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Set I
Cold Rain & Snow
New Minglewood Blues
Candyman
Me & My Uncle >
Mexicali Blues
West L.A. Fadeaway
Queen Jane Approximately
Stagger Lee
The Music Never Stopped
New Minglewood Blues
Candyman
Me & My Uncle >
Mexicali Blues
West L.A. Fadeaway
Queen Jane Approximately
Stagger Lee
The Music Never Stopped
Set II
China Cat Sunflower >
I Know You Rider
Playing In The Band >
Built To Last > *
Drums >
Space >
I Need A Miracle >
Dear Mr. Fantasy >
Turn On Your Lovelight
E: Black Muddy River
I Know You Rider
Playing In The Band >
Built To Last > *
Drums >
Space >
I Need A Miracle >
Dear Mr. Fantasy >
Turn On Your Lovelight
E: Black Muddy River
Set III
Comment
First time played *
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Jerry Garcia - Guitar
Bob Weir - Guitar
Brent Mydland - Keyboards
Phil Lesh - Bass
Bill Kreutzmann - Drums
Mickey Hart - Drums
Last Changed By
J
Sources
(82488) View Source
View Archive
flac16; Set 2 Only, Taper: Unknown AKGC422 > Sony D5 8ft high 30 ft center (or D5 tuned up and Nak300) JVC TD-V1050 cassette deck -> Lynx Two A/D (24-bit, 48kHz) -> Wavelab 6.0 Edited and Remastered: Wavelab 6.0 with Waves Plugins and Ozone by Jamie Waddell
(105858) View Source
View Archive
flac16; Taper: Alan "Dogman" Miller. Lineage AKG Microphones > Nakamichi550 1st Generation Maxell XLII-S Tapes ( the masters are gone ). Nakamichi DR-1 [no dolby] > Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 48 kHz Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz. Tracked in CDWAV Tag&Rename for Meta_Data. Trader's Little Helper for FLAC Level8 by Patrick White ([email protected])
(116357) View Source
View Archive
flac16; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
(116358) View Source
View Archive
flac24; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
(141656) View Source
View Archive
flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
(82488) View Source
View Archive flac16; Set 2 Only, Taper: Unknown AKGC422 > Sony D5 8ft high 30 ft center (or D5 tuned up and Nak300) JVC TD-V1050 cassette deck -> Lynx Two A/D (24-bit, 48kHz) -> Wavelab 6.0 Edited and Remastered: Wavelab 6.0 with Waves Plugins and Ozone by Jamie Waddell
(105858) View Source
View Archive flac16; Taper: Alan "Dogman" Miller. Lineage AKG Microphones > Nakamichi550 1st Generation Maxell XLII-S Tapes ( the masters are gone ). Nakamichi DR-1 [no dolby] > Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 48 kHz Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz. Tracked in CDWAV Tag&Rename for Meta_Data. Trader's Little Helper for FLAC Level8 by Patrick White ([email protected])
(116357) View Source
View Archive flac16; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper
(116358) View Source
View Archive flac24; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz
(141656) View Source
View Archive flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S > Sony PCM-F1 > Sony SL-2000; Transfer Info: PCM (Sony SL-10)> Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (wav 16-bit/44.1k)> Adobe Audition 3.0 > TLH flac16
Click 'Edit Show' or the 'Set I(II)(III)' or 'Comment' text to make corrections.
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Collectors With This Show
| User (active/rating) | Media / # | Show | Sound | Details | DB Source | User Source |
|---|---|---|---|---|---|---|
| barry bryson (5/4.3) | analog/180 / 2 | View | aud | |||
| Brad Foster (4/4.9) | FLAC / 2 | View | AKG Microphones > Nakamichi550 > Cass/1 | |||
| Bruce O'Neil (4/0) | shn / 0 | View | 82488 | sbd | ||
| Notes: | gd1988-10-20.GEMS.SetTwo.JayWest.82488.flac | |||||
| Bruce O'Neil (4/0) | flac / 0 | View | 105858 | sbd | ||
| Notes: | gd1988-10-20.akg.miller.gardner.GEMS.105858.sbeok.flac16 | |||||
| chris carter (4/5) | flac/1 / 1 | View | 82488 | aud | ||
| Dave Heenan (3/0) | FLAC / 1 | View | 82488 | AKGC422 > Sony D5 8ft high 30 ft center (or D5 tuned up and Nak300) JVC TD-V1050 cassette deck... | ||
| Notes: | Set 2 Only | |||||
| Marty (3/4.9) | CDR / 2 | View | 116357 | |||
| Notes: | FLAC | |||||
| Michael (3/0) | FLAC / 2 | View | 116357 | |||
| cbass (3/5) | / 0 | View | 82488 | |||
| Richard Warren (3/5) | flac / 2 | View | 105858 | |||
| Notes: | 105858 | |||||
| Mike Pageau (3/0) | SBD 15 / 1 | View | 82488 | |||
| Mike Pageau (3/0) | AUD 15 / 2 | View | 105858 | |||
| Mike Pageau (3/0) | AUD 16 / 2 | View | 116357 | |||
| PrideofCucamonga (3/0) | FLAC / 1 | View | 82488 | |||
| Notes: | ***GEMS*** | |||||
| Dave Wenzel (2/5) | / 2 | A | View | UltraMatrix SBD: CM>D>FLAC | ||
| Notes: | fun show | |||||
| Dave Wenzel (2/5) | / 2 | A- | View | 141656 | ||
| Notes: | first ever BUILT TO LAST | |||||
| Lost Sailor (2/0) | Flac 16 / 0 | View | 105858 | flac16; Taper: Alan "Dogman" Miller. Lineage AKG Microphones > Nakamichi550 1st Generation... | ||
| Lost Sailor (2/0) | Flac 16 / 0 | View | 82488 | flac16; Set 2 Only, Taper: Unknown AKGC422 > Sony D5 8ft high 30 ft center (or D5 tuned... | ||
| Lost Sailor (2/0) | Flac 24/96 / 0 | View | 116358 | flac24; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper... | ||
| Lost Sailor (2/0) | Flac 16 / 0 | View | 141656 | flac16; Source Info: Ted Mattes' Master Audience PCM (OTS); Schoeps CMC3/MK41 > Oade P/S... | ||
| Uncle J (2/5) | flac / 1 | View | 82488 | |||
| Notes: | audience - on same dvd as 7/6/86 | |||||
| Michael McMullan (2/5) | CDR/FLAC / 2 | A- | View | 105858 | Aud | |
| Gary Field (1/5) | FLAC / 1 | View | 82488 | AUD | ||
| Notes: | Set 2 Only, Taper: Unknown AKGC422 > Sony D5 8ft high 30 ft center (or D5 tuned up and Nak300) JVC TD-V1050 cassette deck -> Lynx Two A/D (24-bit, 48kHz) -> Wavelab 6.0 Edited and Remastered: Wavelab 6.0 with Waves Plugins and Ozone by Jamie Waddell [070212.3] | |||||
| Gary Field (1/5) | 105858 / 2 | View | 105858 | AUD | ||
| Notes: | Taper: Alan "Dogman" Miller. Lineage AKG Microphones > Nakamichi550 1st Generation Maxell XLII-S Tapes ( the masters are gone ). Nakamichi DR-1 [no dolby] > Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 48 kHz Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz. Tracked in CDWAV Tag&Rename for Meta_Data. Trader's Little Helper for FLAC Level8 [100309.2] | |||||
| Gary Field (1/5) | 116359 / 2 | View | 116357 | AUD | ||
| Notes: | Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper [120109.wd001] | |||||
| Gary Field (1/5) | 116358 / 5 | View | 116358 | AUD | ||
| Notes: | flac24; Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging; With AudioGate Software To 24 Bit/96 kHz [120109.wd001] | |||||
| Gary Field (1/5) | 141656 / 0 | View | 141656 | |||
| Marc Deardorff (1/5) | flac / 1 | View | 82488 | |||
| Notes: | Set 2 Only, Taper: Unknown AKGC422 > Sony D5 8ft high 30 ft center (or D5 tuned up and Nak300) JVC TD-V1050 cassette deck -> Lynx Two A/D (24-bit, 48kHz) -> Wavelab 6.0 Edited and Remastered: Wavelab 6.0 with Waves Plugins and Ozone by Jamie Waddell | |||||
| Marc Deardorff (1/5) | flac / 2 | View | 105858 | |||
| Notes: | Taper: Alan "Dogman" Miller. Lineage AKG Microphones > Nakamichi550 1st Generation Maxell XLII-S Tapes ( the masters are gone ). Nakamichi DR-1 [no dolby] > Lynx2 Studio Reference Interface > Wavelab 6.01 at 24 BIT 48 kHz Editing and Mastering: Jamie Waddell ([email protected]) on the GEMS Edit Station. Weiss Saracon for SRC and Pow-r 3 Dither to 16 BIT 44.1 kHz. Tracked in CDWAV Tag&Rename for Meta_Data. Trader's Little Helper for FLAC Level8 by Patrick White ([email protected]) | |||||
| Boedi-taper (1/4.8) | CDR / 2 | A | A | View | Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer... | |
| Notes: | Master Audience Sennheiser 441's>Sony D5>Sony D6 (Patched) Dolby C On; Taper White,Transfer By Keo; Tapes Maxell MX-90's; Transfer With Nakamichi MR-1,Dolby C Off>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Metadata Tagging With AudioGate Software To 32 Bit Float/96 kHz; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper -------------------------------------------------------------------------------- | |||||