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FOB/DFC
Sec. 2 - Row R - Seats 1 & 2
AMS St-250 run Blumlein on stand both sets > Apogee AD 500 > D-10 Pro mod (48k)
recorded by Clay Brennecke and Jamie Young
DAT > SHN via: Clone of master DAT played through Sony PCM-M1 > active 7 pin cable > Zoltrix Nightingale > recorded/downsampled on PC with Cool Edit 2000 tracked with CDWAV SHN encoding with MKW-ACT (seeking);
NOTE- User Matt Vernon submitted 'alternate' md5s with these notes...
the md5's below differ for d1t1,6,7 d2t3,5 and d3t4,5 from the listed shn set but had the same info file
i listened to this show and they are clean including set 2 continuity at the disk 2->3 transition.
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Set 2 only : SBD>DAT>CDR ; SHN>WAV>Shntool(join)>ADWS>CD WAV>Shntool(check)>SHN(seekable) ; Via Chris Larson ; Remastered by T. Wiley 07/13/2003.
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flac16; Recording Info:SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Sound Devices 744T -> Samplitude Professional v10.1 -> FLAC; All Transfers and Mastering By Charlie Miller
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flac16; Source: Nakamichi 300 Mics W/CP4 Shotguns> Sony WM-D6C Cassette Deck> Cassette Master>Sony TC-D5M Cassette Deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8. Sector Boundaries Aligned Using Traders Little Helper. Taped By Dave Boedicker,Official Taper Section,Section 10, Row P,Seat 14
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flac16; AUD: Schoeps CMC6/MK4 (ORTF) > unknown mic power and lead dat deck > Coax SPDIF > Casio DA-7 > TDK DA-R DAT, set up end of floor center, directly behind the lighting board. Transfer: MAD > Sony D8 > Optical out > Edirol FA-66 > Wavelab 1644 > CD-Wave > TLH > FLAC 1644 tagged. Recording & transfer by Andrew F.