordan (2/5) | cdr / 3 | A | View | SBD (SSSB) | ||
| Richard D. Jordan (2/5) | flac / 2 | View | 32496 | SBD -> Dat -> CD | ||
| Jason (2/0) | / 3 | View | ||||
| steely dan (2/5) | cdr / 3 | View | 32496 | SBD -> Dat -> CD | ||
| Chris Nestler (2/0) | CDR/SHN / 3 | View | 8959 | |||
| Chris Nestler (2/0) | FLAC / 3 | View | 32496 | |||
| Tom O'Reilly (2/0) | SHN / 2 | A | A | View | 548 | SBD->CASS0->DAT @ 44.1 KhzTransfer: DAT->PC (S/PDIF, TB Fiji), SHNs from original .WAVs |
| Notes: | My tape was labeled DSBD, but I've concluded there is a cassette gen, though hardly noticable. - left channel drops most of the way out for a bit at the end of Way to Go Home and continues until the beginning of Saint - the Gloria encore was on my DAT @ 48 Khz (the rest of the show was at 44.1). Also, it was compressed and missing quite a bit of the high end. I decided to do a small EQ with CoolEdit, upping the high end a bit. This is generally against my DAT-CD methodology, but in this case I think it was warranted. | |||||
| Ted Busch (2/0) | SHN / 2 | View | SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) > Vault Archive... | |||
| Terrapanda (2/0) | / 2 | View | 32496 | |||
| Matthew Klein (2/0) | CDr / 3 | View | 32496 | |||
| Tony Gianelli (2/0) | CDR / 3 | A+ | View | SBD>RF Digital Earpiece Monitor Mix Buss>Vault Archive ADAT>24 -bit/96 kHz 2-track... | ||
| ggloyd (2/4.9) | cdr/shn / 3 | A+ | View | 8959 | SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) >Vault Archive... | |
| Jordan Kisner (2/0) | SHN / 2 | View | 8959 | SBD > RF Digital Earpiece Monitor Mix Buss (fed to Kreutzman/Hart) > Vault Archive ADAT > Mixdown... | ||
| jobber (2/0) | Cdr / 3 | View | ||||
| Notes: | Wow - Great Sound | |||||
| Jason A (2/4.5) | SHN / 2 | View | 8959 | |||
| Dean Thole (2/0) | SHN / 2 | View | 8959 | |||
| William Ferdinandsen (2/5) | / 3 | View | ||||
| Notes: | Aud = 3, SBD = 3 | |||||
| Vic Ames (2/0) | / 0 | View | 32496 | |||
| Matt (2/4.8) | 2 SHN / 2 | A | A- | View | 8959 | |
| lukas eklund (2/0) | SHN / 2 | View | 8959 | SBD > Monitor Mix > ADAT > DAT | ||
| chrislaughlin (2/5) | / 3 | View | 8959 | SBD | ||
| Scott Mauvais (2/0) | SHN/FLAC / 0 | SBD | View | 34801 | SBD > GD MASTER D > D > SSSB | |
| John Cook (2/0) | audio / 3 | View | ||||
| Matt Bell (2/0) | / 0 | View | ||||
| John Fitzgerald (2/0) | / 3 | View | ||||
| Kevin (2/0) | CD-R / 0 | View | ||||
| Joe and Laura (2/5) | cdr / 3 | A | A+ | View | SBD > RF Digital Earpiece Monitor Mix Buss (mix was fed to Kreutzman/Hart) >Vault Archive... | |
| Notes: | All editing & processing performed at 24-bit/96 kHz (100% digital realm) by: Jay Serafin, chief audio/video engineer at Serafin Station Studio B using the "code name Harpoon" editing software (beta Ver. 0.928.4 Build 88) Disc 1 SET I gd92-06-25d1t01 08:31.581 Bertha -> gd92-06-25d1t02 04:14.268 -> Greatest Story Ever Told gd92-06-25d1t03 09:52.677 West L. A. Fadeaway gd92-06-25d1t04 03:02.366 Me & My Uncle -> gd92-06-25d1t05 07:35.783 -> Big River gd92-06-25d1t06 07:22.750 Ramble On Rose gd92-06-25d1t07 06:38.581 When I Paint My Masterpiece gd92-06-25d1t08 05:46.620 Brown-Eyed Women -> gd92-06-25d1t09 10:06.579 -> The Music Never Stopped Total time: 1:03:11.205 Disc 2 SET II gd92-06-25d2t01 07:38.764 Aiko Aiko gd92-06-25d2t02 09:59.495 Good Morning Little Schoolgirl gd92-06-25d2t03 06:29.272 Long Way To Go Home gd92-06-25d2t04 06:59.507 Saint Of Circumstance -> gd92-06-25d2t05 09:53.900 -> He's Gone Total time: 0:41:00.938 Disc 3 SET II CONT'D gd92-06-25d3t01 31:40.670 Drums > Space -> gd92-06-25d3t02 05:04.922 -> The Wheel -> gd92-06-25d3t03 07:22.448 -> So Many Roads -> gd92-06-25d3t04 07:40.357 -> All Along The Watchtower -> gd92-06-25d3t05 10:19.752 -> Turn On Your Love Light gd92-06-25d3t06 07:06.140 ENCORE: Gloria Total time: 1:00:14.289 | |||||
| Eric Kravitz (2/0) | CDR / 3 | A- | A- | View | AUD | |
| Tim Martin (2/0) | cdr / 3 | sbd | View | |||